SXSW: Kiersey Clemons captivates in ‘The Young Wife’

by Abe Friedtanzer

Kiersey Clemons is a superb talent who has proven her ability in films like Hearts Beat Loud and Asking for It. She is once again magnetic in writer-director Tayarisha Poe’s follow-up to Selah and the Spades as a bride that no one seems to truly notice or care about being happy. The Young Wife isn’t nearly as depressing or foreboding as another miserable wedding movie, Melancholia, but there’s still a sense something could go seriously wrong at any moment, and only its title character would notice.

Onscreen text invites audiences to the party - it’s not a wedding - of Celestina (Clemons) and River (Leon Bridges). A horde of people descend on Celestina’s home, each arriving with their own energy and distinctly ignoring the vibe she’d like to have on her big day...

Click to read more ...

The Links of Grindelwald

• Feedspot This is nice. The Film Experience has been listed as one of the top 40 movie podcasts.
• AV Club the Random Roles series grills Sarah Jessica Parker about her defining roles
• THR goes deep on The Favourite's power plays
• Rotten Tomatoes Ouch. Reviews for Fantastic Beasts 2 are brutal
• Pop Sugar the casting of Nagini in Fantastic Beasts was controversial but here's where you've seen the actress before
• Stephen Colbert Jude Law discuss fan nicknames for Dumbledore. Very cute

• Awards Daily Rob Marshall "wanted to bring a gift of hope into this climate" with Mary Poppins Returns
• /Film the effort to save Filmstruck has now gotten some big name directors behind it
• The Playlist opinions are divided in Hollywood about whether Netflix's theatrical play with Roma is playing by the rules or a con
• Variety ...speaking of. Italy is cracking down on streaming service with new laws about theatrical windows
• Film School Rejects Kiersey Clemons (Hearts Beat Loud) lines up a biopic which could take her career to the next level
• Coming Soon the Jack Reacher franchise is dead for now. They hope to reboot in TV series form with an actor who is more faithful to the character (who is 6'5"... nearly a full foot taller than Tom Cruise!)

Today's Must Read
• Critics Notebook "The End of Endings" I bow to this great piece. And I worry like ∞

Stage Diversions
• EW Tom Hiddleston will star in a revival of Harold Pinter's 70s classic Betrayal in the West End in the spring
• Playbill Caroline or Change returns to NYC at the Astoria Performing Arts Center next summer. I saw their production of Follies last season and it was really strong so I have high hopes that they'll do this great musical justice. I still think if they ever make this into a movie, whoever plays Caroline will win the Oscar. 
• Playbill Broadway grosses for the week: New shows Network with Bryan Cranston and Tatiana Maslany and To Kill a Mockingbird with Jeff Daniels are already hits, playing to 100% capacity. The emptiest houses are unfortunately for the Go-Gos musical Head Over Heels (which we loved but which has been struggling to find its audience). Head Over Heels will be one of the Thanksgiving performances at the Macy's Day Parade so we'll see if that helps get them through the holidays. 

Soundtracking: "Hearts Beat Loud"

by Chris Feil

Brett Haley is quietly becoming the American independent counterpart to Once and Sing Street’s John Carney, crafting happy-sad narratives with music as a key ingredient. With music partner Keegan DeWitt, Haley’s films feature characters at the end of their performance days taking one renewed grasp toward fulfillment. His newest film Hearts Beat Loud is the most addictively musical, and like his I’ll See You in My Dreams before it, its songs come straight from the heart.

Loud is the story of Frank and Sam Fisher, played by Nick Offerman and Kiersey Clemons, a father-daughter pair preparing for imminent college bicoastal separation. Frank is a failed musician and now record store owner, forever pushing the gifted Sam towards a music collaboration she perpetually resists...

Click to read more ...