Entries in magazines (79)
Murtada here. W Magazine is famous for offbeat editorial photo shoots and their latest is no different. To celebrate the release of the 1950s romance Brooklyn they shot its star, Saoirse Ronan, as literally “Queen of Hearts”. Ronan certainly breaks and wins hearts with her performance as Irish immigrant Eilis Lacey. The film has been winning fans since its debut at Sundance in January, including on these pages.
On why she wanted to make Brooklyn after the jump...
Actresses Actresses Actresses
<-- If you haven't yet read Jennifer Lawrence's short essay "Why Do I Make Less Than My Male Co-Stars" you should.
Salon on the many stars who are coming out in support of JLaw on Twitter
Teen Vogue Jennifer Lawrence and other stars before they were famous posing for Abercrombie & Fitch
THR Actress Joan Leslie (Yankee Doodle Dandy, Sergeant York) has died at 90
Tracking Board Yorgos Lanthimos' (The Lobster) next project is about Queen Anne and it's called The Favorite. The female driven film will star Rachel Weisz, Emma Stone and Olivia Colman
David Poland "20 Weeks To Oscar" he thinks only four movies are locked up in Best Picture: The Martian, Spotlight, Steve Jobs and Room but here's what I found most interesting. He argues that only Brie Larson & Kate Winslet can rest easy in their respective actress fields and I can see that The rest of the fields are fluid.
AV Club Because Ryan Murphy isn't spread thin enough he's pitching an anthology series called "One Hit Wonders" to star Goop herself, Gwyneth Paltrow
Interview talks to Emma Donaghue the novelist who adapted her own work for the screen in Room
Criterion has an amazing conversation with the French director Arnaud Desplechin (Kings & Queen, My Golden Days). They talk Oscars, Lars von Trier (?), male versus female actors, nudity, everything. I like this bit on his relationship to Mathieu Amalric who is in most of his films:
Mathieu is hard with me. He’s really hard. You don’t know all his French films, but I saw all his French films. He always plays the same part in all the films. They’re quite good, but I remember when I proposed Kings & Queen to him, he told me: “Arnaud, the script is great, but I don’t want to play the same character as in My Sex Life. You have to prove to me that this is another character.” I have to prove to you? Come on, you play the same character in five films, why am I obliged to prove that to you? He said, “Because it’s love, so you have to prove it.”
Birth. Movies. Death Thor: Ragnarok will be Marvel's darkest. But will it introduce Valkyrie? (People will be completely be over superheroes by the time the females arrive. sigh)
Empire NOooo. Now they want to make a Die Hard "origin story". Boo
Playbill two underused fine actors Aaron Tveit & Mary Elizabeth Winstead headlining a new CBS comic thriller BrainDead with a truly bizarre premise
AV Club broke down 22 references in the Hail, Caesar! trailer
MNPP Jason has some thoughts on a possible tv version of Y: The Last Man
"I had seen her when I was a teenager in Lonely Are the Brave with Kirk Douglas. I'd never seen anyone that beautiful with a certain gravitas. It was particularly unique in that time, when many women were trying to be girlish, affecting a superficial, 'I'm a pretty girl' attitude. It seemed to be the best way to succeed, but Gena did none of that. There was a directness—not that she wasn't fun and didn't smolder—but it came from a place that was both genuine and deep.
-Mia Farrow on Gena Rowlands"
Elle Magazine's "Women in Hollywood" issue is available digitally now and comes out next week featuring Gena Rowlands, Alicia Vikander, Salma Hayek, Kate Winslet, Carey Mulligan, Ava DuVernay, Amy Schumer, and Dakota Johnson.
Alexa here. Montgomery Clift would have turned 95 years old this week. To celebrate, I dug out this 1949 issue of Movie Stars Parade of mine and re-read the interview. The Monty revealed by the publicity machine is surprisingly close to the Monty of my imaginings: intuitive, self-loathing, tentative, magnetic. [More...]
Here's Murtada on the opening night of the BFI London Film Festival.
The BFI London Film Festival opened Wednesday night with a gala premiere of Suffragette. Alongside stars Carey Mulligan, Meryl Streep and Helena Bonham Carter, protesters made their voices heard. The group Sisters Uncut chose this movie about suffragettes to protest the UK government’s recent cut of funds supporting victims of domestic abuse.
It was an apt choice and led to some interesting pictures. On the same red carpet the latest couture gowns mixing with color bombs and protest signs. Glamour and activism after the jump...
You've heard the news by now that Nicole Kidman will make an appearance on TV's mega-smash "Empire" at some point to be determined. Apparently her guest gig was meant to have happened already but her London run in Photograph 51 prevented it (hmmm. which role was it originally we wonder - have you been watching Season 2?)
Interview magazine, smart devils that they are, hooked her back up with Lee Daniels for their latest issue (with photos by Fabien Baron) and it's clear that the two were tight as bandits on the set of The Paperboy (2012) and feel each other as kindred spirits.
LEE DANIELS: Nic! Hi, honey. I just spoke to Chris yesterday. He told me that you were having the time of your life in London.
NICOLE KIDMAN: I am. I'm having a really good time here.
DANIELS: I was disappointed to hear that because, of course, I want you on my set. [both laugh]
The interview is full of "naughty" memories like why Nicole was dancing in the rain with Zac Efron in his undies in that infamous film, and her fearless dive-in commitment and 'use everything' approach to acting.
DANIELS: Does your personal life ever bleed into the work? In other words, if something is fucked up in your personal life—family, husband, kids, parents, friends, what you're going through—does any of that ever bleed into your work?
KIDMAN: Yeah, but we're taught to bring everything—the state of being, the environment—and use it. If it's raining, or the other actor doesn't know his lines, everything has to be used. So your own emotional state comes into play, and I certainly remember that happening a lot on, say, The Hours, when I was going through an enormous amount of turmoil. And even though it was appropriate at times for the character [Virginia Woolf], at other times it wasn't. But I would just bleed it in; it would manifest in different ways. For me, the idea of having a plan, that you've got to hit this particular place, shuts down other possibilities. And that's probably why I work well with you because you're also like that. You see something, you jump on it. Jane Campion is the same. You are very similar in the sense that everything is so detailed, and everything you see, or sense intuitively, you focus on and pull out.
There's also asides to talking theater with The Lovely Laura Linney (!), and how her voracious reading habits as a child (Tolstoy at 12, hee) led her to acting.
It's a must read so go there...