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 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Entries in Weekend (17)

Monday
Jul012013

June. It's a Wrap

June is always the toughest month for me to wrap my head 'round. It's my busy birthday month, the summer hits, the blog dips. And when it's over I'm all like "What? The year is half over?!?!?" In the last week of June we celebrated Gay Moments in Cinema and though it wasn't planned we gave equal time to movies before gay liberation (Suspicion, All About Eve, The Maltese Falcon) as after (My Beautiful Laundrette, and My Own Private Idaho) which is kinda how we always do here at TFE, spanning all eras of movies. We can't be penned in by the now! I didn't have time to revisit but I myself kept thinking about Weekend, that recent gay romantic drama that instantly seems to have seized hearts, gay and straight, around the internet. I couldn't be prouder of that movie if it was the last movie on earth. Where do you hope gay cinema goes in the future?  

 Anywhay herewith a handful of highlights from the month that was in case you, like many people during the summer, don't get to your favorite blog (oh you know you "like" us) as often as you'd like...

Coming in July:

  • QUEUE 'EM!: We'll be talking about Dead Ringers (1988), Mary Poppins (1964) so get familiar (or familiar again)
  • SEE EM?: We'll be visiting the multiplex for The Lone Ranger and The Wolverine and the arthouse for Oscar hopefuls Fruitvale Station and Blue Jasmine among other new releases. 
  • SUGGEST IT: Want somethin'? Say so. 

 

 

Wednesday
May162012

Link to the Rescue

First Showing Django Unchained banner on the Croisette in Cannes
Inlander Don Draper isn't Mad Men's main character any more
Filmofilia a full slate for Amy Adams through 2014 at least. Add thriller Dark Places (based on the novel of the same name) to the long list
Cinema Blend Rise of the Planet of the Apes sequel gets the Contagion screenwriter Scott Z Burns 

 MZ Yikes. Actor Nick Stahl of Bully, Terminator 3 and Carnivàle fame has been reporting missing since May 9th
Heat Vision Robert Downey Jr's The Avengers payday could reach $50 million. The other actors aren't so lucky
Gold Derby Downton Abbey will be competing in Best Series (where it belongs) for Emmy nods... finally giving up on considering itself a miniseries, bless.
Pajiba "Identifying the Moment in Natalie Portman's Career Timeline In Which It Was OK To Admit a Crush"
Screen Daily Keira Knightley replacing ScarJo in Can a Song Save Your Life 

Indiewire Awesome news for fans of the gay romantic drama Weekend (2011). Criterion will handle the DVD.
Michael Musto interviews Andy Dick, now sober but just as candid.
Coming Soon Orphan star and now Hunger Games victim Isabelle Fuhrman will star in the remake of Suspiria
The Film Stage Terrence Malick's latest, a romantic drama starring Ben Affleck, Olga Kurylenko, and Rachel McAdams (at least according to which characters feature in the synopsis) finally gets a title... To the Wonder.  

Not Your Usual Superhero Articles
Filmwell "thou shalt have no other god but Captain America's" on references to the divine in The Avengers
GeekWatch adorable story of a five year old boy meeting Captain America and Loki on the set of The Avengers  

 

Friday
Jan202012

Link Crumbs Trail

Mike Myers Oscar BuzzLinks. I Know These People Edition
<-- This Had Oscar buzz is a new tumblr from Joe Reid. I was totally giggling gawking at it earlier. It's all true! It's all true!
Pajiba Joanna on Michael Fassbender Penis Expert
Do Dump or Marry is but one of me pal JA's great features on My New Plaid Pants but I particularly enjoyed the latest all ladies 9 to 5 edition. 
Critical Condition looks at five stars who squandered their goodwill.
Nicks Flick Picks have you been following Nick's Best Actress Birthday party? It's amazing. Next up Patricia Neal and Geena Davis 
In Contention Kris Tapley is a Sundance Virgin. Virgin!
Slant Kurt interviews Steven Soderbergh 

Awards, Special Interest Edition 
The NAACP has released their Image Award nominees and Awards Daily is pleased to see the Cicely Tyson mention in supporting actress. That's all well and good as she was quite touching in the movie but it seems utterly bizarre to have FIVE actresses nominated from The Help for acting prizes and no sign of Jessica Chastain. It's Viola, Octavia, Cicely, Emma... and Bryce!?! Pariah, which is finally in theaters, also did very well in their nominations. Congratulations to the nominees especially Regina King who was nominated for Southland... so underrated. 

Team "Help" when the Oscar buzz was but a whisper at their world premiere.

And though I forgot to mention it a few days back, the Gay and Lesbian Entertainment Critics Association (aka GALECA) gave both of their best film prizes --the standard best film plus the best gay film prize -- to Andrew Haigh's Weekend. Michael Fassbender won the "We're Wilde About You Rising Star Award". We Were Here, a documentary about the early years of the AIDS crisis in San Francisco, took their Best Documentary honors. It's also an Oscar finalist this year.

