The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
Dearest Glenn Close Maniacs and Film Experience Readers (two groups which seem to have much crossover), this just in: Sony Pictures Classic has acquired The Wife for release. After a quick check in with SPC from yours truly they have officially confirmed that they're planning a 2018 release with no qualifying run for this season's Oscar race.
This is either great news or terrible news depending on how you look at it. On the bright side, Sony Pictures Classics has several Best Actress candidates already (Annette Bening, Daniela Vega, etcetera) so why risk diluting their campaigns with another? What's more Best Actress is already a bloodbath (see the charts -- just updated to remove the Glenn Close equation) with more contenders than can possibly be happy with their fate come Oscar nomination. On the downside, sometimes you can lose heat if you wait a year for release and there's no guarantee that next year will be any less competitive. But if you're worried there's no chance for Glenn next year, do not. Blue Sky with Jessica Lange sat on the shelf forever and still ended up getting her an Oscar. Crash and The Hurt Locker both won Best Picture after waiting it out for the next calendar year after their festival debuts. Losing "buzz" or heat is a danger but not an inevitability.
But in the end, whatever happens, great performances are their own reward and Glenn Close nailed this one - see our TIFF review if you missed it.
our ongoing adventures at TIFF. An abdriged version of this review was originally published in Nathaniel's column at Towleroad.
Film festivals nearly always provide curious dialogues between films that you weren't expecting. On the same day on the exact same screen at TIFF I managed to see two films about female writers and the male writers in their lives who take up all the oxygen (and praise) in the room. Who would have thought that a film about the origins of Frankenstein (just discussed) and a star vehicle for Glenn Close in Stockholm would have so much in common?
THE WIFE (Björn Runge) Joan Castleman (Glenn Close) is a longsuffering wife who would bristle at that very description. She's married to a famous novelist Joe Castleman (Jonathan Pryce) and their homophonic names are no coincidence. The silver-haired couple have been together for nearly half a century and are inseparable if not quite interchangeable...
She's baaaa-aaack. It's AS IF WE NEVER SAID GOODBYE
You may have heard that plans are afoot (again) to bring Andrew Lloyd Webber's Sunset Boulevard musical to the big screen. It will be a Paramount Pictures production. For giggles, I was attempting to find an old article from the last time rumors spread that Glenn Close was going to transfer her Tony success to the big screen and republish it nearly intact "As If We Never Said Goodbye" to this rumor (haha. I'm here all week.) Alas, the article hid itself though I remember writing it. But what year to even search for such a thing? This rumor is perennial...
Chris here. Have you been wondering where Noomi Rapace has been hiding? Well, she's been busy getting cloned for her upcoming Netflix film Seven Sisters. (Just kidding, obviously, but just imagine the gifts we could receive if we started cloning actress!)
Rapace stars as septuplets in a world where siblings are outlawed. Raised by father figure Willem Dafoe, each woman is named for the day of the week that they get to go out into the real world, all assuming the identity of one Karen Settman. As if this doesn't sound looney tunes enough, Glenn Close shows up as the bureaucratic villain for maximum camp nefariousness. When Monday doesn't return home, it's up to the rest of the week sisters to find out what happened to her. And you thought your Mondays were the worst!
Seven Sisters will arrive on stateside Netflix sometime at the end of the year (though it opens elsewhere this summer), and I'm already a little giddy for its sci-fi silliness and what looks like Rapace having a good time. In your sci-fi dystopia, what one day of the week would you choose to leave the house?
It's impossible to keep up these days. So herewith a bunch of news we haven't covered and other enjoyable places to go on the web today...
News Baz Lurhmann has written a letter to fans about the cancellation of The Get Down, his Netflix series. My favorite bit because I like having him on the big screen in 2 hour doses:
All sorts of things have been thrown around for the future... even a stage show (can you imagine that? I can, concert version anyone? Next summer? Just saying.) But the simple truth is, I make movies. And the thing with movies is, that when you direct them, there can be nothing else in your life. Since The Get Down stopped, I have actually been spending the last few months preparing my new cinematic work...
Variety IFC is on a buying spree at Cannes, including Lars Von Trier's latest, a serial killer drama named The House That Jack Built starring Matt Dillon and Uma Thurman BBC Star Wars' John Boyega hits the London stage in Woyzeck. Reviews are a bit mixed but everyone seems to love that he challenged himself to such an extent post stardom Cartoon Brew Pixar has a new experimental shorts division without executive oversight. This sounds like a great idea for the company, fostering new creative visions without much investment or interference Kenneth in the (212) Jeffrey Schwarz, who specializes in documentaries about gay or gay-interest historical figures (I Am Divine, Vito, etcetera) has a new documentary on Producer Allan Car (Grease 2, Can't Stop the Music) Broadway World Glenn Close stops a performance of Sunset Blvd to address a rude audience member:
We can have a show or we can have a photo shoot
Variety Kirsten Dunst gets emotional at The Beguiled premiere Variety Gina Prince-Blythewood (Beyond the Lights) tapped to direct Spider-Man spinoff Silver and Black about the characters Silver Sable and Black Cat. Angry Asian Man there's a Joy Luck Club tv series in the work and they're looking for Chinese American women
Good Reads Vanity Fair on that new unforgivably hideous Spider-Man Homecoming poster Jezebel on the terrible Dirty Dancing TV remake. (I have to ask though, why do people keep watching TV remakes of movies. They're all just t-e-r-r-i-b-l-e... remember that trainwreck that was Beaches recently?)
For Fun Gay Comic Geek [nsfw site] Wonder Woman cosplay... by men The New Yorker Joe Dator draws a comic about his fortieth anniversary with Star Wars. Cute.
Exit Video Dynasty is getting a reboot.
I object that Krystle isn't a blonde and doesn't look that much different than Fallon (why does the CW have such trouble varying haircolors/styles and overall looks in their casts in all their shows?) but otherwise some of the changes are fun. The most potentially interesting touch being that trashy golddigger Sammy Joe (the Heather Locklear role) is a gay man this time but still after the same mark, Steven Carrington (the family's gay son). But, is this really the right era to idolize the super wealthy? Not sure it will sit as well in 2017 as it did in the 80s when people were more naive about the 1%'s havoc-wreaking on the economy of everyone else.
Wednesday, September 27, 2017 at 4:05PM 
Dearest Glenn Close Maniacs and Film Experience Readers (two groups which seem to have much crossover), this just in: Sony Pictures Classic has acquired The Wife for release. After a quick check in with SPC from yours truly they have officially confirmed that they're planning a 2018 release with no qualifying run for this season's Oscar race. 
