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The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

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What did YOU see this weekend?

 

Elle. Basically the same movie as The Piano Teacher but sillier. Huppert is great, but when is she not? -Jonathan

The Edge of Seventeen because I needed something light and fun. So delightful, and anchored by a wonderful Hailee Steinfeld performance. - Marina

 

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INTERVIEWS

Maria Schrader (Stefan Zweig...)
Boo Junfeng (The Apprentice
Gianfranco Rosi (Fire At Sea)
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Entries in magazines (90)

Thursday
Feb182016

Interview: Ed Lachman on the Exquisite "Carol" and Dancing with Todd Haynes

It's our last Carol interview, he announced with a catch in his throat, attempting to let the best film of 2015 go for awhile. Our subject today is one of the great cinematographers, Edward Lachman. His filmography is loaded with essential mavericks of independent cinema like Sofia Coppola, Robert Altman, Steve Soderbergh, Todd Solondz and European auteurs, too. But his most fruitful collaboration has been with Todd Haynes. Carol marks their fourth and arguably best collaboration and brough him his long overdue second Oscar nomination for Best Cinematography.   

The New Jersey native started in Studio Arts like painting and art history and viewed them as more creative outlet than profession. Eventually he found he could earn a living as a cinematographer and a rich succession of images have flooded out of him ever since -- think of the golden ragged warmth of Erin Brockovich, the supremely stylized Sirkian homage of Far From Heaven, and the hazy mystery of The Virgin Suicides. And that's just three titles.

I was eager to get on the phone with the man behind so many beautiful films and share a personal way his work affected me at the beginning of my cinephilia. But first I had to gush over Carol and how much it rewards repeat viewings. He joked that Carol obsessives have seen the movie more times than he has... and he shot it!

 

NATHANIEL: I began all my Carol interviews this season with "Why are you such a genius?

ED LACHMAN: Someone once wrote that I'm a 'near genius'. I feel like more of a near genius.

NATHANIEL: [Laughs] Stop qualifying. The movie is exquisitely beautiful

LACHMAN: Thank you. A lot of it has to do with our director Todd Haynes. I'm a conduit to his vision. I interpret it through the images but what's so beautiful about Todd is how he references his stories through conceptual ideas. For me, images aren't just about the aesthetics but the gravity of the content and what the images represent.

More after the jump

Click to read more ...

Saturday
Feb062016

New Nicole Photoshoot

Nicole Kidman covers Harpers Bazaar UK. This photo! ♥️

Or as Tom and Lorenzo aptly put it...

Shine on, you fabulous faux princess.

photos & article at Harpers Bazaar

Monday
Feb012016

Vanity Fair's 2016 Hollywood Issue Cover - A Close Look

Someone's been paying attention to every single media firestorm in Hollywood this past year from ageism to equal pay to diversity. Gracing this year's cover of Vanity Fair's Hollywood Issue is political showbiz icon Jane Fonda (2 Oscars), the inspirational crusading awesomeness of Viola Davis (1 phantom Oscar -- well, everyone knows she deserved it!), "the world is round people" diva Cate Blanchett (2 Oscars), and equal-pay-demander Jennifer Lawrence (1 Oscar).

VF's "Hollywood Issue" tradition is one of the key attractions in the showbiz circus of Oscar season. Though the covers aren't tied thematically to the Oscars they usually include current nominees. The primary form is a "predict the future superstars" covers in which they lean into the young in-demand crop who are having good years. The less common form is a survey of A listers and legends and a few people that scream "now"  and that's the type we got this year. And girl, it's a beauty.

The only real gripe is that even when the media is actually trying to express diversity (presumably to "help" Hollywood though the media, including this Vanity Fair cover tradition, has its own problems in that arena) they are still thinking in binaries of black and white. Why not include an Asian or Latina actress or let Ellen Page have a place on the cover again since she's still headlining films and working hard to stay in the game after coming out? 

Let's take a closer look after the jump...

Click to read more ...

Saturday
Dec192015

Star Wars & Oscar. How Will "The Force Awakens" Fare? 

The second that people started realizing that everyone was actually loving the new Star Wars episode, you could feel the Oscar buzz wave building and building and broke with lots of "Best Picture nomination! demands online. The BFCA even announced a ridiculously embarrassing extra ballot measure to ask the members if they'd like to add the movie into their Best Picture lineup after the fact. In short: no one will ever take this group seriously again. (Sigh) 'The Force Awakens will be swimming in Oscars!' the internet seems to have proclaimed en masse.

But not so fast young padewans.

Oscar nominations can prove elusive, especially for franchises, family films, and genre films three groups to which Star Wars belongs. People will cite "Oscar voters grew up with the franchise -- they'll be nostalgic!" but, consider: I grew up with the franchise. I loved episode 7. And I wouldn't vote for it. 

This is not to say that I would make a typical Oscar voter. I would not. But typical Oscar voters tastes lie somewhere in the space between critics and general audiences. Put more plainly: there's a difference between totally enjoying a spectacle and wanting it honored as the very "Best" of its year.

Let's look back at Star Wars Oscar history to get some clues as to how The Force Awakens will fare after the jump...

Click to read more ...

Friday
Dec042015

Pt 1. Oscar Editorials to Make the Blood Boil: on Category Fraud

'I'm not SUPPORTING you. I don't even like you!'I'm not in the habit, as some online pundits are, of dissing articles written by other people but two articles just published enraged me. ...I exaggerate. They made my skin crawl from their indifference and hypocrisy. Let's get the indifference out of our system first.

Variety's "Long and Honorable History of Category Fraud" - Tim Gray
Gray immediately pisses the reasonable Oscar-lover off with the way he begins this defense of Category Fraud, a topic birthed and coined right here at The Film Experience years ago since nobody else was willing to get riled up about it and make it a cause. He introduces the topic in the the context of real world problems with life & death consequences as a way to insure that any complaints about the topic are, in the grand scheme of things, entirely irrelevant. Yes, it's true, Tim. Category Fraud does not lead to car accidents (unless Nathaniel is enraged and driving) and it doesn't threaten the world's natural resources. But this is a cheap argument. Imagine the rage you'd conjure in the reader if you used this same tactic when speaking about the lack of diversity in casting and directing jobs in Hollywood. The same is, in fact, true. Nobody will die and it won't cause starvation or droughts if people of color don't get acting jobs and women aren't considered for directing big budget Hollywood movies. But that is absolutely no reason to not care about these problems!

Every topic will seem small when placed against death and disaster. By this logic the Oscars aren't worth talking about either! But that does not mean that the topics are unimportant within their own "ecosystems." That's Gray's choice of word so let's use it. [More...]

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