Overseas the London Film Critics Circle took their cue from Nathaniel (kidding) splitting their prizes between his two favorite films of the year The Artist (Picture, Director) and A Separation (Screenplay, Foreign Film, Supporting Actress). And back here in the States the Iowa Film Critics yearned for Hawaiian vacations with The Descendantszzzs

Friday
Jan062012

BAFTA Long List Losses

I've said it before and I'm forced to say it again. I'm *so* glad that the American Academy does not publish a long list. i.e. the semi-finals. You see, It's so much more bearable / engaging when you can imagine that straight up great achievements or achievements you really responded to personally but you knew might have trouble rallying huge swaths of support were in 6th or 7th place or 10th place in voting. The way BAFTA does it, however, you are forced to understand that Oscar buzz is everything and Super Size Mediocrities will always triumph over critical darlings or more challenging Art.

Take the Best Picture categories for a prime example. Notice that Weekend for example, a very British and very acclaimed film is not one of their "outstanding" homegrown products (they might want to check the reviews again) and notice that auteurist films frequently called masterpieces by their fans (The Tree of Life and Melancholia) are also absent. Other films ignored because you have to have space for The Lukewarmly Reviewed Biopics About Lady Actresses and Lady Politicians are... no, no. It's too horrible to start listing them!

Best Film The Artist, The Descendants, Drive, The Girl with the Dragon Tattoo, The Help, Hugo, The Ides of March, The Iron Lady, Midnight in Paris, Moneyball, My Week with Marilyn, Senna, Tinker Tailor Soldier Spy, War Horse, and We Need to Talk About Kevin 

Outstanding British Film Arthur Christmas, Attack the Block, Coriolanus, The Guard, Harry Potter and the Deathly Hallows Part 2, The Iron Lady, Jane Eyre, My Week with Marilyn, Senna, Shame, Submarine, Tinker Tailor Soldier Spy, Tyrannosaur, War Horse, and We Need to Talk About Kevin 

BAFTA voters went crazy 4 My Week With Marilyn, longlisted many many times

Film Not in the English Language  Abel, As If I Am Not There, The Boy Mir – Ten Years in Afghanistan, Calvet,  Dhobi Ghat (Mumbai Diaries), Incendies, Little White Lies, Pina, Post Mortem, Potiche, Le Quattro Volte, A Separation, The Skin I Live In, Tomboy and The Troll Hunter

More long list looniness with commentary after the jump...

Click to read more ...

Tuesday
Jan032012

Best of Year Pt 3: Nathaniel's Top Ten List

Best of Year Pt 1: Thirty-two flavors and then some. 2011 Treasures, guilty and otherwise.
Best of Year Pt 2: Tree of Life, Midnight in Paris, Young Adult, Pariah, The HousemaidShame.

NATHANIEL'S TOP TEN OF 2011

And so we reach the top ten list about which I endured my usual personal angst until I finally gave up the flip flopping, the future hindsight worrying and all the old ways and accepted the new sabremetrics of the game since I had accidentally shoved 11 films in. I ran out of time outs and it was either hit publish or forfeit my chance to play this beloved listing game.

MONEYBALL (Bennett Miller)
Columbia Pictures. September 23rd.
Who knew that a film about sports strategies and mathematic calculations -- two things I personally find enormously difficult to understand and care about even less -- could be so stirring?  Thank the typically sharp writing of Aaron Sorkin and Steve Zaillian, the assured unfussy direction from Bennett Miller who really knows his way around these sharply focused biographies (see also Capote) and an intensely pleasurable star turn from a perfectly cast Brad Pitt as a former golden boy trying to up his own game before his time runs out.
[Review]

CERTIFIED COPY (Abbas Kiarostami)
IFC. March 11th.
If beauty is in the eye of the beholder, than so to is the worth of any piece of art, whether it's a bonafide original or a copy. The worth of Kiarostami's dizzying intellectual game of a movie will vary greatly from viewer to viewer depending on whether they think the movie transcends its intellectual exercize. It's worth may even vary from screening to screening. For example, the first time I saw it I was riveted by the dialogue and Binoche's face though I thought it outstayed its welcome but the second time I was slightly annoyed with its archly comic tonal shift late in the film but also more impressed with its visual intricacies. Certified Copy spends a day in Tuscany with a weary antique shop owner (the exquisite Juliette Binoche as "She" --her character is never named) and an author by the name of James Miller (opera star William Schimmel). They are ostensibly strangers and their conversation about originals and copies (the subject of Miller's book) gives way to an increasingly complicated sense that the two of them are either play-acting at being lovers or are actually estranged spouses whose current union is a disappointingly inferior fascimile of its original form.

MARTHA MARCY MAY MARLENE (Sean Durkin)
Fox Searchlight. October 21st

Martha Marcy May Marlene

With Lizzie, John Hawkes, Durkin's Team
A Perfectly Titled Time Machine
Martha Marcy May Marlene

Incantation. Puzzle. Dream.

[Review, Interview, Comic Strip]

BRIDESMAIDS (Paul Feig) Universal. May 13th
MELANCHOLIA (Lars von Trier) Magnolia. November 11th 
You're invited to a wedding. Don't start throwing rice yet. They're meant to be happy events but god do they try the patience. Especially when the bride or maid of honor is enormously depressed -- apocalyptically depressed even!

