Oscar Horrors: Makeup for the Recently Deceased

Daily Oscar Horrors until Halloween!

HERE LIES...Beetlejuice which heard its name repeated just once at the 1988 Oscars when it won Robert Short, Steve LaPorte and Ve Neill the award for Best Achievement in Makeup, banishing Scrooged and Coming to America to play with the sandworms.

Michael C. here. As a child of the Eighties I spent my formative years inundated with every variety of gore, slasher, and massacre Hollywood could throw at me, and yet it was this zany ghost story, more comedy than horror, that succeeded in getting under my skin where so many so many escaped mental patients failed. Such is the ability of a little twisted imagination to triumph over buckets of blood. There was just something about the sight of Alec Baldwin popping eyeballs on his fingers like so many olives that never failed to creep my seven-year old self out. Tim Burton knows - or at least used to know - that there is excitement in skirting the line between enjoyably goofy and genuinely unsettling. (See also: Large Marge)

There are many moments in Beetlejuice for the makeup team to show off. There is the rotting of Baldwin and Davis during the exorcism, the general moldiness of the title character and the hilariously slow-on-the-uptake football team ("Coach, I don't think we survived the crash.")

Best Most Fun Achievements in MakeUp

A big reason I harbor such affection for this work is that it never for a second attempts anything approaching realism. The makeup team aims instead for the more admirable goal of being fun. Keaton's look as Beetlejuice, for example, is so unapologetically theatrical with his fright wig hair and the dark circles around his eyes that he wouldn't be out of place in a silent movie. 

But this is to the film's credit, and why the Oscar was justly awarded. The creative character design of Beetlejuice is still fondly remembered while thousands of more technically impressive ghoulies have blended together into a late-night cable blur.

Oh, and I can't be the only one who has always wanted to see this from Adam and Barbara's point of view, right?

Beetlejuice costume ideas for Halloween
Makeup and Hair posts 
"80s Oscars" articles
Previously on Oscar Horrors

Oscars Horrors: Hellboys and Albinos

In this series, Team Experience is looking at Oscar nominated or Oscar winning contributions from or related to the horror genre. Horror has many hooks (and other deadly pointy things) but it's historically lacking in Oscar bait.

HERE LIES... Hellboy's makeup, sent to the grave from Benjamin Button's cradle in the 2008 competition for Best Achievement in Makeup for 2008; aging in reverse buried ageless supernatural creatures. 

Have you ever found yourself wholly confused by what Oscar's makeup branch looks for in a movie? Aside from aging prosthetics, where latex is lathered on to  take movie stars from cradle to grave in bloated biopics, there seems to be no consistency in how they vote. Benjamin Button's aging, which was surely heavily computer abetted, won the Oscar whilst Nicole Kidman's nose in The Hours was ruled ineligible due to computer touchups years earlier.  If you stop to recall that that the subgenre of movies that is most obviously makeup dependent (the zombie movie) has never received one makeup effects nomination it sets the head spinning right off one's shoulders. What are they looking for? It's my dream to corner one of them one days and ask just that question.

The case of Hellboy II: The Golden Army is an interesting one because, though the movie is rife with beautiful prosthetics work, many of the characters appeared in the earlier film Hellboy (2004) for which Mike Elizalde and Thomas Floutz did not receive nominations. Technically makeup work within a sequel must be sufficiently "new" to qualify. Was it the adorable site of Little Orphan 'Code Name: Hellboy' in the prologue flashback? 

The makeup work was so perfect that child actor Monste Ribé could even brush his fake teeth!

Why was the amazing sight of Ron Perlman as the adult Hellboy in 2004 not enough for a makeup nomination? Perhaps we're so accustomed to seeing genre favorite Ron Perlman buried in latex and prosthetics that it's only the site of him without (like in Drive this year) that warrants any double takes and "how did they do that?" wonder!

Or maybe the nomination came from those twin Royal elves Prince Nuada (Luke Goss, pictured) and Princess Nuala (Anna Walton) and their albino skin and weirdly creepy scarring?

Either way I hope the makeup artists or Guillermo del Toro got around to thanking Ralph Bakshi and Frank Frazetta for the Fire & Ice inspiration... "NEKRON!!!!!"

Have you ever seen the Hellboy movies?
Hellboy would sure be a tough costume to pull off for Halloween.

Norma's Jewels and Other Shiny Film Objects

FourFour on Andrew Haigh's Weekend, one of this year's must-sees. I'll have an interview about this one up tomorrow. It opens in extremely limited release (for now) on Friday.
Gold Derby wonders if Brad Pitt has two Oscar nominations in him this year.
Moving Image Archive Someone stole Norma Shearer's jewels! OMG there are a ton of 30s stars in this short film: Barbara Stanwyck, Joan Crawford, Gary Cooper, Irene Dunne, Loretta Young, Laurel and Hardy and the list goes on and on.... Fun! with terrible jokes !! 

