Alexa here. Montgomery Clift would have turned 95 years old this week. To celebrate, I dug out this 1949 issue of Movie Stars Parade of mine and re-read the interview. The Monty revealed by the publicity machine is surprisingly close to the Monty of my imaginings: intuitive, self-loathing, tentative, magnetic. [More...]
Entries in magazines (84)
Here's Murtada on the opening night of the BFI London Film Festival.
The BFI London Film Festival opened Wednesday night with a gala premiere of Suffragette. Alongside stars Carey Mulligan, Meryl Streep and Helena Bonham Carter, protesters made their voices heard. The group Sisters Uncut chose this movie about suffragettes to protest the UK government’s recent cut of funds supporting victims of domestic abuse.
It was an apt choice and led to some interesting pictures. On the same red carpet the latest couture gowns mixing with color bombs and protest signs. Glamour and activism after the jump...
You've heard the news by now that Nicole Kidman will make an appearance on TV's mega-smash "Empire" at some point to be determined. Apparently her guest gig was meant to have happened already but her London run in Photograph 51 prevented it (hmmm. which role was it originally we wonder - have you been watching Season 2?)
Interview magazine, smart devils that they are, hooked her back up with Lee Daniels for their latest issue (with photos by Fabien Baron) and it's clear that the two were tight as bandits on the set of The Paperboy (2012) and feel each other as kindred spirits.
LEE DANIELS: Nic! Hi, honey. I just spoke to Chris yesterday. He told me that you were having the time of your life in London.
NICOLE KIDMAN: I am. I'm having a really good time here.
DANIELS: I was disappointed to hear that because, of course, I want you on my set. [both laugh]
The interview is full of "naughty" memories like why Nicole was dancing in the rain with Zac Efron in his undies in that infamous film, and her fearless dive-in commitment and 'use everything' approach to acting.
DANIELS: Does your personal life ever bleed into the work? In other words, if something is fucked up in your personal life—family, husband, kids, parents, friends, what you're going through—does any of that ever bleed into your work?
KIDMAN: Yeah, but we're taught to bring everything—the state of being, the environment—and use it. If it's raining, or the other actor doesn't know his lines, everything has to be used. So your own emotional state comes into play, and I certainly remember that happening a lot on, say, The Hours, when I was going through an enormous amount of turmoil. And even though it was appropriate at times for the character [Virginia Woolf], at other times it wasn't. But I would just bleed it in; it would manifest in different ways. For me, the idea of having a plan, that you've got to hit this particular place, shuts down other possibilities. And that's probably why I work well with you because you're also like that. You see something, you jump on it. Jane Campion is the same. You are very similar in the sense that everything is so detailed, and everything you see, or sense intuitively, you focus on and pull out.
There's also asides to talking theater with The Lovely Laura Linney (!), and how her voracious reading habits as a child (Tolstoy at 12, hee) led her to acting.
It's a must read so go there...
Behold an Inez & Vinoodh celeb-filled photoshoot they're dubbing "The New Royals" in the latest issue of W. Kicking it off with Scream Queen Jamie Lee Curtis below -- wasn't it great to see her again in Scream Queens? Ryan Murphy has his foibles -- I get that he's always trying to be "outrageous" rather than serious but there is an odd whiff of misogyny strung through everything -- but bless him for giving so many actresses of a certain age big parts.
More photogenic divas including Claire Danes and Academy Award Winner Julianne Moore* after the jump...
Here's Murtada with a couple of gorgeous pictures of a movie star to brighten your evening. We’ve already seen the striking first still from A Bigger Splash, now come more enticing images to get us more impatient for this film. As if we weren’t already...
Tilda Swinton looks a bit different in these photos, no? Well there’s a reason for that. Because she’s Tilda Swinton she doesn’t just give an interview to promote her movie. She gives it in character. In A Bigger Splash Swinton plays a rock star, called Marianne Lane, involved in a quartet of sex and intrigue with Matthias Schoenaerts, Ralph Fiennes and Dakota Johnson. For the AnOther Magazine cover story she conducted the interview as her character Lane. Here’s how AnOther put it:
“This entire interview is a work of fiction co-authored by Tilda Swinton, Glenn O’Brien, Luca Guadagnino and Dave Kajganich, based around events in the film A Bigger Splash.”
