Thursday, September 19, 2013 at 4:40PM Today's Lunchtime Poll (what, we eat late)...
Which movie star would drive you mad if they dumped you after a brief torrid sexual affair?
Wednesday, August 21, 2013 at 12:00PM To celebrate Robert Redford's imminent return to cinema in "All is Lost" Team Experience will be surveying some of his classics and key films. Here's Anne Marie on The Natural.
Robert Redford is as American as apple pie and baseball. Actually, it might be equally accurate to say that apple pie and baseball are as American as Robert Redford. Like Jimmy Stewart before him, Redford personifies the American Man ideal. But unlike Stewart's earnest Everyman, Redford, with his golden boy good looks and sweet-but-sardonic smile, is the Mythic American Man model. Redford is not the star you relate to; he's the star you admire from afar. Robert Redford has spent most of his career playing variations on this character, but nowhere is his inherent legendaryness used to greater effect than in the 1984 film The Natural. The Natural is a movie about the American Myth through the lens of the American Pastime.
It would be easy to mistake The Natural for "just another sports movie." The plot certainly reads as another sentiment-drenched schlock-fest. Roy Hobbs, a nobody who's past his prime, changes baseball and wins a championship with his talent, his courage, and a baseball bat struck by lightning. (I rolled my eyes even as I typed that.) However, to take this movie too literally is to miss its point.
The Natural plays on a grander scale. Roy Hobbs is the Arthurian Hero wielding a legendary weapon. It's no coincidence that he leads a baseball team called the Knights. Barbara Hershey, in a small but striking role as the woman who ends his career before it begins, is Temptation. Glenn Close makes a rare appearance as the Good Woman, representing the wholesome life Hobbs missed before but could win back. Kim Basinger makes a not-so-rare appearance as the Sinful Woman, a blonde version of Temptation that Hobbs will have to overcome again. These are Characters with a capital "C," more important for what they symbolize than for who they are. If you don't believe me, watch how often characters are backlit. Strong backlighting is cinematography shorthand for Significant And Symbolic Character.
Glenn Close as "Good Woman" a few years before evil was her forte
I have to confess: I usually hate sports movies. I, like Margo Channing, detest cheap sentiment, which is the currency most sports films trade in. The underdog story is overdone. There are only so many sacrifices a man can make for a game before I question his priorities; and really, Rudy made one sack in one play, so why are we cheering mediocrity?
By that measure, I should hate The Natural too. But I can't. Maybe it's Robert Redford's rugged handsomeness (there is no such thing as "middle-aged" Redford; like wine, cheese, and good art, he just gets better with time). Maybe I just really love watching Barbara Hershey vamp. Maybe it's because I'm a sucker for movies about the American Dream, where one person can change the world thorugh earnest hard work. Whatever the reason, The Natural remains a personal favorite, as well as a classic.
Monday, July 29, 2013 at 10:51PM Andrew here to talk about one of the finest women in the last decade of television, and the woman who created her. Let's talk Patty Hewes. With all five seasons of Damages newly available on DVD and Amazon Instant Video, it's time.
When Glenn Close won her second of two Emmy Awards for her work on Damages she coyly thanked the creators of the show for giving her what was...
….maybe….the best role of my career.”
At the time I couldn’t help but react with incredulity considering this was the woman who had given us Alex Forrest (Fatal Attraction), Marquise Isabelle de Merteuil (Dangerous Liaisons) and Norma Desmond and Paulina Salas on stage. Could this TV role really be the role of her lifetime?
Saturday, July 6, 2013 at 8:00AM 
I wish I had a close friend named Dan so I could quote Fatal Glenn all the time.
Tuesday, March 5, 2013 at 7:00PM Do you miss Oscar season or are you glad it's over? I'm feeling a little bit of both right now, which is why this image that a reader sent me is so great. It's Glenn Close & Michelle Pfeiffer on Oscar night in 1989, when they both lost for their roles in Dangerous Liaisons (1988). Michelle did take the stage as a presenter that night (alongside Dennis Quaid).
Who knew that the Merquise de Merteuil and Madame Tourvel could exhibit any such tenderness for each other? (Or maybe the Merquise is just looking for the softest spot on Tourvel's neck in which to sink her fangs?)
So the picture got me to thinking about stars who've never won Oscars despite multiple nods. (Of course the most egregiously mistreated stars in Hollywood are the great actors who've never even been nominated... but that's a different list.) For this Tuesday Top Ten, I thought we'd do things a little differently and the rank will be determined not by my opinion but by Oscar's through the number of nominations. I determine the order if stars have the same number of losing nominations.
TOP TEN WORKING FILMS STARS
WITH MULTIPLE NOMINATIONS WHO'VE
NEVER WON A COMPETITIVE OSCAR
Honorable Mentions: Mickey Rooney, Eleanor Parker, Kirk Douglas (yes, they're all still alive), Jane Alexander, Debra Winger, Diane Ladd and Marsha Mason each won three-to-four nominations but since none of these famous actors are working much or at all in features anymore, I decided to make this a list of top “working” stars instead. As for the bottom third of the top ten list, since there are a lot of stars who’ve earned three nominations without ever winning, I had to make judgement calls as to who to include. So my apologies to: Laura Linney, Joaquin Phoenix and Sigourney Weaver (and others with 3 nominations) who just-missed here.
Johnny Depp, The Dangerous Liaisons girls and more after the jump...
