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Entries in Marvel (80)

Monday
Aug102015

Review: Fantastic [sic] Four

Tim here. The best and maybe the only compliment I can pay to the new Fantastic Four, the third unsuccessful attempt at bringing the oldest of Jack Kirby and Stan Lee's creations at Marvel Comics to the big screen, is that it's not obviously the worst one yet. Its insipidities, and it is very insipid, aren't inherently worse than those of the ghastly 2005 big-budget version. That film heralded the end of the "brightly colored larks that are wholly insubstantial but also not much fun" era of comic book movies; time alone will tell if its 2015 sibling will similarly ring down the curtains on the "ludicrously dark and serious-minded exercises in bitterness and misery" era, though I think we should be hopeful.

How much of the film's misery and internal confusion is due to the awkwardly visible fencing match between director Josh Trank and the executives at 20th Century Fox is beyond our ability to say for certain. It does feel like a movie that wants to be anything other than what it is. There were rumors that Trank was hoping to make PG-13, summer-friendly body horror, and there are vestigial traces of that conception; it would have been better for the film to have gone all the way, for at least then the bleakness of tone would have felt like it had some actual purpose. [More...

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Monday
Jul272015

Podcast: Ant-Man and Southpaw

We're spoiling you with two podcasts this week. Yesterday we talked 1995 (to tease the Smackdown). Now, conversations about Marvel's Phase Two ender Ant-Man with Paul Rudd, Evangeline Lily, Michael Douglas, and Michael Peña, and the new boxing drama Southpaw starring Jake Gyllenhaal and Rachel McAdams.

Contents (43 minutes)
00:01 Marvel's Ant-Man
27:55 Antoine Fuqua's Southpaw
40:00 Coming Attractions: Mistress America & The Finest Hours


You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversation!

Southpaw & Ant-Man

Monday
Jul202015

Review: Ant-Man

Tim here. Ant-Man is maybe the most typical film yet made in the now 12-picture Marvel Cinematic Universe. It is up to the individual viewer to decide if that's a compliment or a vicious & lacerating criticism. But it's really hard to think of it as anything other than a factory-pressed rebuild of the same basic story beats, character arc, gags, and conflicts that have become locked-in through Marvel's seven-year multifranchise experiment.

The film's distinguishing elements are all at the margins: in the hands of director Peyton Reed (who is much more in Yes Man-style "mercenary hack" mode than Down with Love-style "crafty stylist" mode), this is the most generously comic of all Marvel films to date, with the zippiest, silliest performances; the stakes are refreshingly low, and there's no aerial battle with the fate of nations and worlds at stakes in the final act. The cinematography by Russell Carpenter - an Oscar winner for Titanic - is distinctly more interesting than anything in any Marvel movie so far, with something resembling a thought-out purpose for the muted colors and rough lighting. It strips back some of the polish and gleaming surfaces in the Marvel movies of yore, to make a film that feels like it takes place in an actual world.

More...

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Sunday
Jul192015

Box Office: Amy and the Ant (Man)

It was a good week to be Amy Schumer. Thursday saw her among the Best Actress nominees at the Emmys from a very competitive field and the very next day her first star vehicle movie (which she also wrote) opened to great numbers, even slightly higher than those for the more established female comic headlining a summer movie, Melissa McCarthy in Spy (which has had solid staying power and recently topped $100 million)

It was also a decent week to be Marvel Studios executives, too. Despite low grosses (comparatively for Marvel) a $57 million opening for Ant-Man has to be considered a big success given a) the characters microscopic profile in pop culture, b) a non bankable star -- Paul Rudd is well-loved but he has never been a box office draw c) a troubled production history and d) a release date in the summer in which people are just starting to be critical of Marvel Studios after ten years of drooling all over anything they did. 

