Almost There: Liv Ullmann in "Scenes from a Marriage"

by Cláudio Alves

I confess that, when I first came up with the idea for this week's Almost There write-up, I didn't expect its subject to be so weirdly topical. First up, there's the actual raison d'être for the piece, which is the Criterion Channel's new "Marriage Stories" collection, in which Ingmar Bergman's Scenes from a Marriage is featured. Then there's the whole Hamilton kerfuffle, which caused controversy over the Academy's definition of what is and isn't cinema or what should and shouldn't be eligible for the Oscars (two importantly different questions). This is relevant because the ineligibility of Bergman's film caused a major ruckus back in 1974 and even prompted a couple of notorious open letters (another topical subject, unfortunately). Finally, we have the recent news that the television cut of Scenes from a Marriage is going to be remade by HBO with Michelle Williams and Oscar Isaac in the leading roles. 

We'll return to some of those matters later on, but, for now, let's concentrate on Liv Ullmann's masterful performance as Marianne in Scenes from a Marriage…

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Review: Little Fires Everywhere

by Murtada Elfadl

This review only covers the first three episodes of Little Fires Everywhere.

In the second episode of the new Hulu miniseries Little Fires Everywhere rich privileged white woman Elena Richardson (Reeese Witherspoon) asks the nomad artist Mia (Kerry Washington), who is her new tenant, to be her maid. You see she means well. She saw Mia and her teenage daughter asleep in their car and of course as any upstanding citizen would do, called the police on them for trespassing. Out of guilt she leased them her open apartment when by coincidence she recognized them later in the day. Now Mia has told her that she needs to juggle more than one job to make ends meet. The offer comes out naturally out of Elena's mouth. Only after she finishes saying the words does she realize what she has said and how it can be misconstrued. She back tracks by changing the job to “house manager.”

That scene is fraught with racial, class and socio-economic tension. It made me excited for the series and for watching Witherspoon and Washington tackle these issues...

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Doc Corner: Are 'Wild Wild Country' and 'Evil Genius' on Netflix Peak TV?

by Glenn Dunks

Peak television! One could argue that unlike film, television only grows and grows in stature as the more resources and money are thrown its way. Whether you’re part of the small screen migration or still prefer things big and silver, it is hard to deny the impact that has occurred and the major cultural and structural shift that has forced its creators to tap into new and exciting takes on the form and storytelling more generally. I don't think anybody would find that a controversial stance at all.

However, is there a point where this newfound reservoir of creativity and both financial and technical supply is actively harming storytelling? On the fictional side of TV, for instance, I have argued that a series like Westworld is definitely harmed by being offered the benefits of contemporary television's bounty – being given a monumental budget – and the expectations that that breeds from a storytelling point of view to be instantly the biggest and most Capital I Important version of itself without the option of gradually enhancing its characters and narrative through world-building.

On the documentary side, however, the issue is somewhat murkier...

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"Sharp Objects" Teases

by Nathaniel R

Mmmmmhow we love a good teaser. One that tells you almost nothing about the movie or tv series other than an overal mood so as to preserve / prolong the pre-release excitement. Here comes the eight hour miniseries Sharp Objects starring Amy Adams and Patty Clarkson, two of the best actresses in the business, the latter of whom hasn't had a high profile great part in way too long...

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There's Something on Spike TV: "The Mist"

Robert here! It looks like the poor citizens of Maine are once again at the mercy of supernatural horrors as Stephen King's The Mist is being adapted into a miniseries for Spike TV. The new trailer dropped yesterday and it looks like this adaptation has it all: creepy priests, commentary on the decline of western consumerism, Frances Conroy, and even a same-sex kiss (that doesn't turn out so well :/).

All of that being said, as much as The Mist is perfect fodder for the miniseries treatment, I'm left feeling a little apprehensive by the current prospects of this one...

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