Most Coveted Things from 2016 Films

Year in Review. Every afternoon, a new wrap-up. Today Murtada with a wish list...

What did you covet the most on the big or small screen this year? Was it a costume, a prop, or even a place or living thing? Here is my personal list in case you haven't yet completed your Christmas shopping.

Brad Pitt and Marion Cotillard’s white linen costumes in Allied
Brad Pitt and Marion Cotillard play a Canadian and a French spy respectively, who meet in Casablanca. They take an excursion to the desert outside the city right before completing their very dangerous assignment. They practise shooting with firearms, they bond, they fall in lust. All the while wearing gorgeous white linen on khakis. It must be the gorgeous desert. Or maybe the longing. Or could be just how breezy and stylish these linen costumes are.

Lunchboxes, records, and living things after the jump...

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Screenplay Shake Up Means New Predictions

We warned everyone to not "lock" up any screenplay predictions too early, especially when the provenance of a screenplay is confusing, and our warnings were not in vain. The Academy has rejected the campaigns of Loving and Moonlight as "Originals" and they have been moved to the "Adapted" category. Both had made no secret that they were inspired by other works, despite their Original campaigns. Loving is partially based on the documentary The Loving Story (2011) and Moonlight on an unproduced play (of sorts -- though now the playwright is saying it never was intended as a play... which makes the situation yet more confusing) called "In Moonlight Black Boys Look Blue". Regardless, the murkiness was enough for the Academy to cry foul on their preferred Original designations.  (If only the Academy's acting branch would play this kind of interference when obviously lead acting roles like Rooney Mara in Carol or Hugh Grant in Florence Foster Jenkins or dozens of others in recent years claimed "supporting" designation.)

Prior to this Academy ruling, the Original Screenplay competition looked enormously competitive with a nail-biting battle between Manchester by the Sea and Moonlight for the gold. Now both movies -- arguably the two biggest critical darlings of the year -- have a clearer shot at a win but it does make the competition for the other four nominations in each category more exciting and open. Both charts have been updated accordingly. Which screenplays do you think benefit from this ruling? 

SAG Ensemble - Everyone Was Nominated.... Except *You*

by Nathaniel R

Alex R Hibbert's omission from the nominated cast of Moonlight is one of the worst yet from SAG

For several years now we've highlighted a major problem with the Screen Actors Guild Awards that we hope their union will eventually address. The rule is that to be included in the Ensemble nomination you have to have your own title card (or share the first title card if the whole principle cast is listed on the same card as in Woody Allen movies). But the prize is meant to honor the whole cast and sometimes a less famous person can deliver in a big way in which the movie wouldn't be the same without. My fascination/aggravation with this rule and its collateral damage goes all the way back to The Avatior (2004) when I realized that Matt Ross (an actor who is now a director - see Captain Fantastic) was not included though he is terrifc in the movie and in a ton of scenes with Leonardo DiCaprio while Gwen Stefani, a very famous woman with only a cameo, was included. 

So let's look at each ensemble nomination this year and figure out who has fallen victim to this aggravating rule after the jump...

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Toronto Critics Prizes

Toronto Film Critics Association, our friends to the North established back in 1997, stuck with their Southern neighbors in embracing Moonlight and Manchester (2 prizes each) and the folks cross the ocean in loving all over Toni Erdmann (3 prizes). Their full list is after the jump and we're so glad The VVitch was finally honored. It took the home team (O Canada!) to finally get that done...

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Janelle Monáe's Breakout 2016

Chris here with one of our newest favorites - well, new to the movies at least. Janelle Monáe has already been such an effervescent musician and entertainer this decade, crushing it with ferocious moves and slick style. The leap to movies was only inevitable with all that charisma. This year she's made quite the successful transition, landing right in the middle of Oscar season with supporting roles in two contenders Moonlight and Hidden Figures. Both films and characters are quite different, showing the star's range and excitingly delivering her breakthrough for two black narratives.

But it's not just happenstance of two great projects in the same season. In short order, Monáe proves to be as much of a natural cinematic talent as she is a musical one. Without any of the stunted skills of her pop contemporaries trying out this acting thing, she's already the kind of screen presence you just want to spend more time with. In short order, Janelle Monáe deserves to be a damn movie star...

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