Judy by the Numbers: "Americana"

Anne Marie here with one of the foundational building blocks of the legend that is Judy. This week it's the story you've probably heard: young Judy Garland sings in a two-reel with another mostly-unknown MGM child actor named Deanna Durbin. Mayer sees the short and decides to dump one of the girls. Which he chooses and why is up for debate, but the practical fallout turns one girl into a big star at a small studio, and puts the other on the road towards a mythmaking career.

The Movie: "Every Sunday" (MGM, 1936)

The Songwriter: Roger Eden

The Players: Judy Garland and Deanna Durbin directed by Felix E. Feist

The Story: When young Judy had signed with MGM, she had done so without a screentest. The powers that be decided to rectify that in 1936, casting Judy with Deanna Durbin, another girl singer whose classical style contrasted nicely with Judy's big, swingtime voice. Durbin's option at MGM was about to expire, and the studio decided not to renew it. Durbin was rapidly scooped up by Universal, cast in Three Smart Girls, and became a nearly overnight sensation. These are the facts as we know them.

Many variations on this storyfeature heavily in the Judy Garland myth. In some versions, Mayer tells an underling to "get rid of the fat one," and the studio mistakenly lets go Durbin. In others, Arthur Freed recognizes young Garland's talents and intercedes on her behalf. Whatever the real reason was, this story remains the most romanticized near-miss in Hollywood musical history. It's a story of foils: Classical Deanna vs Brassy Judy, the flashpan sensation vs the undying star, the nonegenarian vs the talent gone too soon. Every good myth needs an origin story, and this moment, when Judy's career nearly stopped before it began, serves neatly as the genesis for Judy Garland, Child Star.

Judy by the Numbers: "The Texas Tornado"

Anne Marie back with the next installment in our new Judy Garland series. Before she was a legend, Frances Gumm was a contract player. This meant that MGM could loan her out to other studios. It was common practice for both large stars and minor players. But what makes you Frances unique is how rare it was for her. Today's musical marks the only time MGM loaned out Judy Garland; the rest of her contract with the studio would be spent snugly - if not comfortably - within the white walls of Metro Goldwyn Mayer. Judy's next short would kick off the Garland legend, and jumpstart the young teen's career.

 

The Movie: Pigskin Parade (20th Century Fox, 1936)

The Songwriters: Lew Pollack (Music), Sidney D. Mitchell (Lyrics)

The Players: Stuart Erwin, Patsy Kelly, Betty Grable, Jack Haley, Judy Garland, directed by David Butler

The Story: Already under contract to MGM at the age of 14, the newly renamed Judy Garland's first feature film was a loan out to 20th Century Fox. Pigskin Parade was a low-budget musical - Fox's favorite kind - that cashed in on the early 30's fad for college crooners. Judy plays the hick sister of a barefoot football prodigy (Stuart Erwin) who's invited by accident to play for Yale. Judy gets a handful of numbers, all shot and sounding more or less exactly like this one: she stands, feet planted, and belts pep songs in medium closeup. Young Judy hasn't quite mastered lip synching yet, but already one of her defining features shines: she looks like she's having a hell of a lot of fun performing.

Judy by the Numbers: "The Land of Let's Pretend"

Judy at 8. In just ten years time she'll have a mini "Juvenile" Oscar!Editor's Note: With Anne-Marie in grad school we're taking it easier on her for 2016. After her invaluable deep dives into Katharine Hepburn with "A Year With Kate" and female directors in "Women's Pictures" something much shorter but reliably tuneful for you each Wednesday morning in '16: Judy Garland numbers! 

Anne Marie returning to you. Welcome to a new series exploring Judy Garland through the music she made famous and the songs that made her a star. Before she was Judy Garland, Frances "Baby" Gumm was the youngest of a three sister Vaudeville act. The child of Vaudeville performers, a family story states that she made her stage debut at 30 months singing "Jingle Bells." She was so entranced by the footlights that her father had to remove her after she sang the song - 7 times.

The Movie: "Bubbles" (Vitaphone Short, 1929 or 1930)
The Songwriters: Harry Akst (Music) and Grant Clark (Lyrics)
The Players: The Gumm Sisters, directed by Roy Mack

The Story: "Bubbles" is close to Frances Gumm's film debut; she and her sisters made a series of Vitaphone shorts for Warner Brothers. Though she's just 8 years old, it's already clear that there's something about young Frances - the short one on the right who mugs to a spot right of camera during her brief closeup. At the moment, that "something" is a big smile and an equally big (if tinny) voice. But such small stuff is what stars are moulded from.

Forever "Chasing Rainbows"

While there may have been no news for years on that proposed (new) Anne Hathaway as Judy Garland biopic, that hasn't stopped other creatives from continuing to rob her grave. Will Judy ever rest in peace?

Not that we mind entertainment projects periodically winning The World's Greatest Entertainer new generations of fans whose parents weren't even born until after she died. But it does occassionally strike even this diehard Judy G fan as creepy, this perpetual exhuming of her corpse... If any of these projects came with a guarantee of pristine restorations and theatrically released revivals of her films outside of The Wizard of Oz, we'd grab a shovel ourselves!

Playbill reports that a new biographical Judy Garland musical will be heading (eventually... 2018?) to the Broadway stage. The twist is this: less tragic. The jukebox musical, which already has backing and which will be dubbed "Chasing Rainbows," apparently ends with The Wizard of Oz... the beloved classic that was released when Judy was all of 17 years old. The seeds of her tragedy were already planted by then of course but they had yet to bloom. 

The Judy Garland story with a vaguely happy ending? Curious. 

Review: Stonewall (2015)

First screened at TIFF. This article was originally published in Nathaniel's column at Towleroad

This one's for Judy!"

… so went a legendary scream (along with brick throwing) as the Stonewall riots began. We can’t know exactly what happened that night, but as the famous saying goes, “when legend becomes fact… print the legend.” Judy Garland, The World’s Greatest Entertainer, had died a week earlier on June 22nd, 1969. Her remains were brought to New York City on June 26th where tens of thousands of people lined up to pay respects, and her funeral, which barred the public, took place on June 27th. The theory goes that the gay community, which had always idolized her (as any sentient human with taste should, then or now) was even more on-edge than usual when the police came to raid Stonewall on the night of June 28th, 1969.

Fact: All hell broke loose. The rest is (much argued about) ‘history’...

Judy grief as combustive fuel is one of the legends at any rate. And one that I heard a lot as a baby-gay whenever people brought up Stonewall. Stonewall was not the true beginning of gay liberation (political groups had been forming since the 1940s to pursue our future rights), but it remains a super handy symbolic one. 

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