YNMS: Tomorrowland, American Sniper, Black Sea

Tonight is the "Closing Night" of the New York Film Festival (Birdman and I'm happy to report that it's wondrous) though there are screenings tomorrow making the title only honorary, really. We'll wrap up soon with Inherent Vice and Birdman thoughts and things we learned at the fest. All the screenings and the first wave of Oscar seeking interviews (coming at'cha soon) have left us seriously behind on the matter of movie trailers / teasers so here are three which you may well have seen already but let's discuss in abbreviated Yes No Maybe So fashion.

TOMORROWLAND
Yes - This does what teasers, hell trailers themselves, should do: intrigues but doesn't give the game away. If only full trailers would follow suit. Come on studios: Help moviegoers rediscover a little something called curiousity. 
No - It's not really fair since he's had a couple of low key years but I'm feeling Clooney fatigue for some reason. Was it the wedding?
Maybe So -According to the vague summaries the story, about a futuristic utopia created by technology, is actually led by Britt Robertson (seen here discovering it via a magic pin) with Clooney in co-lead position as a former whiz kid she enlists to help her get back to this magical place and something something. Like I said: Vague. That's the best kind of pre-release info.

AMERICAN SNIPER
Yes - Trailers that are essentially one scene clips with flourishes round the edges to convey a movie are big "yes" moments. This scene, a sniper trying to decide whether to kill a woman or child is properly lose-lose upsetting. 
No - that tagline "the most lethal sniper in US history" paired with "12.25.14" is gross. Thanks for the coal in the stocking, Warner Bros! Merry Christmas to you, too.
Maybe So - It's a Clint Eastwood film. As you know his aesthetic is way too dreary for me to fully enjoy (even the recent musical was dreary!) but this kind of film can get away with dreary and probably should. Don't know about the banal easy juxtaposition of "American family life!" shoved aggressively into this Middle Eastern war zone via all those inserts but I like how mundane Bradley Cooper's voice sounds in this context.

BLACK SEA
Yes - Two obvious things. 1) Submarines and ocean settings in general often make for fine thrillers given the claustrophia or 'all alone in the world' madness. And 2) Jude Law, for all of the unevenness of his career, is always watchable. Isn't it great that "he's a liability" is voiced over our glimpse of Ben Mendelsohn (Animal Kingdom, The Place Beyond the Pines)? He's anything but a liability in movies but of course he is just that in context since he's so good at playing shifty/dangerous characters. Scoot McNairy is also in it.
No - A cuisinart presentation of the whole movie, albeit without grotesque spoilers just general spoilers that the men turn against each other. But we kinda figured that with the pitch in the first minute. Still, where is the hook to care about this? Or is it assumed we will through that blaring music and fast-cutting.
Maybe So -  Kevin Macdonald. Is the jury still out on him (The Last King of Scotland, The Eagle, State of Play, How I Live Now) or does everyone just expect a range from *shrug* to 'quite watchable' but never great?

Tim's Toons: The CGI spectacle and unrealism of Sky Captain

Tim here. This week marks the ten-year anniversary of one of the most important milestones in modern feature animation, though it’s a form of animation that tends to make itself invisible. But when most of the sets, and several of the major characters in movies from Avatar to Gravity to Guardians of the Galaxy are created entirely in a computer by digital artists, can we really keep blithely calling these “live-action movies” without briefly wondering if our pants have just burst in flame? It’s not Disney/Pixar-style cartooning, but these are partially or wholly animated worlds by any definition I can come up with. And it was on September 17, 2004 that Paramount released Sky Captain and the World of Tomorrow, which made history as the first Hollywood movie made entirely on green screens, with every single location created artificially in post-production...

Click to read more ...

