Scarlett Stays Super

...superhuman that is.

It appears that after her third stint as The Black Widow for Captain America: Winter Soldier (it's not just a cameo), Scarlett Johansson isn't ready to part with the super-powered set just yet.  

She'll be starring in Lucy as a woman who gains superpowers after being a mule for an experimental serum. It's a new project for director Luc Besson (who seems to be aiming for a big comeback after a quiet decade starting with Malavita this fall). This latest deal suggests she's content to stay in franchise mode for awhile longer still despite surely being one of the richest young actresses in the world what with so many spokesperson deals and big budget thesping already behind her at only 29 years of age. The size that nest egg must be by now (!) but maybe that's purposeful and her interests lie outside of acting like, say, Angelina Jolie. And since Angelina seems to have vacated the A List Action Heroine niche, someone's gotta fill it. 

But for those of us who fell in love with dreamy Scarlett early on it's kind of shocking in retrospect that Action would prove to be her genre of choice. That languorous Ghost Worldly Girl With the Pearl Earring Got Lost in Translation somewhere; how does that girl have all this energy to run around kicking ass? Wouldn't she rather sleep and pout and stare forlornly off into the distance? Doesn't it make you even more curious about the upcoming sci-fi but not that kind of sci-fi drama Under the Skin. Scarjo doesn't seem to have sizeable artistic ambitions -- or she's storing them up secretly for her 30s (she's still only 28!) -- so why did she opt to work with the very artful Birth director Jonathan Glazer inbetween all the green screens?

Time will tell... and hopefully reveal that movie. Still no release date for Under the Skin and hasn't it been in post for ages? At this point it's been almost a decade since Glazer trained his hypnotic camera on Kidman in catatonic grief crisis mode at the opera.

#ticktockticktock

"Malavita" Before Cameras... All Kinds

Malavita, the new Pfeiffer film we've mentioned a couple of times, is starting its PR trek. The plot concept:

Malavita is the story of the Manzonis, a notorious mafia family who gets relocated to Normandy, France under the witness protection program. While they do their best to fit in, old habits die hard and they soon find themselves handling things the “family” way.

The cast has now gone before the lens, not just movie cameras, of multiple kinds. Like...

Photo Ops They aren't wasting any time announcing themselves since the cast including Tommy Lee Jones, Robert DeNiro, and Michelle Pfeiffer are already posing for cameras. This image is from the new Paris Match. The stars gathered for the opening of their director Luc Besson's Cite du Cinema which is the largest studio ever built in France and is hoping to attract more big productions.

Pity that La Pfeiffer is hidden in the fold!

More Malavita photos after the jump...

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"I said, 'What kind of link are YOU?' "

Lists and Miscellania
Comics Alliance 50 comic book characters that resonate with LGBT audiences. Very few of them have made the trek to the movies. Just sayin'. Hopefully some day some of them will.
The Wrap wonders if Beasts of the Southern Wild can become a commercial hit. 
Hollywood Elsewhere on the Philistines who aren't into Magic Mike. 
Tom Shone on Brave Pro: the hair; Con: bear slapstick. Awww, I loved the bear slapstick.  
Thelma Adams interviews Michelle Williams on Take This Waltz 
Pajiba "Love is Dead Forever!" because the only appropriate response to the impending Tom Cruise / Katie Holmes divorce is total hysteria.
Scene Stealers  the ten most deliciously awkward moments in Wes Anderson's filmography? Written pre Moonrise Kingdom obviously because that's loaded with them.

Into the Future
/Film Screenwriter Hossein Amini (Drive) will direct his first feature, an adaptation of Patricia Highsmith's The Two Faces of January with Viggo Mortensen and Oscar Isaac. I have actually read this novel which is a rare thing when we're talking up "future movies". Sadly I don't remember it at all so I can't comment on the casting other than that I find that either of those faces is good for any month.
First Showing Luc Besson may follow up the De Niro / Pfeiffer Malavita with the adaptation of sci-fi French comic book Valerian. 

My Favorite Reviews / Essays o' The Moment
Wesley Morris on Moonrise Kingdom -Wes Anderson finally comes through
Norman Buckley on Birth like Vertigo, it will only gain in stature

Pfeiffer Pfridays. Should We Salivate Over "Malavita"?

It was recently announced that the one and only Michelle Pfeiffer is considering a substantial role in the new crime drama Malavita as the matriarch of a mafia family (Robert DeNiro plays the patriach) under witness protection who begin to act out in old violent ways. The film is based on the book "Badfellas" and it leans toward black comedy. The last time Pfeiffer was Married to the Mob, she was brilliant (and Golden Globe nom'ed) and the movie was delightful even in the non-Pfeiffer scenes. Is it wrong that I started to hyperventilate at the notion of Malavita, despite "Robert DeNiro" not doing anything at all for me onscreen since 1997?

