Links: Feat. the Totally Awesome 80s

Movie Mezzanine 'History of Film: Best of the Sixties.' They polled lots and lots of film critics including me. And you can see our individual lists. I appear to be the only person who listed West Side Story but some of my other choices are appropriately snooty if you need that.
THR most tweeted tv shows and events. Naturally the Oscars are #1 for specials (Golden Globes in #3 behind the Grammys).  
VF Hollywood celebrates the 25th anniversary of Dead Poets Society (1989) by getting all up in preppy nostalgia

/Film Whaaaaa? The War of the Roses (1989) is getting a sequel. Pity that we can't have Kathleen Turner back but that would be impossible. Unless it's also a supernatural sequel
Serious Film how many of these Eternal Sunshine details have you noticed on your multiple views? 
/bent blog Kyle Turner looks at the roles of mothers in the films of Xavier Dolan
Hero Complex Sigourney Weaver reminisces about her time as Lt. Ellen Ripley in the Aliens franchise
Michigan Live Detroit gets its official RoboCop bronze statue today and RoboCop will also throw the first ball at the Detroit Tigers game tonight.  He's come a long way since his 1987 debut.
Variety The next Woody Allen film (with Joaquin Phoenix - who is really getting around with the auteurs! - and Emma Stone) starts shooting in a couple of months. In Rhode Island. More cast tba very soon.

Stage Door
Can you believe the Tonys are on this weekend? So fast. 
Adam Shankman announces his cast for Hair at the Hollywood Bowl in August. Given the names (Kristen Bell, Benjamin Walker -- yaasss, and various TV stars) I'm guessing they don't do the big 'entire cast gets naked for one song' thing that most productions do.
Boy Culture Crazy story about an audience heckler at a California production of Cat on a Hot Tin Roof unfortunately leads to actors departing the show and bad blood with producers. As a regular theatergoer, I would have applauded the actor who left the stage to handle this. An unruly audience member can really ruin a play.

Today's Watch
And this is unexpected but delightful. Bianca Del Rio, the Queen of Mean, wants to star in a feature film comedy about a teacher who is fired for being gay. For revenge he returns to the school as a mean "lady" and gets hired again. Shades of Tootsie only without the you know, Oscarworthy acting or depth.

But still! As a huge fan of Bianca, I approve of this becoming a movie though in truth I was hoping for a sitcom. I guess I should've dreamed bigger. 

Top Ten: The Aughts

Last year I was throwin' up quickie top ten lists for each decade for archival and discussion purposes and tonight wI realized that I'd never finished the run skipping the Aughts and the 1920s and the 1910s (the latter two because I'd hoped to see more silent films before top ten'ing it). So herewith a revisit / rework of a "best of the aughts" list originally published in 2010 but many of you have joined us since!.

Care to share yours?

01 Moulin Rouge! dir. Baz Luhrmann (2001)

The party of the decade. The inspired mashup conductor (Baz) and his darling stars (Nicole, Ewan, Jim) put on the messiest craziest livelest funniest tearjerking "Spectacular! Spectacular!" show on earth. I'd never claim it's a perfect movie but flaws are endearing when you love madly and deeply. and Love Is All You Need.

02 Brokeback Mountain dir. Ang Lee (2005)
A love story for the ages. And one that quietly enrages.

03 Eternal Sunshine of the Spotless Mind dir. Michel Gondry (2004)
The Eyes: a singularly imaginative visualist in Gondry. The Brain: the twisty intellect of Charlie Kauffman. The Body: a great acting ensemble operating as one powerful machine. The Heart: a comic (Jim Carrey) positively aching with true drama. The Soul: one of the most elemental faces and emotional forces in cinematic history (Kate Winslet); It's the collaborative miracle movie of the decade, all its parts made greater by their interconnectedness.

04 Dancer in the Dark dir. Lars von Trier (2000)
The story of the Aughts for this particular moviegoer was the rebirth of the musical. To yank the dead genre from its unfortunate grave, fearless visionary filmmakers and prodigiously gifted musicians were required. The impish deconstructionist (von Trier) provoked such genius from a totally modern composer (Björk) that a decade later you can still be transported with just a bar of "New World" or "I've Seen It All".

05 Far From Heaven dir. Todd Haynes (2002)
Of all the things we have to thank Todd Haynes for: new ways of looking at Barbie dolls, Bob Dylan splintered, restless experimentation as cinematic life-blood, a mini Douglas Sirk revival, Ewan MacGregor naked and covered in glitter... this is the gift I cherish most: Julianne Moore in a purple scarf, waving love goodbye.

