"I know what you're thinking: Home schooled kids are freaks!"

[Our Mean Girls week concludes with a really fresh angle I think you'll love. Here's Tim on being a home schooled freak. - Nathaniel R]

Tim here. I can't tell you how many times I, a perpetually overweight, underemployed, thirtysomething male, have looked at Lindsay Lohan and thought to myself gosh, she's just like me! But I can tell you the time it struck closest to home was when I first peered into Mean Girls a decade ago. Look at any appreciation, vintage or current, like the ones we have going for our Mean Girls Week, and you're going to encounter the sentiment that the film understands deep and universal truths about the public high school experience, but the kinship I feel with Lohan's Cady Heron is of an entirely different sort - the exact opposite, in fact.

Mean Girls, after all, isn't just a movie about any old bright teenager entering a new school and being partially devoured by the social order she finds there: it's about a bright teenager who has spent her life to that point being home schooled, thrust for the first time into a world full of people her own age. And like Cady, I spent my share of time being home schooled, though it wasn't because my parents were awesome zoologists who took me with them for a decade-plus research trip in Africa (it wasn't for fringe religious reasons either, I want to make that very clear). And unlike Cady, I never did get to experience the magical horror show of American high school. But I did get to have that same brutal, abrupt shift from being essentially solitary, driven only by my own sense of discipline, to be thrown into a terrifying world of people and schedules when college and dorms came upon me. [More...]

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Podcast: Mean Girls Commentary, Two Parts

You own a copy of Mean Girls (2004), right?

Pull it off the shelf, rent it or Netflix Instant it (it expires May 1st!) so you can watch as you listen to this podcast. In this very special 10th anniversary celebration, Nathaniel R (The Film Experience) and Joe Reid (The Wire) return to North Shore High to watch Mean Girls together and provide you with our very own DVD commentary track. If you don't watch while you listen we'll sound like mad men giggling out of context or merely like we're too gay to function.

We discuss everything: performance, writing, costumes, set design, scoring and even casting that almost was -- it would have been such a different film. We also talk the reliable time capsule worthiness of the high school comedy film genre and tangents occur. Due to file sizes and the 97 minutes of running time, I can't embed both parts here in the post but you can download the 2 part conversation on iTunes. Or, if you are seeing this post much later, both parts are here on the podcast upload page from 2014.

Joe and I would really love you to continue the conversation in the comments. (Katey and Nick couldn't attend. But they love Ladysmith Black Mambazo!)

Articles referenced in The Podcast
Mean Girls Cast power rankings
Hit Me With Your Best Shot 
'let me tell you something about Lindsay Lohan' 
IndieWire: Daniel Franzese's coming out letter 
The Map of North Shore High's Cafeteria

Mean Girls: 1) Choose Your Seat and 2) Scribble in the Burn Book

Mean Girls Anniversary Week 

Two comment party questions for you this lovely Friday.

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THE CAFETERIA
I love how detailed the North Shore High's social structure is and that Janis & Damian ('the coolest people you will ever meet') make a map for Cady.

1. Was your High School as regimented? And which table would we have found you sitting at? My table was more "the brains" but I don't see that here so I definitely would have been with seated at either of the "Band Geek" tables (all my friends were in band), sexually active and otherwise. 

THE BURN BOOK

it seems kind of unsanitary to leave lip prints all over a book.

2. What would people have written about you in high school? Or were you one of the mean girls who did the writing? 

JANIS: What does it say about me?
CADY: You weren't in it.
JANIS: Those bitches! 

"monday morning, you're history"

Happy 25th birthday this very day to the daring, hilarious, and utterly classic Heathers (1989). It's one of the greatest high school movies of all time and the most shamelessly ripped off. (See also: Mean Girls, classic in its own right don't get me wrong but the debt it owes cannot be overstated. It's "very". My guess is Tina Fey (who was 18 when it came out) must've watched it a million times.

Growing up this was the bit my friends and I quoted all the f***ing time.

Heather: You stupid fuck

Veronica: You goddamn bitch 

Heather: You were nothing before you met me. You were playing Barbies with Betty Finn. You were a bluebird. You were a brownie. You were a girl scout cookie. 

I got you into a Remington party. What's my thanks? It's on the hallway carpet. I got paid in puke.

Veronica: Lick it up, baby. Lick it up.

[Great Moments in Screen Bitchery #9, Winona Ryder in Heathers]

While we're on the topic of Heathers, I'll report on the new Off Broadway musical tonight but I have two questions for you in the comments.

1. What lines have you quoted most often?

2. Which Oscar nominations do you think it was robbed of (since Oscar don't touch high school comedies). I am very serious when I say I would have nominated it for three that year: Best Picture, Best Original Screenplay, and Best Actress. But 1989 is one of the years where Oscar and I have been least sympatico - none of the Best Picture nominees even made my top ten list. (If you're curious to know my top tens from years past there's a pull down menu up at the top of the blog)

Team FYC: The Spectacular Now for Best Picture

[Editor's Note: In this series Film Experience contributors are individually highlighting their favorite fringe Oscar contenders. Here's Deborah Lipp on The Spectacular Now.]

Dear Voters of the Academy: Think Small. I know it’s Oscar season, and I know you want to think Big Space (Gravity) and Big Epic (The Butler), but sometimes, small is beautiful. Sometimes, small is The Spectacular Now.

Consider the delicacy with which this movie sits inside the pocket of being young, and confused, and feeling alone, and makes you feel it too. Consider that Teen Romance Movie Clichés could fill an encyclopedia, and that this movie deftly steps past all of them, to arrive at an intimacy of both dialogue and unspoken moments that create a sense of presence so very rare in the movies.

The Spectacular Now has three genuinely striking performances: Its two leads (Miles Teller and Shailene Woodley) and a supporting turn by Kyle Chandler, playing disturbingly against type.

Movies about disconnected people can feel distant, but, as Aimee (Woodley) and Sutter (Teller) find each other, we feel close, and connected. With striking honesty, The Spectacular Now gives us sad and fumbling youth, the relief of having someone else there, and the painful knowledge that it isn’t enough.

previous FYCs