Malavita will be directed by Luc Besson and while his films aren't exactly "performance showcases" in the 'actors' movie' sense nor particularly skilled with their comedy elements, he has delivered movies with memorably dangerous female star turns (think Natalie Portman in The Professional, Anne Parillaud in La Femme Nikita, and Milla Jovovich in The Fifth Element). So sign on the dotted line, diva. Make that movie!

Bruce Wayne: You've got a bit of a dark side, don't you?
Selina Kyle: No darker than yours, Bruce.  

If the sight of Pfeiffer blowing enchanted attackers to smithereens with a shotgun in Dark Shadows didn't make you smile a little than we can't be friends; Pfeiffer is always most thrilling when she plays a bad girl.

<-- Just after reading the news I was catching up with Mad Men --holy smokes that episode! -- and while scrolling through the commercials this very welcome image appeared (courtesy of People Like Us).

Everytime La Pfeiffer threatens to return to us I remember that she's very skittish about her fame and you never know if she'll vanish again for another 3-5 years. But does this recent burst of activity (New Year's Eve, People Like Us, and Dark Shadows all in a seven month stretch!) suggest that she wants it again? You have to want it and I always hope she'll get hungry again. The internet has been tossing around her name around (along with dozens of other under-employed mature actresses) as ideal casting to play the crazy long-missing mother of Emily Van Camp on Revenge which is a great great soap --holy smokes that finale! --  populated by chilly bad girls. Pfeiffer herself has expressed a love for the quality television of this era but despite the multi-orgasmic notion of watching Pfeiffer throw down with the resurgent delicious Madeleine Stowe, I'm hoping she doesn't actually do any TV. She's one of the great female movie stars who hasn't really gone there post fame. If she ever decides to act full time again, the big screen totally deserves and needs her.

• would you like to see Pfeiffer married to the mob again?
• did she thrill you in Dark Shadows?
• and, sort of Off Topic, who would you die to see as Emily's insane (we hope) mother on Revenge?

TIFF: Michelle, Andrea and Felicity in buzzy films.

Paolo here. Day 6 of TIFF brings movies about love and passion crossing borders and oceans or trying to, despite the difficulties. Ladies and gentlemen, bring your handkerchiefs or roll your cynical eyes.

THE LADY (Luc Besson)

Most of you must already know about detained Burmese President-elect Aung San Suu Kyi (Michelle Yeoh), but her unlikely entry into political life happened so long ago that we, especially the younger generations, forget a few facts. First, that she lived in Oxford and bore two boys for her husband Michael Aris (David Thewlis), a professor of Southeast Asian studies and that the reason for her untouchable status in a military dictatorship is her ties to England. Second, that the reason the university intellectuals have chosen her as the figurehead of the Burmese democracy movement is because her father, a general, fought for the same goals after World War II.

The story of her adult life is now adapted to the screen as The Lady directed by Luc Besson. This movie allows Besson to diversify his CV but I personally couldn't avoid looking for his trademarks. Suu is Besson's female heroine, Michael his the Tati-esque old man, and a superstitious general is the campy, quirky villain. Besson keeps the violence to a reverent level this time, even if Suu's father becomes a martyr in the film's first scene. The Lady also has a few montages which chronicle the news of Suu's planned rallies spreading throughout the streets of Rangoon. They went on a bit longer than necessary.

As biopics go, The Lady has a surprsing lack of naturalism. Take this paraphrasal of one of Suu and David's conversations:

'The world reveres you as someone with no negative qualities.'
'I will list my negative qualities right now.'
'Your negative qualities made me fall in love with you.'

But because I like this, I'll call it 'classic English dialogue', pulled off well by Thewliss and especially Yeoh who has perfected a politician-style elegance; in a festival full of misanthropy, characters who are 'too nice' are a welcome change.

W.E. (Madonna)

The title of Madonna's much-discussed new film, is an acronym for the most gossiped marriage in the past century between Wallis Simpson (Andrea Riseborough) and King Edward VIII (James D'Arcy). The couple belong to a story within the story, which is an obsession for  fairytale-stricken Wally Winthrop (Abbie Cornish), who comes close to the couple's property six decades after their exile. Wally is bored of her neglectful husband while befriending a foreign Sotheby's security guard (Oscar Isaac). I'll assume that Madonna took on this story in engender her own so-called feminist perspective, and she brings a sympathetic and sometimes humorous light to the maligned woman. I would have preferred to see a movie based on "Famous Last Words," Timothy Findley's novel about Wallis.

More on what I liked about W.E. and disliked about Like Crazy after the jump.

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