06 In the Mood for Love dir. Wong Kar Wai (2000, released in 2001)
In a perfect world, I would always be fetching noodles or trying on cheomsangs with Maggie Cheung. Either that or writing wuxia and smoking with Tony Leung Chiu Wai. I'd gladly pay the price of heartbreak in the end.

07 Talk To Her  dir. Pedro Almodovar (2002)
So imaginatively structured, exquisitely controlled, and enigmatically moving that it's nearly impossible to wrap your head around in one go. It's a good thing then that Pedro's movies miraculous improve with repeated viewings... even when they were brilliant to begin with. "Cucurrucucú paloma, cucurrucucú no llores."

08 Rachel Getting Married dir. Jonathan Demme (2008)
God grant me the serenity to accept the things I cannot change... like the fact that so many people don't love this movie. Their loss. I'm ready to dive back into this immersive, noisy, eclectic, spontaneous, superbly acted, wonderfully sustained, bleeding heart of a movie right this very second. Pass me the DVD.

09 Crouching Tiger Hidden Dragon dir. Ang Lee (2000)
Ang Lee is the only filmmaker with two movies in the top ten.  How glorious was/is this utterly transporting adventure?

10 A History of Violence dir. David Cronenberg (2005)
In the past I've likened this movie to a machine, it's so finely calibrated and efficient. But that doesn't get at its emotional fire, its guttural poetry, and its savage eroticism. It's more like a cyborg.

ten other beloveds
Requiem for a Dream, Mulholland Dr, There Will Be Blood, The Lord of the Rings, Vera Drake, Y Tu Mama Tambíen, WALL•E, Volver, The Class, The Hurt Locker, and Before Sunset.

Previous Top Ten Quickies
1930s | 1940s | 1950s | 1960s | 1970s | 1980s | 1990s | 2000s | 2010s (thus far)  
and don't forget to like the film experience on facebook

Tuesday Top 10: Best Godzilla fights

Tim here. The new Godzilla is [insert joke based on large animals destroying cities] the box office, while receiving generally mixed reviews that all agree on one point: the climactic monster battle in the film is aces. One of the best in the while 60-year, 30-film franchise, in fact, standing proudly alongside such classic moments as Godzilla and fellow icon King Kong pummeling each other, Godzilla being lacerated by the deadly vines of a giant mutant plant, or Godzilla using his atomic breath to fly after a levitating tadpole made of toxic waste.

The Godzilla films, they are silly.

Still, there’s enough B-movie popcorn fun in enough of them that, in honor of the new film and it’s triumphant climax, we are happy to present this highly subjective list of the best monster mashes in the giant lizard’s history.

TOP TEN MONSTER FIGHTS IN GODZILLA HISTORY

Click to read more ...

Dressed to Link

Today's Must Read
The Hairpin's "Being Maleficent", on play-acting, female aggression, and iconic villainy

'Me, please,' they said. 'I want to be Aurora.'

I chewed my fingernails and felt my glasses slip down my nose. I wanted to be Aurora too. I wanted to be the center of the play. I wanted the woodland creatures to dance around me and the whole room to talk about my beauty, even if it was just pretend. But at seven, I was already hyper-aware of my skinned knees, my knobby elbows and my boy haircut. I stood up. 'I’ll be Maleficent.'...

More Recommended Links
de film Krant loved this impassioned vote for Brian de Palma as a sensibility shaper and the problems with "greatest of all time" lists
Grand Old Movies looks back at a Norma Shearer movie I hadn't heard of - Let Us Be Gay (1930). With deglamming! 

/bent Tilda Swinton reteaming with her Teknolust director and she will reportedly play a "phosphorescent talking cat" rather than the female lead. Um...
Pajiba the first teaser for Kenneth Branagh's Cinderella if you feel like looking at a shoe for a minute 
The Stake has a response to that much discussed MZS article on how boring/interchangeable superhero movies are 
VF smart piece from Joanna about how Samuel L Jackson's star cameo on Agents of S.H.I.E.L.D. exposed the show's core flaw. Co-sign.
Variety Harrison Ford for Blade Runner 2. I guess maybe he doesn't hate it anymore?
Film School Rejects so they're making a Morrissey biopic that's not called Morrissey and won't include any of his music and which he didn't approve. okay.... 

