Who's Next to the Triple Crown?

by Eric Blume

I’m sure we’ve all found ourselves in some sort of YouTube hole at some point during lockdown.  Mine has led me to rewatching snippets from Tony Awards ceremonies from about a decade ago.  I had completely forgotten that Eddie Redmayne had won a Tony for his work in the play Art, which is strange because I saw his performance in that show and he was staggeringly good.  He absolutely deserved that Tony.

I then realized that since he has since won an Oscar, he is only an Emmy away from the Triple Crown of Acting.  This triple-crown honor (you can see the actors who have won all three big awards of the Tony, Oscar, and Emmy here) has been nabbed by only 24 actors in the history of show business awards!  It’s a very elusive accomplishment and prestigious list of people. In just the last five years, though, there's been a lot of movement -- we've recently seen Helen Mirren, Frances McDormand, Jessica Lange, Viola Davis, and Glenda Jackson all secure this title.

That got me to thinking:  wow, it seems highly likely that Eddie Redmayne would find a big role in a series or miniseries to win that Emmy and be in this company?  He’s young, still at the top of his game, and while I don’t think he’s quite in the league of the other major actors who have won all three, he is surely a likely candidate.

But who are some others...

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Hello Linky

Just two handfuls of links this morning. I'm still on my birthday tear for Tony weekend -- finally saw Hello, Dolly! on Broadway last night with Bernadette Peters and as usual she was an adorable diva. Laughed my ass off. A friend of mine revealed that he had already seen the show four times to see all three leading ladies (Bette, Donna Murphy x 2, Bernadette). Bette returns to the show (with the magical Donna Murphy on Bette's off days since Bette can't handle 8 shows a week) on July 17th. I don't have the funds for three trips but would definitely see again if the chance occurs.

• Vulture what would Sex and the City plotlines be like if the show were still on. Vulture asks members of the original writing team
• THR With other companies pursuin g him Warner Bros reups with prolific TV producer Greg Berlanti (who also directs the occasional movie - hi, Love Simon) for $400 million. In cash no less!
• The Daily Beast talks to Sutton Foster about Younger's evolution
• Rewire great reflective piece by Kieran Scarlett on black fathers in TV (Black-ish and Cosby)
• i09 John Lasseter is leaving Disney after his suspension for misconduct with female co-workers
• Awards Daily a glitzy Emmy FYC event to celebrate the costumes of RuPaul's Drag Race
• Words Seem Out of Place writes a letter to Angela (Michelle Pfeiffer) from Married to the Mob 

It's Tony Weekend so a bit of theatah for you
• Vulture hilarious article ranking all 41 Broadway theaters
• Time Out New York first headshots of all the Tony nominees. These are priceless! Especially the ones of Mark Rylance, Lauren Ambrose, Grey Henson, Amy Schumer, and Ari'el Stachel
• MNPP Corey Stoll is wearing leather pants as Iago in the Shakespeare in the Park production of Othello 

Review: "Ready Player One"

by Chris Feil

The pairing of godfather of contemporary pop culture Steven Spielberg with a film adaptation of Ernest Cline’s reference heavy Ready Player One sounds like one that would fit like a glove. Cline’s novel has great reverence for the Spielberg canon, not to mention a wide-ranging affection for video games, cinema, and general geekery that is greatly indebted to him as one of our greatest storytellers. The chance for the legend to riff on the likes of John Hughes and Robert Zemeckis already carries a bit of whimsy, an acknowledgement of the type of now omnipresent fan culture that he laid the groundwork for. Don’t forget Spielberg was the original movie nerd, and the opportunity to play with some of his own inspirations like King Kong should naturally allow him to approach the material with necessary affection.

But this perfectly-fit glove turns out to be an inside-out rubber one that’s spent the day scrubbing an ancient multiplex floor, and it’s our hands that end up covered in junk...

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Oscar's reigning quartet to present, as is the tradition.

I've somehow never seen this photo of Mark Rylance trying not to step on Brie Larson's train. Adorable.

AMPAS has announced that last year's acting winners will each be presenting on Oscar night. One assumes they will present their corresponding opposite-sex category as is the tradition, but who knows. Perhaps Oscar will mix it up. I'm all for tradition at the Oscars, don'cha know, but I don't mind a curveball now and then. You?

Alicia Vikander is back on screens February 24th (Oscar weekend!) with long delayed costume drama Tulip Fever  in which she dumps Christoph Waltz for Dane DeHaan because who wouldn't.

Brie Larson is back on screens April 21st in the ensemble crime comedy Free Fire, from Ben Wheatley (High-Rise).

Mark Rylance is back on screens July 21st in Chris Nolan's WW II epic Dunkirk.

...and Leonardo DiCaprio is back on screens in... 2018? 2019? 2020? He appears to have taken a whole victory year off after winning the Oscar and still has no immediate plans to be in front of the camera. It was just announced that he'll headline The Black Hand because what the world really needs more of is mafia movies (sigh) but in truth that one is a long way off since there's no screenplay yet. There's also the possibility of the Olympic bombing movie The Ballad of Richard Jewell which Leo was once set to star in but might only be producing now. Whatever happened to The Devil in the White City with Martin Scorsese? That project was announced just over a year ago and not a peep since. If they've dropped it, I hope it becomes a miniseries instead because that book is dense with information, history, cause and effect through lines, and reams of characters. 

Review: The BFG

Eric here, with thoughts on the new Steven Spielberg release, The BFG.   

Spielberg lends his patented magical touch to this film adaptation of Roald Dahl’s children’s story The BFG.  It’s the tale of little orphan Sophie (Ruby Barnhill), who meets a friendly elderly giant (Mark Rylance) who instills dreams into children.  They go off together to Giant Country, where we meet other giants who eat children, and Dream Country, where The BFG shows her how he harvests dreams.  Then they enroll the Queen of England in an attack on the bad giants.

The first third of the picture establishes the meet-cute of our two leads, and it’s standard fantasy fare, albeit with a sleek look that blends the live action and CGI material quite successfully into one neat universe.  It’s all a little sparkly and cute, and pitched as most kids’ movies are to generate response for twinkly endearment.  At the end of this act, when we meet the bad giants, the film gets its first jolt of real gas... 

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