The Last Oscar Week

In this weekly feature from Murtada we follow Oscar contender appearances and interviews

The Oscars are just 9 days away so this will be our last Oscar Week column of the season. Let’s look at how contenders are hustling in Phase 2. In this phase campaigns pivot their messages to try and secure the win. This gives us more pointed and sometimes bold messaging. Like the exploitative use of the Muslim Travel ban by Lion. Always happy to see Sonny Pawar's expressive face, but this message is a bit of a stretch. Arrival is going for the heartstrings, showing Amy Adams hugging Jeremy Renner and talking to her daughter, rather than talking up the sci-fi elements. This is smart messaging since the mother-daughter relationship is what most leave the theater talking about...

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Pictures from the Oscar Luncheon

by Murtada

The question on a lot of people’s minds after the SAG Awards is how political are the Oscars going to be. If there was any doubt in anyone’s mind, Academy president Cheryl Boone Isaacs put that to rest. Addressing those gathered for the traditional luncheon, she alluded to the banned Muslim nominees, Asghar Farhadi and others, by pointing to the empty chairs:

Today we celebrate you. Your work and your achievements, but everyone knows there are some empty chairs in this room which has made Academy artists, activists. There is a struggle globally today over artistic freedom that feels more urgent than at anytime since the 1950s. Art has no borders. Art has no language and doesn’t belong to a single faith. No, the power of art is that it transcends all these things. And strong societies don’t censor art. They celebrate it.

By calling the nominees “activists”, Boone Isaacs is sanctioning political speeches at the ceremony which could make for an interesting show. Still the mood was not somber at the luncheon, and many nominees took the time to socialize. Isabelle Huppert and Michelle Williams caught up at the cocktail hour. Others did that even while taking their places for the annual class photo. More favorite moments after the jump.

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César Nominations: Elle, Frantz, and More

France's César Awards announced their nominations this morning. As expected Elle and Divines (currently streaming on Netflix) have much reason to celebrate. Other hits with César including François Ozon's gorgeous black and white feature about Post-War relations and guilt called Frantz (which opens in the US in March), The Innocents (an arthouse hit in the US this year) and My Life as a Zucchini which was just nominated for the Animated Feature Oscar and receives 3 nominations here. 

Their foreign film category also has two Oscar players Manchester by the Sea and Toni Erdmann.

Best Film
DIVINES (on Netflix)
ELLE (now playing)
FRANTZ (opening in US in March)
LES INNOCENTES (available on blu-ray)
MA LOUTE
FROM THE LAND OF THE MOON
VICTORIA 

Ma Loute is from Bruno Dumont and is called Slack Bay in some markets. From the Land of the Moon stars Marion Cotillard among others.

Best Actress
JUDITH CHEMLA dans A WOMAN'S LIFE
MARION COTILLARD dans FROM THE LAND OF THE MOON
VIRGINIE EFIRA dans VICTORIA 
MARINA FOÏS dans IRRÉPROCHABLE
ISABELLE HUPPERTdans ELLE 
SIDSE BABETT KNUDSEN dans LA FILLE DE 
BREST SOKO dans LA DANSEUSE 

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Kiss the hand

Beauty vs Beast: Disobey

Jason from MNPP here. I probably wouldn't have thought about John Carpenter's 1988 goofy sci-fi classic They Live in relation to politics this year if the film hadn't been dragged kicking and screaming into the conversation by a bunch of Donald Trump's Nazi followers (in my best Carrie Bradshaw voice-over voice: "And so I wondered -- are the terms 'Nazi' and 'Donald Trump Follower' redundant?").

But now that the film has been dragged into the conversation a story about a bunch of elite monsters blinding the populace while they loot the Earth doesn't exactly sound like the world's most far-out science-fiction story these days. So with the Inauguration looming like an orange-haired mushroom cloud before us - and, on a less fatalistic note, with it being John Carpenter's 69th birthday today - let's assume our places.

PREVIOUSLY You guys gave me hope for humanity with last week's competition facing off the two Best Actress winners from the Globes - that's not meant as a knock on Emma Stone or her performance in La La Land but if a performance as sharp and unfriendly as Isabelle Huppert's in Elle can grab 70% of our vote, then maybe one day Yes We Can again. Said Evan:

"Let's not kid ourselves: Michele could gut Mia with that ax and then send a letter of condolence back to Mia's folks in Boulder City, all before "le petit dejeuner.""