HBO’s LGBT History: The Out List (2013)

Manuel is working his way through all the LGBT-themed HBO productions.

Last week we looked at Steven Soderbergh’s Behind the Candelabra, a horror movie of sorts which we all agreed is not as good as the sum of its talented parts. This week we look at Timothy Greenfield-Sanders’s The Out List (Watch Online), a documentary that’s easier to admire than to enjoy.

I actually hesitate in calling it a “documentary” since it’s just a collection of on-camera interviews seemingly strung together one next to the other. Thus, we spend a couple of minutes with Neil Patrick Harris as he discusses his struggles as an out actor. We then hear about Janet Mock’s decision to take up trans rights activism in earnest. We move onto Dustin Lance Black’s experience of growing up in a religious family… and so on and so forth. Each interview is its own mini-doc; the result would, presumably, be a quilted canvas of the contemporary LGBT movement. [More...]

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HBO’s LGBT History: Behind the Candelabra (2013)

Manuel is working his way through all the LGBT-themed HBO productions.

Last week we dipped our toes into Todd Haynes’s Mildred Pierce only to find that it’s oddly divisive, as is its leading lady, Ms Kate Winslet. Who knew? This week we look at a high profile project that was intended for the silver screen but given the current film market found itself in the not too shabby quarters of HBO: the Liberace biopic Behind the Candelabra, written by 2016 WGA Ian McClellan Hunter Award honoree Richard LaGravenese and directed by Steven Soderbergh.

Released in 2013, the project was perhaps the gayest project on HBO’s roster since Kushner’s Angels in America. Indeed, if you’ve been following us these past few weeks you’ll notice we’ve dealt with low-key flicks like Bernard and Doris and Cinema Verite. Documentaries it’s where it was until Soderbergh brought his glittering film to the Home Box Office. Upon its release (it premiered at Cannes), the film was showered with praise not only for Soderbergh’s visual flair but for its central performances, with Michael Douglas earning some of his best reviews in years. [More...]

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HBO’s LGBT History: Mildred Pierce (2011)

Manuel is working his way through all the LGBT-themed HBO productions.

Last week we talked about polygamy and homosexuality in Big Love, all the while singing Chloe Sevigny’s praises. This week, we focus on the “genius” Todd Haynes, who's obviously on our minds what with our infatuation with Carol. HBO, as we’ve seen, has always celebrated and supported out gay filmmakers, from Rob Epstein and Jeffrey Friedman (Common Threads, The Celluloid Closet) and Cheryl Dunye (Stranger Inside) to Gus Van Sant (Elephant) and Alan Ball (Six Feet Under). It makes sense that Haynes’s adaptation of Mildred Pierce, led by the incomparable Kate Winslet found a home at the cable network.

We could spend all day gabbing about this languid adaptation but I’ll keep it short and sweet today with 5 Reasons Todd Haynes’s Mildred Pierce is deliciously gay...

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HBO’s LGBT History: Big Love (2006-2011)

Manuel is working his way through all the LGBT-themed HBO productions.

Last week (and perhaps you missed it seeing as it was on Thanksgiving Eve), we talked about Diane Lane and RuPaul’s Drag Race’s Willam Belli in Cinema Verite which chronicled the behind-the-scenes drama of the first reality TV show, PBS’s An American Family. This week we look a decidedly new American family, the Henrickson clan of Big Love.

Shows like Big Love are precisely what draws me into the HBO brand. Here is a drama about a polygamous Mormon family man, Bill Henrickson (Bill Paxton) that tackled its subject matter with surprising candor and complexity. It at once aimed to present a deconstruction of the “traditional” American family while all the while rebuffing such an ideological construct in the first place. Bill lives with his three wives: Barb (Jeanne Tripplehorn), Nicki (Chloë Sevigny) and Margene (Ginnifer Goodwin). Those three names alone should you get you interested since, even as the show billed itself around well, Bill, it was the interactions and inner lives of Bill’s three wives which drove much of the show, with Tripplehorn, Sevigny and Goodwin doing great actressing. At its best, the show was a thrilling exploration of non-normative families, particularly insightful when it came to dealing with issues of sexuality within and outside the confines of marriage.

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HBO’s LGBT History: Cinema Verite (2011)

Last week we reminisced about Vito Russo with two related docs: the essential The Celluloid Closet and the 2011 HBO doc Vito. This week we turn from a pivotal figure in silver screen LGBT history to a pivotal one for the small screen. I’m talking, of course, of Lance Loud, who famously came out in An American Family in 1973 when the Loud family became the subject of a PBS docuseries, what many deem to be one of the first reality shows in American TV. Directed by Shari Springer Berman & Robert Pulcini, Cinema Verite (watch on HBOGo) follows the behind-the-scenes drama behind that infamous and breakthrough program.

For Americans, as we saw last week, many of the images they saw of homosexuals on movie screens were outright stereotypes. But they really paled in comparison to the images they were getting from the media. In 1967, CBS aired The Homosexuals an episode of CBS Reports. Here’s a sampling of Mike Wallace’s voice-over in the show:

“The average homosexual, if there be such, is promiscuous. He is not interested or capable of a lasting relationship like that of a heterosexual marriage. His sex life, his love life, consists of a series of one–chance encounters at the clubs and bars he inhabits.”

That by 1973 audiences got to see Lance Loud being openly gay and accepted within his family was a huge step forward (even if, given the time period, his homosexuality was used to further vilify the Louds in the press). More... 

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