22 Link Street

VF Wyatt Russell, son of Kurt & Goldie, on his 22 Jump Street experience
Digital Spy Mark Ruffalo talks the future of the Hulk. Solo movie, Avengers, so on. (BTW and unrelated: did you see Mark Ruffalo riding a unicycle on Graham Norton?)
MNPP wonders wtf Jude Law is wearing
/Film "40 things I learned on the set of Transformers: Age of Extinction"

Film Doctor has 10 notes on 22 Jump Street
Gothamist recommends 5 drive-in movie theaters near NYC. Holy hell. I didn't realize any were left nearby. I am so going. If uh... well, I don't have a car because I live in NYC. Never mind.
Pajiba an open letter to a kid at the theater watching How To Train Your Dragon 2 (spoiler heavy)
Empire whoops. Just days after that awful teaser, Paddington has lost his voice as Colin Firth exits
The Blot Michael Musto names his 10 greatest female movie stars of all time with the most recent addition being Cate Blanchett. A couple of strange choices. Of note: His three way tie (Marilyn Monroe, Elizabeth Taylor, Judy Garland -I can't see what connects them) features three indisputables but that makes it a top 12

WTF?ness
Hollywood.com posted a list of 20 remakes that prove "original isn't always better" -- is it a prank that The Stepford Wives (2004) begins the otherwise kinda okay no wait kind of respectable but  random no wait insane list?

A Forever Must Read
"How to Deal With Criticism" - this piece from The Toast made me laugh so so much - the cave story is just. gah! -- and was also so inspiring. I've done some of these self-sabotage things. Listen, nobody is ever going to love everything you do. But you gotta do you. Chin up. Back to work.  

Podcast: Summer Fun Times Movie Watching

Nick & Joe & Nathaniel are surveying highlights from the summer season thus far. Nick and Joe love Only Lovers Left Alive and Nathaniel has just returned from How To Train Your Dragon 2. 

00:00 Intro and Lucy
02:20 Alternative Blockbusters & Action Figures
04:00 Favorite Things We Saw This Summer 
08:45 Maleficent and Villainous Backstories 
12:00 Many Tangents: Kill Bill, The Lion King, A.I. Artificial Intelligence and Jude Law
19:10 Summer Releases To Come, Melissa McCarthy & Channing Tatum
25:00 Jersey Boys vs. Think Like a Man 2
and...
30:00-48:00 As an appetizer for next week's 2004 10th Anniversary Podcast. We look back at the Oscar winners: Morgan Freeman, Cate Blanchett, Jamie Foxx, Hilary Swank and Million Dollar Baby

You can listen to the podcast here at the bottom of the post or download the conversation on iTunes (though sometimes it takes a day to show up there). Continue the conversation in the comments.

Related Reads:
Keith Uhlich on Godzilla and Wesley Morris on Maleficent

Summer Fun Times

Oscar Bait 2015 Alert: "Genius" With Kidman, Firth, and Law

Yes, dear concerned reader, I know I know. I'm supposed to be thinking about 2014 and who might be Oscar nominated 9 months from now. I'll get there. I will. But I can't let this latest dazzling dangling carrot of 2015 cinematic possibility pass without mention. Because a curious trend continues...

Thomas Wolfe, Aline Bernstein, and Max Perkins to be played by Law, Kidman, and Firth

We've already noted, with raised eyebrow, the shocking rapidity of Nicole Kidman and Colin Firth veritable obsession with working together. As previously mentioned they have THREE films together coming out this year. Add a fourth to the pipeline. They will co-star again in Genius which is based on the super acclaimed biography "Max Perkins: Editor Of Genius," by A Scott Berg.

The screenplay is by three time Oscar nominee John Logan (Gladiator, The Aviator, Hugo) and the cast is similarly Oscar-favored. Two time nominee Jude Law, Kidman's Cold Mountain "husband" (I will marry yoooo) has taken over the incredibly juicy role of the novelist Thomas Wolfe (which means a viable shot at a Supporting Actor trophy for Jude Law even though the best guess is that he's actually co-lead) which was once to be played by Michael Fassbender. Oscar winner Colin Firth headlines playing the influential book editor Max Perkins and Oscar winning Kidman plays Wolfe's lover, the multihyphenate writer/costume/set designer Aline Bernstein. The film takes place in the 1920s/1930s literary scene so stay tuned. Who will they cast as F. Scott Fitzgerald and Ernest Hemingway? Both of those legends also have major roles in the book.

The big obvious question mark here is budget (can it get the lush period treatment it deserves?) and Michael Grandage in the director's chair. This is the 52 year old stage director's first feature gig behind the camera though he's acted in front of it before. 

Wanna read the book?