Venice at Home – Day 5: Returning Champions

by Cláudio Alves

The fifth day of competition finds three award-winning filmmakers vying for more golden plaudits. Rebecca Zlotowsky's directorial works have left strong impressions across some of Europe's biggest festivals, and this is her first time in Venice. Her new film, Other People's Children, stars Virginie Efira and Roschdy Zem – he's also in competition as a director with a different film. Next, Italy's  Emanuele Crialese returns with L'immensità after nabbing nine prizes in past editions of the festival. Finally, there's Darren Aronofsky who is a former Venice champion whose new project, The Whale, is already enshrined in Best Actor Oscar buzz for Brendan Fraser.

So today we're looking back at Aronofsky's 2008 Golden Lion winner, Zlotowsky's sensual summer, and Crialese's voyage to the New World…

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Venice Diary #01 - Tár, White Noise, and Princess

by Elisa Giudici

Hello readers! It's Venice time again. As with previous festivals, I'll be reviewing the movies with some festival experience details on the side. I screened three and a half movies (we'll get to the half at the end) in the first Day of the Mostra. Both the official opening night film White Noise and Princess in the Orizzonti section were a bit disappointing though both are far from failures. On the bright side, Cate Blanchett really delivers in Tár.

But first something a little spooky as Venice starts off on the wrong foot. This year Sala Darsena (the main screening room for press and industry) appears to be …cursed? During the screening of White Noise a bat (a real, actual bat!) flew in front of the screen...

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Cannes at Home: Days 8 & 9 – Women in Red, the War on Drugs & French Colonialism

by Cláudio Alves

The 75th Cannes Film Festival is almost over! If there's any hope of finishing Cannes at Home before the closing ceremony, it's critical to pick up speed. So, here go two days' worth of auteurs in one go. 

The Dardennes showed their latest, Tori and Lokita, to some acclaim. However, after The Unknown Girl and Young Ahmed, I'm skeptical about the Belgian duo's tackling of immigrant stories. Mario Martone also returned to the competition, and his Nostalgia could see Perfrancesco Favino winning the festival's Best Actor trophy. In contrast, Saeed Roustayi is competing for the Palme for the first time with Leila's Brothers. All that being said, the big story from these latest festival days was surely Claire Denis' Stars at Noon. Most critics seem to hate it – some even jokingly calling for the director's retirement – while a scattering of ardent fans provides a contrarian takes. For sure, hers seems to be the most divisive film at the Croisette.

Today's Cannes at Home selection includes the Dardennes' first Palme d'Or honoree Rosetta, Martone's L'Amore Molesto, Roustayi's acclaimed Just 6.5, and Denis' debut feature Chocolat…

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An exhaustive Italian guide to Paolo Sorrentino’s 'The Hand of God'

by Elisa Giudici

As your Italian correspondent here at The Film Experience, it's my duty to give you an exhaustive guide to our current Oscar finalist. Or, at least, it is my attempt. I am not from Naples and The Hand of God is a movie that's deeply connected to Neapolitan folklore and culture. Let’s start from the beginning though we hope you've already screened the movie on Netflix...

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Streaming: "Four To Dinner" and the problem with Italian Netflix movies

by Elisa Giudici

In the new Netflix movie Four to Dinner, beautiful thirtysomething singles are invited to a married couple's dinner on a picturesque Roman terrace. The terrace is not quite as breathtaking as the one with the hammock facing Colosseo in The Great Beauty, but it's still the kind of terrace mere mortals can only dream off, in Italy or elsewhere.

The married couple hosting the dinner is playing matchmaker, but they have different opinions on which singles should be paired. Would it be better to match their friends with similar temperaments or to test the chemistry between two opposites? The answer is both, at the same time...

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