Saturday, February 11, 2012 at 5:03PM Just a fortnight + 1 until Hollywood's High Holy Night
Remember what Jude and Nicole were looking at?
Remember when?
Jude Law Nicole Kidman Renée Zellweger
What profiles those two have, eh?
Jude Law, Nicole Kidman, Oscars (00s), Renée Zellweger Sunday, October 16, 2011 at 2:15AM Dave here with my first report from the London Film Festival, which Craig introduced you to on Thursday. We'll start with the Opening Night Gala.
Jude Law and Rachel Weisz as unfaithful marrieds.
Fernando Meirelles' 360 seems a fitting selection to open a film festival, sold as a "dynamic and moving roundelay" that takes us across the spectrum of people on the globe. But this is globalization for the West; just forget, for two hours, that Asia and Africa and Australia exist and that people might have sex there too. Peter Morgan's script works like a daisy chain, flimsily linking together a collection of character shells who spread out across Europe and America, reverberating off one another. Mirka (Lucia Siposova) ventures into prostitution to the disapproval of her sister Anna (Gabriela Marcinkova); Michael (Jude Law) is her first client, whose wife Rose (Rachel Weisz) is having an affair with Rui (Juliano Cazarre), whose girlfriend Laura (Maria Flor) has uncovered his lies and sets off back to Brazil, meeting John (Anthony Hopkins) on the plane...You get the idea.
Evidently, this is a film about how globalization has connected people across the globe, a decision from one changing the life of another, six degrees of separation, etcetera etcetera. It takes a delicate hand to make a daisy chain, and Peter Morgan is entirely too thick fingered and clumsy, forcing coincidence and connection between characters he forgets to give any identity to. Oddly sprightly culturally specific music crudely emphasizes the differing nationalities. Occasional split screens hilariously exaggerate the narrative parallels. Crafty editing connections verge on the farcical. Rachel Weisz is given a bad wig, Anthony Hopkins a bad monologue, and Ben Foster a luridly filmed introduction thanks to his character's sex offender status.
Friday, July 15, 2011 at 4:15PM In this edition of Let's Count the Oscar Winners, err, Yes, No, Maybe So, we take a look at Steven Soderbergh's Contagion. Details of this film had been kept quite secret until this trailer was released a few days ago. I'd seen snippets from the film at a distributors event a few months ago but they highlighted star wattage over plot. So now the trailer has arrived and in a move that has some condemning Soderbergh for spoiling his own film, he pulls off a Game of Thrones seconds into the trailer (at the bottom of the post)
YES - That cast!
All of them either have Oscars or have been nominated on multiple occasions but the best part is that they're not just "movie stars", they're all incredible actors. Is this like the "serious version" of Ocean's 11? Soderbergh gets bonus points for that The Talented Mr. Ripley reunion, but where is Cate when you need her?
NO - How can Steven Soderbergh deliver such a superb trailer and threaten us with early retirement? Also, considering he has developed a tradition of delivering one artsy film followed by a fun one, which one is this? His last movie was a documentary, so does it count or should we use The Informant as reference? The director has a tendency to work with genre and this looks like it could be his take on the psychological film or the disaster movie (I smell a fun double bill with Melancholia!)
Soderbergh is also one of the most ambitious directors in contemporary history. Most of the time he gets away with whatever he wants, but given the political references spotted in this trailer this could either be brilliant or end up turning into a bland piece of meh like Blindness.
MAYBE SO - With the revelation that Gwyneth Paltrow's character dies, we have to ask ourselves, how much will this affect the rest of the film? Some people have already called this a monstrous spoiler and are pissed at the director for letting this piece of information come out.
PSA: Gwyneth Paltrow in The Perils of Gambling!
Killing one of your main stars isn't something completely new but it still sends waves of how-dare-they and where-are-we-going-now terror among audiences who want it the easy way. This revelation tells us that either her character was meaningless and there are bigger shocks to come or that Soderbergh is the kind of director you want to work with so badly that you don't care if he kills you before the movie is even released.
I for one am beyond excited to see what he has up his sleeve this time. How about you? Are you as impressed by the cast? Should Soderbergh retire yet?
Thursday, May 26, 2011 at 11:35PM This brand new short film, from photographer/filmmaker Greg Williams (who won prizes a year ago for that Sergeant Slaughter short with Tom Hardy just discussed), gives newish meaning to the term Bionic Woman. The header says that a sex doll (played by French celebrity Zahia) exercizes her own free will... but it looks just like malfunctioning to me.
Bionic from Greg Williams on Vimeo.
That shot of her with the banana is just painful (but funny), you know? Is it wrong to interpret her vacant eroticism as satirical commentary on Britney Spears's airheaded marionette carnality?
Android lovers are such a mainstay of science fiction, aren't they? Our two favorites have always been Blade Runner's Pris and A.I.'s Gigolo Joe. But maybe that's because they're two of the only ones in sci-fi movies. (Are they ever going to make a movie of Saturn's Children ... we're guessing no. Too weird and potentially NC-17) We'll have cars that fly and maybe even teleportation devices before sexbots are a reality; sex is too complicated for scientists!
Speaking of Gigolo Joe... Williams shot Jude Law just last year for Madame Figaro.
We're always hoping that Jude Law has another Talented Mr Ripley in him. If so, when is it coming our way?
Jude Law, Robots, sci-fi fantasy horror, short films 
