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Entries in HBO (187)

Saturday
Oct152016

A Conversation About "Westworld" - Part 1

This week, Team Experience members Lynn Lee and Kieran Scarlett have tackled the first two episodes of new HBO sci-fi drama, "Westworld," which has captured the interest, fascination (or ire, depending on who you talk to) of audiences. Here's Part 1 of the 2 part discussion...

Warning: Spoilers Ahead


KIERAN: Watching the “Westworld” pilot and then the second episode, my immediate reaction—even in thinking that the pilot was relatively strong and an intriguing opening statement to the show—was that these two episodes should be reversed.   I might even go so far as to say that the pilot, with all of its beautifully creepy, world-establishing glory (more on this later) is missable when held up against the power (both narratively and stylistically) of the second episode...

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Thursday
Sep292016

Issa Rae: A Star is Born

by Kieran Scarlett

It’s an incredibly exciting thing to watch the emergence of new on-screen talent whose charisma and star quality cannot be denied.  It’s difficult to describe clearly, but it’s clear to a watchful viewer when it happens.  Such is the case with Issa Rae, star and co-creator of the new HBO comedy “Insecure” set to debut next month (the pilot episode is already available online via HBO Now). The series, which is co-created by Larry Wilmore (formerly of “The Daily Show”) announces Rae as a force to be reckoned with, both in front of and behind the camera.

The show is, in some ways, an extension of Rae’s 2011 web series “The Mis-Adventures of Awkward Black Girl”...

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Friday
Aug052016

The Duplass Brothers are Coming to HBO...Again

Kieran, here. Those who were saddened by the cancellation of the Jay and Mark Duplass-helmed HBO series "Togetherness" (if you haven't seen it, get thee to on demand and join in the mourning) may be at least a little bit heartened to learned that the writer-director sibling duo is returning to HBO. Their new project is an anthology series currently titled "Room 104" about a hotel and the different characters who occupy the room at different times. As if reacting to the now wide array of anthology series both on premium and basic cable (some excellent, others...not so much), the Duplass brothers will inject their brand of low-concept, observational human drama and comedy into the format. “We’ve all seen stories set in seedy motels and high-class international resorts, but for years we’ve been fascinated by the funny, weird, sad, scary, absurd things going down in that corporate chain hotel near the airport. That’s what ‘Room 104’ is after… finding some magic in the seemingly mundane," stated the brothers in a recent statement.

With the announcement of this new Duplass brothers outing as well as the upcoming "Divorce" (starring and executive produced by Sarah Jessica Parker) and "Insecure" (created by and starring Issa Rae, creator of the very funny webseries "The Misadventures of Awkward Black Girl") it seems that HBO is trying to make a narratively bold statement with their programming choices. Despite the fact that the network's arguable flagship show is a high-concept genre series, they're not making the mistake of many feature film executives, which is to do lowest common denominator versions of what they think is successful. Yes, television and movies are two different industries and the latter relies much more heavily on mercurial but instant and quantifiable financial success. HBO isn't just looking at the success of "Game of Thrones" and saying "More of this and ONLY more of this." This is not meant to denigrate the quality of "Game of Thrones," so fans please retire your torches and pitchforks. Even "Game of Thrones" fans can agree that we don't need a watered-down version that's simply trying to capitalize on the show's popularity. While our excitement about "Room 104," "Insecure" and "Divorce" may vary, it's heartening to see a major cable network making a concerted effort at this particular kind of storytelling. 

Melanie Lynskey and Mark Duplass on HBO's "Togetherness"

No cast information has been released for "Room 104" which is slated to air in 2017. This leaves the door open for the fun game of casting expectations and wishlists. The plot of the series is so open-ended, one can easily imagine a wide array of actors inhabiting this new Duplass universe. 

Which actors would you like to see pass through "Room 104"? 

Thursday
Jul282016

Looking: The Movie Review

Manuel here with an extra episode of HBO LGBT to celebrate the release of Looking: The Movie. I get the title format but would it have hurt Andrew Haigh to give it a less generic title. I mean, “Looking for Closure” would have been a bit on the nose but it’d have fit nicely with the show’s episodic titles (which included “Looking for a Plot” and “Looking for Home” after all).

I have gone on the record before saying how much I treasured Looking—recapping its second season right here was wonderful and a chance to really flesh out why I think Haigh and Michael Lannan’s show was such a striking meditation on gay male intimacy...

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Friday
Jul222016

TV MVP: Riz Ahmed in "The Night Of"

Chris Feil on HBO's latest buzzy drama...

HBO has gotten back into the crime genre with the launch of new limited series The Night Of. Adapted from the BBC's Criminal Justice, the series has more than a few shades of Serial thrown in as it examines the gruesome murder at its center. While the new series has already established a patient fascination with glacial detail, what has kept it from becoming a flat procedural is the fascinating performance by Riz Ahmed as murder suspect Naz.

Just as he served up a humane human foil to Jake Gyllenhaal's psychopath in Nightcrawler, Ahmed brings a necessary soulfulness to this otherwise cold world in The Night Of. In the lead up to and fallout from the crime, Naz makes an endless string of bad decisions that the actor effortlessly makes believable. He is a wounded deer in the headlights, alternating masked sexual nerves, outsiderness, and blind panic. If the script makes Naz out to be a naive dope, then it's to Ahmed's credit that he finds the honesty about why he would willfully put himself in an obviously toxic situation.

With an insurmountable amount of evidence against him and a convenient blackout during the murder, it's the raw believability of the actor that drives our doubt about Naz's guilt...

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