Brides, drivers and romantic troubles after the jump...

Click to read more ...

Thursday
Dec222011

The Year in Gay Characters

Year in Review... more to come, too.

Though you know I am unfond of J. Edgar, it was super easy to make a list of the best gay characters without the noisiest ones: ol' Hoover and his much abused man Clyde. For my weekly column at Towleroad, I thought I'd wrap the year with a list on the Best LGBT movie characters of the year so click away if you'd like a few notes on Pariah, Tinker Tailor Soldier Spy, Potiche, and even Mission: Impossible - Ghost Protocol. Okay, the latter I only imagined but I like to engage with the movies in unexpected ways. Don't let filmmakers box you in; practice freeform movie watching!

Because the holidays are all about spreading oneself thin, I'm also a guest today at AfterElton. I met AfterElton's Brian Juergens at a Madonna event -- it's true, I met the Queen herself (M, not Brian!) but more on that in February when the embargo breaks -- and he was cracking me up with his insane Oscar predictions like "Best Supporting Actor Jim Parsons as Charlotte Phelan in The Help". Hee.

So I had to bring him back to reality, set him... uh... straight. Such a killjoy I am! An Oscar man's work is never done.

 

Wednesday
Dec212011

Once Upon a Time in the Link

Slate has an amusing piece arguing against the Consider Uggie campaign for that wondrous terrier in The Artist
Academy Awards 265 have qualified for Best Picture. Here is the complete Official list. I can't hear anything from all the LOL'ing since it's alphabetical and starts with... wait for it... ABDUCTION. Teehee

Oscarmetrics Mark Harris makes a case for Brad Pitt in The Tree of Life, which we agree is one of the year's best performances. Oscar is often about "it's time" and given that both of Pitt's performance were A grade this year, isn't it? And I swear I was linking up to this one before I even realized I was name-checked. 

tomatoes - reviews worth reading...
Devine Wrath a lovely review of romantic drama Weekend which is now available on Netflix Instant Watch. What are you waiting for?
Capital New York Sheila O'Malley, one of my favorite critics, is wowed by Rooney Mara in The Girl With the Dragon Tattoo

O, Hai...

Can I change all my BFCA and Indie Wire poll votes to this one?

top ten o' the day
Ali Arikan, a friend who is always worth a read, throws his top ten at the Chicago Sun Times from far flung Turkey. The Turkish film Once Upon a Time in Anatolia, which sits stubbornly beside my TV waiting to be watched (Oh the guilt-a-thon that is December!), tops his list. But for me I was most curious to read what he thought of two films I had remarkable trouble connecting to: Tinker Tailor Soldier Spy and We Need To Talk About Kevin (both of which I recently said a very few words on). I definitely appreciate what he has to say about Kevin though I don't like the film any better:

would reading the book help Nathaniel understand the love?A harrowing tragedy is at the centre of Lynne Ramsay's film, one we never quite see, although its repercussions we most certainly feel. The particulars of the event are at first ambiguous, and, paradoxically, it tends to become more so, thematically at least, once we find out the nature of it. Is it a mass killing at a high school? Or is there something deeper? Is the tragedy Kevin, a precocious psycho of a boy whose mother, Eva (Tilda Swinton), never really wanted? Is it, in fact, Eva's selfishness? Or is it, in fact, the apotheosis of motherhood that is the real tragedy? The anachronistic and misogynistic view that the female of the species was launched for one sole issue, armed and engined for the same?

The film doesn't provide the answers, instead offering a glimpse into Eva's psyche, both before and after the events that sent Kevin to prison. Eva's emotional self-immolation doesn't betray just an "oy vey iz mir" pity-party of one, but also a sort of solipsism: a misappropriation and transmogrification, perhaps, of Henley's "Invictus," with Eva not just as the master of her fate, but also the executioner of her soul.

Finally...
IndieWire has year end critics consensus polling. I participated this year though as usual I'm still screening before I publish my own lists (I have about three more things I'm trying to see and two that need rewatching). The results are interesting but ...odd. Especially the supporting categories. Here's the 25 most well regarded films... the big surprises for me being A Dangerous Method (I guess those who love it, really love it) and Midnight in Paris which I expected critics to have turned against by now in the grand tradition of "if it's too popular, it's no longer cool to like it." Critics have a much higher tolerance for slow contemplative cinema as you can see. It'd be interesting to do a study of the average running time of this batch of films... or perhaps more revealing would be a study of the ratio of cuts per minute of film. After all it's hardly unusual these days for the top grossing mainstream blockbusters to have bloated running times as well. Only one of the top ten grossers of the year is shorter than an hour and 45 (that'd be The Hangover Part II) but do all of them really have 2+ hours worth of story to tell? I'd guess not. 

Are you with consensus or far from it this year???
I tend to vary greatly by year though this year I'm definitely toward the middle of consensus rather than full in or way afield. I've found 2011 to be ridiculously enjoyable on the big screen.