Fonda and Ziyi at the Grace of Monaco premiereWe Cannes Cannes Cannes
And here's a reminder to check out our extensive Cannes coverage. I'm so happy we've gone full French. Now to pester Diana again for more info on what she's up to...

Diana's Diary - we finally have someone on the ground
Opening Gala Tidbits - in which critics attack, buyers buy, and Kidman still owns my heart
Best Palme D'Or Winners ever? - we made a group list
Competition & Un Certain Regard - Nick and I chatted up the lists of mouthwatering possibilities 

Tim's Toons: The Best Moms Ever Drawn

Tim here. Mother’s Day weekend is just around the corner, and not just any Mother’s Day weekend: this year marks the 100th anniversary of the proclamation by President Woodrow Wilson establishing the second Sunday in May as a national day of celebration.

In the honor of the century of mothers that have come and gone since then, and since this is the Film Experience’s dedicated animation corner, I though it might be fun to pay tribute to some of our favorite cartoon mothers. Of course, with motherhood being one of the most death-prone professions in the world of animation (all those Disney princess with just a father, if they’re not orphaned outright… and let us never forget the national childhood trauma that is Bambi), there are fewer such women than we might like. These are three of the best.

Helen Parr (voice: Holly Hunter)
The Incredibles

To me, this is the easiest and most obvious answer there could ever be to the question, “who’s the best mom in the history of animated movies?” And not just because of Hunter’s fantastic performance, though I hope I don’t need to mention that it helps. We’re all Hunter fans here, right? Good.

The genius of the character lies in part in the playful metaphor behind her: taking care of her kids, household and husband requires Helen to stretch herself as thin as can be, so what of course would have to be her superpower, but infinite elasticity. But it also lies in how fully Hunter and writer-director Brad Bird commit to making the character more than just a collection of Eisenhower-era feminine tropes. Helen is a wonderfully complicated character, in fact, and complicated women are common in neither American animation nor superhero movies. The subtle interplay of emotions that she expresses over the course of the movie, and the vivid intelligence, wit, and self-reliance that she acts with at all times, makes her a fully-feeling person and not just a reactive wife and mother. And it’s precisely because we get so much more of her inner life that her considerable strength in those roles is so clear and involving.

Chicha (voice: Wendie Malick)
The Emperor’s New Groove

This one can, I think, be fairly described as my against-convention pick. From the Disney movie that everybody underrated until it developed a cult that is sending it merrily on the way to being overrated, Chicha isn’t one of the film’s biggest characters by any stretch (by my count, she comes in at fifth, right ahead of “guy who gets thrown out the window in the opening sequence”), but she makes a hell of an impression in just a couple of scenes as the level-headed focus of reason in a film where just about everything is operating at a high-level pitch of cartoon anarchy. It’s the “wife in a CBS sitcom” role, basically, but Malick’s warmly calming performance and the general excellence of the character’s interactions with her manic kids make her one of the highlights, for me, of a film full of highlights: the mom everybody wants and needs, who lets you goof off and be silly right up until it’s time to knock if off, a gentle totalitarian with a good sense of humor.

Mrs. Jumbo (voice: Verna Felton)
Dumbo

The horrifying moment when Bambi’s mother gets shot is all well and good. But for my money, the single most devastating moment of parent/child agony in the whole of the Disney canon is when the little mute elephant with giant ears goes to the cage where his mother has been locked up as a rampaging beast, and curls up on her trunk, the only part of her body she’s able to reach out to him. Something about the tenderness and cruelty intermingling in that moment is just overwhelming – and the plaintive lullaby "Baby Mine" playing over the scene doesn’t hurt matters one iota.

Here and everywhere else, the relationship between Dumbo and his mother is an absolute triumph of animation, making exemplary use of the Disney animator’s understanding of how to communicate the sensitive and emotion of physical touch through their drawings.

With neither character speaking much at all (Mrs. Jumbo has a single line, naming her child), it falls entirely to the images to create the emotional truth of their relationship, and this is done with amazing skill throughout: from the charming bath scene to the lacerating "Baby Mine," Dumbo is a film that consistently depicts gentle, loving caresses between mother and infant with a sweetness and sensitivity I can think of nowhere else in film. Not just in animation, but in live-action too.

I’ll turn it over to you now. Who are your favorite animated moms? Share with us in comments!