Another interesting tidbit from the interview is that Lane is mostly silent throughout the movie. Speaking to reporters at the Venice Film Festival where the movie played earlier this month, Swinton explained why, “It was a moment in my life when I really didn’t want to say anything”. To explain Tilda's silence, Lane is recovering from a throat surgery under doctor’s orders not to speak -very believable for a rock star.
In the US we'll have to wait till May 2016 to see this movie. Those of you in London shouldn't miss it when it plays the London Film Festival next month.
What do you think of Tilda as Marianne?
Here's Murtada on the first major magazine cover of the 2015 Awards Season.
Our current best actor winner is ready for his second straight nomination. Eddie Redmayne is starting his Oscar campaign for Tom Hooper’s The Danish Girl more than 3 months before the movie’s release. This week he covers OUT magazine’s fall preview issue with a lengthy interview that touches on everything from where he keeps his Oscar, to his privileged upbringing, to playing transgender artist Lili Elbe.
Perhaps what people are most curious about is how he handles the potential minefield of his casting as a transgender woman. Elbe, who had sexual reassignment surgery in 1930s, was one of the first known transgender people to transition and a movie about her life has been in the making for more than a decade.
Redmayne and his handlers are obviously trying to get ahead of any potential controversy. Hence the careful choice of the publication to which he gives his first interview about the film, and the inclusion in the article of advocates from the trans community like Paris Lees and Lana Wachowski. Lees is quoted and says about Redmayne's casting “Politically, it makes me groan. But if anybody’s going to do this justice, then I’m happy it’s Eddie. We had a good chat about everything”.
The interview is a good read and he handles some of the thornier issues with deft and careful thought. He comes through as humble while acknowledging his luck and privilege. He recognizes how divisive his portrayal of Elbe might become.
”People were so kind and generous with their experience, but also so open. Virtually all of the trans men and women I met would say ‘Ask me anything.’ They know that need for cisgender people to be educated. I felt like, I’m being given this extraordinary experience of being able to play this woman, but with that comes this responsibility of not only educating myself but hopefully using that to educate [an audience]. Gosh, it’s delicate. And complicated.”
As for the movie itself, the verdict will be out soon. It plays at both the Venice and Toronto film festivals in early September. Venice comes first and that will be our first indication whether or not that nomination is happening as we’ve seen many an Oscar campaign start at the Biennale.
In the last 10 years, 8 men and 3 women have won the Volpi Cup for English language performances, a big percentage. Of those performances David Strathairn (Good Night and Good Luck), Cate Blanchett (I’m Not There), Colin Firth (A Single Man), Philip Seymour Hoffman and Joaquin Phoenix (who won jointly for The Master) went on to land Oscar nominations. Michael Fassbender (Shame) came close but ultimately missed. However the only winner this decade at Venice who went on to win an Oscar is Helen Mirren (The Queen).
Are you looking forward to The Danish Girl? Do you think Redmayne is a good choice to play Elbe?
Researching 1954 for other posts, I came upon the realization that Life Magazine had featured not one, not two but three of the eventual Best Actress nominees on their covers that year in April (Grace Kelly who had a lot of films out that year including The Country Girl), September (Judy Garland for A Star is Born) and November (Dorothy Dandridge as "Hollywood's Fiery Carmen Jones"). It was "Hollywood's Brightest and Busiest New Star" vs. the World's Greatest Entertainer for the golden statue that year. The tag line to the Judy article was "Judy Garland Takes Off After Oscar" but it was not to be and Grace Kelly cemented the Princess effect with Oscar just a year after that had already helped Audrey Hepburn to her Roman Holiday win. (With Oscar, it rarely turns out that well for the older women, as you know)
This particular Best Actress race will haunt actressexuals forever as Judy Garland's A Star is Born performance is one of the greatest ever committed to celluloid. Audrey Hepburn (Sabrina) and Jane Wyman (Magnificent Obsession) were also nominated that year but did not get a Life cover. That's weird in Audrey's case as she was a regular cover girl.
Finally while everyone knows that Dorothy Dandridge was a trailblazer this cover represents a twofer: She was not only the first African American nominated for a Leading Role at the Oscars (previous nominations had only happened in Supporting Actress) she was also the very first black woman to appear on the cover of Life Magazine!
Have you ever seen Carmen Jones? We've talked about it before.