And of course it continued to be great summer to be Jurassic World which has amassed a simply spectacular fortune despite being merely an OK retread. Every other movie that's grossed over $500 million has had a lot more going for it in terms of newness or critical raves. I'm not trying to be mean -- it's hardly the worst movie in the top ten of all time (that honor belongs to Star Wars: Episode I The Phantom Menace or Shrek 2) -- but the distinct probability that it could threaten Titanic's (1997) domestic gross to become the second most popular movie of all time (if you don't adjust for inflation) is unthinkable and quite depressing. So let's not think about it and become depressed... 

Happy thoughts then: What was most wonderful about your weekend?


BOX OFFICE
Early Estimates. July 17th-19th Weekend
01 Ant-Man $57.5 NEW WIDE
02 Minions $47 (cum. $213.4) Tim on the Minions phenom
03 Trainwreck $30 NEW WIDE
04 Inside Out $11 (cum. $305) Inside Out Articles
05 Jurassic World $10.4 (cum. $610.1) Jurassic Articles 
06 Terminator Genisys $5 (cum. $80) Review 
07 Magic Mike XXL $4.4 (cum. $58.5) Review
08 The Gallows $3.8 (cum. $17.8) 
09 Ted 2 $2.3 (cum. $77)
10 Mr Holmes $2.2 NEW LIMITED

Saturday
Jul182015

Misc: Silly Villains, Prequel Genies, Naughty Droids, Creepy Dolls

AV Club Parker Posey cast in Woody Allen's next film. Here's hoping she can graduate to lead muse
Variety Miramax and its 700 film library (all of which were Oscar nominated in the 1990s*) are for sale. Potential buyers balking at the $1 billion price tag.
Guardian Emma Stone on being "the butt of jokes" and learning about whitewashing in Hollywood through that Aloha fiasco of hers

 

Empire Aladdin added to Disney's growing 'let's make live-action movies based on our animated library' list
Joanna Robinson ...offered my favorite response to this 
Variety Julianne Moore leaves Nicole Holofcener's Can You Ever Forgive Me? - replacement seeking commence (10 bucks on Catherine Keener cuz that's how Holofcener do)
Coming Soon David Gordon Green will direct a Boston Marathon bombing related film with the extremely generic title of Stronger
Harpy annoys me with this article asking us to excuse bad character design in X-Men movies if the movie turns out OK. Let's not lower our standards shall we? 
The Wrap Star Wars unhappy with Amy Schumer's risqué GQ photoshoot 
Screencrush realizes that every Marvel villain is essentially the same guy 
Salon has Hollywood reached a tipping point with sexism? More and more A listers speaking out

Long Read
This piece from The Telegraph won a lot of online attention. It looks back at the then unique Sky Captain and the World of Tomorrow (2004) and how the filmmakers (Kerry Conran and Kevin Conran) were immediately forgotten by Hollywood despite their process becoming enormously influential.

...and ICYMI Tim's Toons also revisited this Visual FX landmark last year for its 10th anniversary

Off Screen
The Cut "what open marriage taught one man about feminism" - I would argue that this is not about feminism at all BUT it is about one couple's complicated relationship and it's interesting to hear intimate things about people's private lives that you're not usually privvy to. What's even more fascinating (if depressing / expected) is how defensive and hateful the comments are. People just can't handle anything that challenges the norm without excessive judgement - it terrifies them, they lash out. We've seen this over and over with every social battle... and also with every argument about what "marriage" means. Marriage has such a fraught complicated evolving history in legal, political, sexual, religious terms that it's hilarious that conservatives are always claiming that it's this great unchanging sacred monolith since the days of Adam & Eve. 
Smithsonian has a history of creepy dolls
The Verge 'the trolls are winning the internet' - you don't know how often I'm grateful to most of you in our comparatively pleasant comments here at TFE
Pajiba asks that you stop writing, reading, publishing thinkpieces if the people writing them have not seen the thing they are writing about (it's an epidemic, really in this clickbait era) 

*I'm kidding but it feels true.