So Linky Together

Such Moving Pictures Clayton picks his top 11 of the year
The Film Doctor and his wife discuss Birdman and crisis of identity
The Backlot does a readers poll of the greatest gay movies but YIKES some of the titles and their rankings. It's also very very American movie centric. No Happy Together on a list of 100 greatest gay movies? THAT'S A DEAL BREAKER, LADIES.
20 Weeks to Oscar - David Poland wonders if it's wide open due to preferential balloting which he hates (and explains why)

NY Times Colleen McCullough author of the Thorn Birds dies at 77. My mom was obsessed with that miniseries when I was a little kid so I vaguely remember it.
Variety reviews Lila & Eve starring Viola Davis & Jennifer Lopez. Yes, I realize they're billed the other way round but let's be real, okay? I really wanted to see this one but it did not screen during the first five days when I was there. I'm hoping Michael saw it.
Film School Rejects talks about release / distribution for Sundance films. Sadly some of the biggest hits will undoubtely wait until the fall or winter to try to get Oscar traction. But a few will open before that like Dope (due in June). 
Salon "I was an American Sniper, and Chris Kyle's war was not my war."
Art of the Title Sequence takes on Spike Lee's Do The Right Thing (1989)
The New Yorker Richard Brody thinks critics have failed female auteurs
/Film whoa. Martin Starr from Freaks & Greeks is all grown up and is playing a romantic lead in Amira & Sam
THR Oooh, a new leading role for Octavia Spencer in Seacole, a biopic of a Jamaican doctor
/Film Ezra Miller interviewed about The Flash on the street with Billy Crudup his Stanford Prison Experiment co-star. Nobody asks Billy Crudup about the time he turned down the Hulk in the early Aughts
Variety ooh Glenn Close & Frances McDormand are both going to be in a new drama called The Wife (Close is the lead who leaves her literary giant husband (Jonathan Pryce) just as he's about to be presented with the Nobel prize). Co-starring: Logan Lerman, Brit Marling, and Christian Slate
THR Megan Ellison saves Vidiots from closure
The Carpetbagger Clothes and character in The Theory of Everything and more 

Allow me to be weirded out for a moment.

Did you know that Kirk (Sean Gunn) from Gilmore Girls played Rocket Raccoon on the set of Guardians of the Galaxy. I am dumbfounded. Perhaps this is common knowledge but I am only just realizing it. That Kirk was always trying new careers on for size in Stars Hollow but who knew he would ever end up like this!?

Podcast Extra: The Trouble with Diane Keaton

In this free flowing conversational extra [23 minutes]  Joe Reid tells Nick, Katey and Nathaniel  about where his devotion to Diane Keaton has taken him: to the "nothing" of And So It Goes (2014). We discuss the dangers of "comfort zones" and working with paychecks.

The conversation drifts to Edge of Tomorrow and Broadway musicals including Into the Woods. But mostly the 1989 & 1990 Oscar ceremonies. We always end up at Oscars. It's a sickness! Name checked in this extra episode: Emily Blunt, John Lithgow, Graham Greene, Michael Douglas, John Lithgow, Annette Bening, The Silence of the Lambs, Reba McEntire, Michelle Pfeiffer, and the musical stylings of Jasmine Guy. 

You can listen at the bottom of the post or wait till it shows up on iTunes (which usually takes about a day). Continue the conversation in the comments. We'd love to hear your comments on how it's going with Diane Keaton and your memories of the 89 and 90 Oscars, should you have any that is.

Articles Referenced: 
Joe & Kevin on Diane Keaton's career, Nathaniel on King Lear, and Nick & Joe's halfway mark capsule brilliance. 

And So It Goes...

Tribeca: "5 to 7," Or Why Frustrated Writers Should Back Away From Final Draft

Tribeca coverage continues with Diana on 5 to 7 with Anton Yelchin & Glenn Close

Based on the imaginings of an out-of-touch, middle-aged writer-director, 5 to 7 is about a 24 year-old “writer” (Anton Yelchin) who becomes involved with the 33 year-old wife of a French diplomat (Berenice Marlohe). Brian lives in Manhattan, presumedly on his parents’ dime (Glenn Close and Frank Langella, both painfully misused), and attempts to write, his creative juices facilitated by posting a multitude of rejection letters on his wall and playing lonely man wiffleball in his apartment. Arielle also lives in Manhattan  and is oh so very “French” -- husband, two kids, posh neighborhood, and ability to balance high heels with a well-fitting dress.

Spotting Arielle in front of the St. Regis, Brian pursues her through quips that sound more like early drafts of “wit” rather than the finished product (think Woody Allen without the neurotic charm). She tosses words back at him that are meant to signify mutual attraction. When they do end up in a hotel room together (after she hands him the key), there is zip chemistry between the pair, cringingly highlighted all-the-more when Arielle tells Brian that he is a natural lover and asks whether his other lovers had told him that. That’s the crux of the problem with this film - we are told things consistently through voiceover and character iteration (Brian loves Arielle, Arielle loves Brian, Brian’s mother can see that they love each other), but we’re rarely shown anything substantial enough to back up these assertions. [More...] 

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25 Years Ago Today... Marquise & Madame

These pictures were literally shot 25 years ago today - Michelle Pfeiffer & Glenn Close at the Governor's Ball for the 1988 Oscars on March 29th, 1989.  

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"Spark"

Illustration Friday is fun internet exercize for artists and though most of the participants seem to be professional, which I am not, I'm trying it again to celebrate my first iPad (which is much easier to draw on then the phone). This weeks topic is "Spark" and the second I saw the words this image popped into my mind. Because few things at the cinema have ever felt so much like a lit fuse to something powder-keg explosive...

To this day I remember the chills, my breath stopping in the movie theater when the Marquise de Mertueil (Glenn Close) and Vicomte de Valmont (John Malkovich) had their final heated confrontation. They'd fallen out over previous verbal arrangements and epistolary evidence. "A single word" is all he asks to mend things between them, though it sounds like a threat. The single word he's looking for is "yes" but she has a different three letter word in mind.

War.

Movie go boom.

If "fierce" hadn't yet been invented as a word, the existence of Glenn Close's Marquise would have birthed it right then and there. (If Glenn Close were half as frightening as the Marquise crossed, the Academy would never have dared rob her of that Oscar. And rob her they did.)

Which moment lit the most explosive fuse in a movie you love?