woof woof. It's your daily Oscar trivia

by Nathaniel R

101 DAYS DALMATIANS until Oscar. For today's Oscar trivia did you know that neither the Disney animated classic of 1961 nor the live action Glenn Close starring remake in 1996 earned Oscar nominations?

Everyone knows that the Academy didn't have a Best Animated Feature category until the 21st century began but prior to that Disney's beloved animated classics were often honored in Original Song. But "Cruella de Vil," the hit single that dog-loving composer Roger writes in the film, the one that earns him enough cash to feed and care for 101 pups in that film's happy ending was not so nominated...

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Glenn Close as "The Wife" - Now a 2018 Release

Dearest Glenn Close Maniacs and Film Experience Readers (two groups which seem to have much crossover), this just in: Sony Pictures Classic has acquired The Wife for release. After a quick check in with SPC from yours truly they have officially confirmed that they're planning a 2018 release with no qualifying run for this season's Oscar race. 

This is either great news or terrible news depending on how you look at it. On the bright side, Sony Pictures Classics has several Best Actress candidates already (Annette Bening, Daniela Vega, etcetera) so why risk diluting their campaigns with another? What's more Best Actress is already a bloodbath (see the charts -- just updated to remove the Glenn Close equation) with more contenders than can possibly be happy with their fate come Oscar nomination. On the downside, sometimes you can lose heat if you wait a year for release and there's no guarantee that next year will be any less competitive. But if you're worried there's no chance for Glenn next year, do not. Blue Sky with Jessica Lange sat on the shelf forever and still ended up getting her an Oscar. Crash and The Hurt Locker both won Best Picture after waiting it out for the next calendar year after their festival debuts. Losing "buzz" or heat is a danger but not an inevitability.

But in the end, whatever happens, great performances are their own reward and Glenn Close nailed this one - see our TIFF review if you missed it. 

TIFF: Glenn Close is "The Wife"

our ongoing adventures at TIFF. An abdriged version of this review was originally published in Nathaniel's column at Towleroad.

Film festivals nearly always provide curious dialogues between films that you weren't expecting. On the same day on the exact same screen at TIFF I managed to see two films about female writers and the male writers in their lives who take up all the oxygen (and praise) in the room. Who would have thought that a film about the origins of Frankenstein (just discussed) and a star vehicle for Glenn Close in Stockholm would have so much in common? 

THE WIFE (Björn Runge)
Joan Castleman (Glenn Close) is a longsuffering wife who would bristle at that very description. She's married to a famous novelist Joe Castleman (Jonathan Pryce) and their homophonic names are no coincidence. The silver-haired couple have been together for nearly half a century and are inseparable if not quite interchangeable...

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"Sunset Boulevard" Rumors... Again.

by Nathaniel R

She's baaaa-aaack. It's AS IF WE NEVER SAID GOODBYE

You may have heard that plans are afoot (again) to bring Andrew Lloyd Webber's Sunset Boulevard musical to the big screen. It will be a Paramount Pictures production. For giggles, I was attempting to find an old article from the last time rumors spread that Glenn Close was going to transfer her Tony success to the big screen and republish it nearly intact "As If We Never Said Goodbye" to this rumor (haha. I'm here all week.) Alas, the article hid itself though I remember writing it. But what year to even search for such a thing? This rumor is perennial...

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Noomi Rapace x7

Chris here. Have you been wondering where Noomi Rapace has been hiding? Well, she's been busy getting cloned for her upcoming Netflix film Seven Sisters. (Just kidding, obviously, but just imagine the gifts we could receive if we started cloning actress!)

Rapace stars as septuplets in a world where siblings are outlawed. Raised by father figure Willem Dafoe, each woman is named for the day of the week that they get to go out into the real world, all assuming the identity of one Karen Settman. As if this doesn't sound looney tunes enough, Glenn Close shows up as the bureaucratic villain for maximum camp nefariousness. When Monday doesn't return home, it's up to the rest of the week sisters to find out what happened to her. And you thought your Mondays were the worst!

Seven Sisters will arrive on stateside Netflix sometime at the end of the year (though it opens elsewhere this summer), and I'm already a little giddy for its sci-fi silliness and what looks like Rapace having a good time. In your sci-fi dystopia, what one day of the week would you choose to leave the house?