Beauty Break: Spectre Red Carpet

What a gorgeous and talented pair of Bond women they are. Oh, and everyone else also looked great in that red carpet too, I guess.

Yes No Maybe So: Spectre

Here's new contributor Kyle Turner to talk Bond, James Bond...

Bond hasn’t had much of a history the last fifty years or so, and by that I mean Bond the character. The Bond films, perhaps up until 2006’s Casino Royale, had been content with a more anthological and informal character illustration. But with the Nolanizatoin of the Bond franchise (aka the Daniel Craig era), we’ve been treated to a revisionist approach to James Bond: history, character, person. That appears to be continuing with the newest film SPECTRE, from Skyfall helmer Sam Mendes, which looks like another pretty, maybe interesting, maybe terrible chapter in 007’s origin story. 

Let's break down the trailer yes no maybe so after the jump...

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Masterpieces: 5 Works of Art That Deserve Their Own Movie

Abstew in the gallery to talk artworld films.

This past week saw the release of not one but two true life films set in the art world. Rather than traditional artist biopics, both films focus instead on the life of a particular painting's subject matter or the history of the painting itself. Woman in Gold (which opened in the top ten despite its limited theater count) stars Helen Mirren as Maria Altmann, a Holocaust survivor. She fought for over a decade in court with the Austrian government to become the rightful owner of Gustav Klimt's Portrait of Adele Bloch-Bauer I. The painting was of her aunt and it was stolen from her family by the Nazis during WWII. The long-delayed Effie Gray revolves around the unhappy wife (Dakota Fanning) of art critic John Ruskin (Greg Wise) in Victorian England. Apparently their marriage was never consummated and Effie became involved with the Pre-Raphaelite painter John Everett Millais (Tom Sturridge) and was the subject of some of his paintings.

Biopics about artists (Frida, Pollock, Mr. Turner, Lust for Life, the original Moulin Rouge, and many more over the decades) have found favor with the Academy. It will be interesting to see if these new films begin a trend for movies about the backstories of famous paintings, rather than the artist who painted them.

Since Hollywood is always in need of more interesting and diverse source material, here are 5 works of art that would make movies as pretty as a picture... 

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Breaking: Oh Jimmy! Daniel Craig Returns as 007 in "Spectre"

It wouldn't be accurate to call James Bond the mother the father of all franchises since serialized storytelling was with us since the very beginning of the recorded image. Nevertheless it does sometimes feel like James Bond pioneered the art of staying in the game. It maybe even influenced the rebooting craze long before it had a name with its continual cosmetic surgery; can you imagine how expensive it is to make Timothy Dalton look like Pierce Brosnan and then like Daniel Craig?

Daniel Craig is among the sexiest mofos on the planet but perhaps this is why he looks so beat up all the time? Either that or because people have been torturing him onscreen from the very beginning.

Case in point: This is not an image from the new Bond film but from the Cate Blanchett film Elizabeth (1998)

The new Bond film which begins production in 4 days and arrives in theaters on November 2015 is the 24th official entry in the series (though there are a two apocryphal films as well) and will be called Spectre. It's worth noting that this is, like Skyfall, a very short title. The shortest Bond titles (though not running times) since Dr. No (1962) which kicked off the whole series! Sam Smith will be doing the theme song.

Sadly, the casting doesn't seem very imaginative since Christoph Waltz is among the villians (i'm sorry but I'm done with him post Big Eyes. His range is shrinking which is quite an overachievement since he already won two Oscars for the same performance!) 

The cast in order of TFE's current levels of fandom...
Daniel Craig as Bond, James Bond (returning)
Ralph Fiennes as M (returning)
Lea Seydoux as Madeleine Swann (new)
Ben Whishaw as Q (returning)
Naomie Harris as Moneypenny (returning)
Andrew Scott as Denbigh (new)
Monica Bellucci as Lucia Sciarra (new)
David Bautista as Mr Hinx (new)
Rory Kinnear as Tanner (recurring)
Christoph Waltz as Oberhauser (new)

Do you think Lea's AMAZING entrance in Ghost Protocol inspired her future Bond Girl femme fatale role (say yes, that's rhetorical)

Do you see every Bond film or wait for the general cultural response?  Given Skyfall's historic gross and Oscar over-performance (doubling the entire franchises's Oscar tally!) do you think they're in for another zeitgeist hit and awards contender. Or do you think this one is bound to be a bit of a letdown?

NYFF: Saint Laurent is Über-Stylish but...

Our NYFF coverage continues with Nathaniel on France's Oscar submission Saint Laurent.

If you're going to make a biopic of one of the great fashion designers, it better damn well be stylish. Saint Laurent one of two new biopics tackling the iconic French designer Yves Saint Laurent assures you of its gifts in this area almost immediately. There's nary a frame, at least for the first two thirds of the film, that you couldn't frame and admire for aesthetic reasons: rich decadent colors, gorgeous actors as gorgeous people, carefully composed shots in elaborately decorated homes, dark exclusive clubs, and interiors of stores that that are so beautiful in their rigidity that they look more like institutional museums after hours, free of consumers but full of art. Even the daring full frontal nudity is stylish, whether it's employed for confrontational queer desire or for humor as in a memorable sequence late in the picture between a clothed woman and naked one. The scene plays like unintentional comedy for a moment until you discern that it's actual comedy, a meta joke about overdetermined STYLE and the fashion world's self mythologizing nature within a movie positively dripping with style and self-mythologizing.

The director Bertrand Bonello (House of Tolerance, The Pornographer) has chosen the right form for his movie -- at least in part, telling the story visually first and foremost, and lushly and creatively at that. Would that I had a photographic memory to recount the many fine choices but there are three that stuck with me, all from the first and second acts...

dangerous gay players & beautiful dress-up muses after the jump...

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