Did you see any movies over Oscar weekend?

This past weekend's box office results suggest that a lot of people were trying to catch up on Oscar nominees before the big show. Here are all the titles still in wide release and their counterparts in limited release...

Weekend Box Office February 7th-9th (ESTIMATES) 🔺 = new or expanding / ★ = recommended
WIDE RELEASE (800+ screens)	PLATFORM TITLES
Margot Robbie in "Birds of Prey"	Oscar WINNING Short Film "Hair Love"
1 🔺 BIRDS OF PREY  $33 *NEW* REVIEW	1 🔺 OSCAR NOMINATED SHORTS $870k on 535  screens (cum. $2.7) REVIEW,  THE CHARTS ★
2 BAD BOYS FOR LIFE  $12 (cum. $166.3)	2 THE LAST FULL MEASURE $214k on 617 screens (cum. $2.5)

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"Dark Waters" flood in but everything is still "Frozen"

This weekend Frozen II easily stayed up top and will soon vault over Joker which has been out for a month and a half longer in the box office sweepstakes. We share that only so you can marvel at how quickly the royal family of Arendelle is collecting taxes from their subjects (aka everyone on planet Earth). In other news Dark Waters expanded into wide release. Murtada reviewed it for us and let's just say that I think he was very kind (as several reviews have been). It felt like it twice the length of The Irishman with no shaping, rhythm, visual style, or verve -- completely mystified that it's a Todd Haynes film shot by Ed Lachmann and acted by Ruffalo and Hathaway who are both fairly generic in it. What happened?

Weekend Box Office [Estimates] Dec 6th-8th 🔺 = New or Expanding / ★ = Recommended
W I D E	PLATFORM
1 FROZEN II $34.6 (cum. $337.5) REVIEW	1 PARASITE $700k on 333 screens (cum. $19.3) PODCAST, CLASS, BONG ★
2 KNIVES OUT $16 (cum. $57.9) REVIEW, WHODUNNITS?, ANA DE ARMAS ★	2 JOJO RABBIT $562k on 579 screens (cum. $19.2) CAPSULE, PODCAST
3  FORD V FERRARI  $6.5 (cum. $91.1)  REVIEW, PODCAST ★	3 🔺  HONEY BOY $452k on 460 screens (cum. $2.1)  REVIEW, PODCAST ★
4 QUEEN & SLIM $6.5 (cum. $26.8)	4 🔺  WAVES $421k on 570 screens (cum. $1.0) REVIEW, 2ND OPINION ★
5 A BEAUTIFUL DAY...  $5.2 (cum. $43.1) CAPSULE, PODCAST, TOM HANKS ★	5 NO SAFE SPACES $292k on 200 screens (cum. $749k)
5 🔺 DARK WATERS $4.1 (cum. $5.2) REVIEW	6 🔺 PANIPAT $282k on 172 screens *new*

WHAT DID YOU SEE THIS WEEKEND? 

116 days til Oscar

Though Manhattan is a wonderful place to be a movie lover -- there is ALWAYS something to see between the first run multiplexes and the rep theaters -- it's also filled with the ghosts of movie theaters past. The Paris closed down just about a month ago and the Ziegfeld died in... well, we'll always be mourning the Ziegfeld.  It was Moulin Rouge! and Chicago premiered in the early Aughts, and seeing the movie musical return to prominence in two consecutive years in a massive old school movie palace was heaven. It's also the site of the first time we saw Michelle Pfeiffer in the pflesh. Needless to say it was part of our soul. 

Speaking of old movie houses. On this 116th day before the 92nd Oscars we randomly found that there was once a grand movie theater on 116th street and 7th avenue (not so far from where we live) called The RKO Regent...

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See a Movie in a Broadway House!

by Nathaniel R

Photograph © Caitlin Huston

This news is a day late (we got distracted by the foreign film long list reveal yesterday) but have you heard where Martin Scorsese’s The Irishman will be playing? With many of the big theater chains unwilling to play Netflix movies (on account of them streaming the same movies a week or three later), Netflix has gotten creative in a potentially awesome way. The Irishman will play at the Belasco Theatre on Broadway for one month, priced at $15 a ticket...

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Joker, Reviewed: An Empty Beauty Full of Anxious Laughter

Please welcome new contributor Michael Frank...

by Michael Frank

The circus around Joker has been exhausting. It’s been a nonstop argument between every single person that posts a positive or negative review, causing friction between subgroups you didn’t even know existed. I admit I found myself having trouble separating the discourse from the film itself. I couldn’t forget the unfortunate interviews given by director Todd Phillips. When I sat in the packed-to-the-brim theater, my head was filled with expectations, anxiety, and the dozens of headlines, articles, and think-pieces I’ve read over the past few weeks. 

I’ve never seen a film provide so much discourse outside the screen, yet feel this empty and broken once it's playing in the confines of a theater. Joker is gorgeous, though, and unrelenting in its violence and instability, by way of both the titular character and its striking visuals...

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