Judy by the Numbers: "In Between"

Anne Marie is tracking Judy Garland's career through musical numbers...

At age 16, Judy Garland already had six pictures and three years as a studio contract player under her belt. Judy's seventh picture would reteam her with Mickey Rooney for her first in many guest appearances in the wildly popular Andy Hardy series. Judy was worked hard - rumors of how hard include studio "medication" and rigid diets - and over the course of her MGM career she would average 3 pictures per year. The result was studio stardom at the expense of self. But incredibly, she never showed it when she sang.

The Movie: Love Finds Andy Hardy (MGM 1938)
The Songwriter: Roger Edens
The Players: Judy Garland, Mickey Rooney, Lana Turner, Lewis Stone, Fay Holden directed by George B. Seitz

The Story: Young Judy was on a roll, but her biggest smashes were still to come. After the success of Thoroughbreds Don't Cry, it became clear to the studio that Judy and Mickey had something together--at least onscreen. Their lifelong friendship translated to innocent romance on celluloid, though offscreen Rooney was busy chasing the newly-minted "Sweater Girl" Lana Turner, who was only a year older than Judy. Turner plays a naive proto-vamp in Love Finds Andy Hardy too. It's telling that even though there's only a small difference between their ages, Turner was an overnight sex symbol while Judy was dressed in frills and sang about being "too young for boys." It was a false formula, but it worked. Judy would continue to play young and naive for the next 8 years.

Judy by the Numbers: "Why? Because!"

Anne Marie is tracking Judy Garland's career through musical numbers...

With Judy Garland's growing success, MGM decided it was time to have her star in her own feature. The studio dusted off some musical numbers (arranged by Roger Edens) as well as a handful of contract players and Ziegfeld stars. Judy played a young aspiring actress stuck in a conservative school. Supported by her zany Russian maid (Fanny Brice), the young girl decides to join a musical. The result was another hit for Judy, and a delight for future Vaudeville nerds and historians.  

The Movie: Everybody Sing (MGM 1938)
The Songwriters: Harry Ruby & Bert Kalmar
The Players: Judy Garland, Fanny Brice, Allan Jones, Reginald Owen, Billie Burke, directed by Edwin L. Marin

The Story: In Everybody Sing, Judy was joined by not one but two famous Ziegfeld women: Billie Burke (aka Mrs. Florenz Ziegfeld, who we'll see again later), and Fanny Brice, a Jewish comedienne whose life would eventually inspire the musical that would launch Barbara Streisand's career. At the time of Everybody Sing, Brice had successfully transitioned from Vaudeville to radio, and this musical number was based on one of her characters, Baby Snooks. I'll admit that this week's clip isn't so much Judy by the Numbers as Fanny by the Numbers, but there are so few films of Brice. Watching Fanny Brice in action, you see the blueprint being laid out for future funny girls like Barbra Streisand, Lily Tomlin, and Gilda Radner.

Judy by the Numbers: "Got a New Pair of Shoes"

Anne Marie is tracking Judy Garland's career through musical numbers...

Though nobody guessed it when she was cast, Judy Garland’s fifth movie would be the first in a series starring the most famous child actor team in Hollywood history. Thoroughbreds Don’t Cry, a Freddie Bartholomew vehicle sadly missing its intended star, saw the first team up of Judy Garland and Mickey Rooney. Though both played supporting parts, their onscreen chemistry is clear. These kids were a hit!

The Movie: Thoroughbreds Don’t Cry (MGM 1937)
The Songwriter: Arthur Freed (music and lyrics)
The Players: Ronald Sinclair, Mickey Rooney, Judy Garland, directed by Alfred E. Green

The Story: This bizarre little musical number perfectly encapsulates what would become the Mickey and Judy dynamic. Mickey is busy working at a project – in this case, trying to take Ronald Sinclair’s pants off (just in case you needed your daily dose of unintended homoerotic subtext). Meanwhile, Judy flits and flirts in and out of the scene, trying to get Mickey’s attention through accolades, through annoyance, through anything so long as it makes him notice her. She dances around him, he gives her a swat – it’s schoolyard flirting with song and dance. This formula would define the two child actors together until long after they had put away childish things. But for the moment, it’s dimples, music, and fun.

Judy by the Numbers: "Dear Mr. Gable"

Anne Marie is charting Judy Garland's career through musical numbers...

In 1936, 14 year old Judy was selected to perform at Clark Gable's birthday party. Gable, the biggest MGM star at that time, was to have an all out bash. For Judy's performance, Roger Edens wrote an intro lyric to an old MGM property, "You Made Me Love You," which directed the 1917 song specifically at Gable. At the party, Judy jumped out of a cake and sang the star his song, charming not only the birthday boy, but also his boss, Louis B. Mayer.

The Movie: Broadway Melody of 1938 (MGM, 1937)
The Songwriter: James V. Monaco (music), Joseph McCarthy (lyrics), Roger Edens (new title & intro)
The Players: Eleanor Powell, Robert Taylor, Judy Garland, Clark Gable's photo, directed by Roy del Ruth

The Story: The result of her hit at the birthday party was that Judy Garland was cast singing her new song in  Broadway Melody of 1938. The Broadway Melody series was designed for MGM to try out up-and-coming talent; Buddy Ebsen made his debut there, and it helped make Eleanor Powell a star. Judy was no exception. All of the reviews raved about her: NYT called out her "amazing precocity" while The Hollywood Reporter asked why she'd been kept under wraps so long. "Dear Mr. Gable" would become her first single, too. Judy Garland was an overnight hit, but it would take her 2 more years and 5 more movies to become a star.

Ranking All 80 Winners of Best Original Song (Plus Where This Year's Contenders Would Place)

Glenn here with a look at everybody’s favourite category – best original song! Okay, so, sure, even if this year’s roster for best original song doesn’t look like a vintage one for the category, there’s actually some fun to be had when you consider who will win.

• Will Diane Warren finally win an Oscar on her eighth nomination? And how strange will it be to see her win for a song from a documentary about sexual abuse alongside Lady Gaga rather than one of the chart-busting hit-singles that her first six nominations were for (lest we forget, Beyond the Lights’ “Grateful” didn’t chart because, well, Rita Ora).

• Will an opera tune win for the first time? No work of opera has ever been nominated if my research is correct, which is kinda neat even though I think the song is dirge (albeit appropriately so for the film).

• Will all the talk of diversity in cinema this year give us a winner that is either black (The Weeknd), transgender (Antony Hegarty), or gay (Sam Smith)?

• It’s been 18 years since the last occurrence of a movie winning both a Razzie and an Oscar. Plenty of films have been nominated for both of the awards, but neither has won an award from each since Wall Street in 1988. Could Fifty Shades of Grey break a very unique drought?

Now, naturally because we all love lists so I thought it would be fun to rank every winner of Oscar’s best original song category and see where this year’s contenders would fit in when they take home that golden statue. What could possible go wrong with a completely subjective ranking of over 80 songs?!? Oh dear. You’ve been warned, I guess. Two things to note: I have not included "The Last Time I Saw Paris" from Lady Be Good since even the writer of that 1941 song was angry it was given an award when it wasn't written for the movie (it was subsequently the impetus for the category's rule change). Secondly, I have tried to rank as close to original film versions as possible so some songs that were improved upon in later recordings (like Nat King Cole’s “Mona Lisa”) may not rank as high. And, yes, before you ask, I am the person that hates Mary Poppins and who has never seen much of the appeal of the overtly twee “Raindrops Keep Falling On My Head”.

Go over the rainbow after the jump...

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