The First Lady of MGM in "The Stolen Jools" (1931)

Nicks Flick Picks chooses his favorite Best Actors and Actresses thus far this year. Strong choices but even stronger twitter length writeups; I don't know how he does it.
The Self Styled Siren has some words on NYFF films and a few interesting one in extremely measured defense of I Don't Know How She Does It? but I love this prickly bit on the casting...

...offers nothing to much to look at except Christina Hendricks and Pierce Brosnan (who are wasted with prodigal carelessness)

Just Jared first pics from the set of Steven Soderbergh / Channing Tatum stripper drama Magic Mike. For some reason I never believed this movie would actually happen (just like I didn't believe The Avengers would happen) but they're both always snapped on set now so... what do I know?
Monkey See on why you should all be watching the sitcom Raising Hope 
L Magazine Dan Callahan (always worth a read) on the worlds of Vincente Minnelli, one of TFE's favorite directors!
Mission Hot Mama uses Michelle Pfeiffer to illustrate makeup tips to help you look younger. (Another thing that helps people look younger is using photos from a few years ago like that one. I kid. I kid. She's amazing at 53. Now, if only she'd get out more.) 
Awards Daily You may have been surprised as I was to learn last year that the majority of visual effects artists in Hollywood aren't unionized like so many other craftsmen. They don't have great working conditions and things have been getting worse. Even though most of the top grossing films are visual effects driven they aren't paid all that highly (relatively speaking) either. Here's the press release of a Bill of Rights from the Visual Effects Society. 

Oscar Predix Updates: Costumes, Make-Up, Visual F/X, Sound

Have you seen the Vanity Fair gallery of costumes from Madonna's W.E. designed by Arianne Phillips? Will she be Oscar nominated this year? Hmmmm.

James D'Arcy and Andrea Riseborough modelling the costumes

That's always a tough call given that the costume branch of the Academy sometimes goes their own way entirely, embracing films no one else cares about or have forgotten, and sometimes they just stick with general Oscar buzz or their default choices (Seriously you won't find someone who loves Sandy Powell more than me but that Tempest nomination was ri-dic-u-lous).

Here are my newly updated predictions in the visual categories.

Testify Leo!You'll notice that I've also added J. Edgar to the predicted Make Up Nominees but it wasn't because of this official still of Leonardo DiCaprio. Why then? Well, it was the accompanying text in Entertainment Weekly which read. 

The movie traces Hoover's life from his childhood in Washington, D.C., through his ascent to power in the 1920s, his 50-year reign over the FBI, and his death in 1972 — with Leonardo DiCaprio donning prosthetic makeup to portray the man well into his bulldog-like elderly years.

Prosthetic makeup. Bulldog-like. Elderly. DingDingDing. Though, really before I get to settled on this prediction I need to recall my own words on the Make-Up branch within the Academy. I just copy and paste this every year onto my charts because it never ceases to be true.

About the Make Up Category

Nearly impossible to predict... even up until the last moment. They like werewolf movies except when they don't. They love Rick Baker except when they don't. They admire old age makeup except when they don't. They eliminate films with extensive CGI work except when they don't. They never vote based on awesome period hairpieces and makeup (though that's part of the equation) except when they do. They disapprove of multiple nominations for the same series except when they don't. It's almost as if their membership is entirely dismissed and reformed from scratch each year.

 But back to J. Edgar. I must say that synopsis signals that I have official worry for the movie.  Covering fifty years in someone's life usually means the very traditional kind of biopic. The kind that is all "....and then this happened and then this happened and then this happened", the Greatest Hits Biopics. Those are always the least focused and the most boring kind of biopics. 

Visual Category Prediction Updates
Aural Category Prediction Updates
Unfortunately there's still many films that have not announced their composer so Original Score punditry is still nothingness.

You'll notice that Rise of the Planet of the Apes suddenly, well, rises in Sound categories and Visual FX. (Once films start showing themselves these things always change.) In visual effects in particular it's obviously become the instant frontrunner. You know that Andy Serkis's trailblazing motion capture acting will help the FX team win, though the FX team will not help Andy Serkis get recognition. It doesn't go both ways, though I think we can all agree that they make a beautiful team. 

Superman and the Spit Curl

Another week, another "first look!" at another superhero. This is Henry Cavill as Superman in Zach Snyder's upcoming film Man of Steel (2013). Cavill looks fine but for the lack of eyebrows. I don't remember Cavill or Superman being eyebrow free in previous incarnatians. And of course I miss that dangly lock of Super hair that Kal-El is always rocking. There are some classics you just don't mess with... like spit curls. I can't prove it but I think that if you lop off the spit curl that's as good as making his cape out of a polykryptonite blend. He'll be down for the count in no time.

Spit Curls forever! Is what I'm saying.

Shouting, actually.