'I Want Love'... and Actors in Music Videos, Please

Justin Timberlake as Elton John in 2001Ten years ago right about now, Elton John's "Songs From the West Coast" dropped. I bring this anniversary up because...

a) I love to celebrate anniversaries
b) music videos are short films
c) an irregularly curated side-obsession of mine is tracking film actors who've appeared in music videos.

For the videos from the album, his last hit-parade album (though not his last album), he used actor/musicians rather than himself, including a pre comeback Robert Downey Jr back when everyone still worried for the actor's very life and he seemed like an open wound... which really worked for this video.

Just love that one, don't you? It was directed by Sam Taylor-Wood before the days of her award winning narrative short Love You More and before she graduated to features with the John Lennon early-years bio Nowhere Boy (starring her future babydaddy Aaron Johnson).

In the follow up videos "This Train Don't Stop Here Anymore" and "Original Sin" Elton John used two pre film-stardom singers: Justin Timberlake as Elton himself and Mandy Moore as a devoted fan. In the latter Elton does appear and drags Elizabeth Taylor along with him in pink-turbaned cameo as "Doris" because, you know, Elton does love to flaunt the company he keeps. Was "Doris" an inside joke of some sort between them? 

Maybe JT got a taste for his acting future right here because he keeps playing important men from the music industry (Sean Parker in The Social Network and now Neil Bogart in Spinning Gold)

What's your favorite Elton John song? And if you were celebrity-aware back in 2001, did you ever dream of such enormous movie stardom waiting just around the recovery corner for Robert Downey Jr.?

Stars... They're Just Like Us!

They also have to deal with obnoxious people walking backwards or stopping suddenly when everyone else is moving forwards!

This post is brought to you by Nathaniel's hatred of tourists in Times Square where he unfortunately found himself once this weekend. Tourists can magically transform a breezy 8 minute walk to a subway to a 35 minute nightmarish ordeal of erratic human movement. Turning 8 minutes to 35 is a feat as miraculous as feeding thousands with five loaves of bread ...only way less altruistic.

P.S. This amusing gif comes to us via my friend Matt's blog where he runs to Madonna's defense (as he do) about the gleeful takedowns of W.E. in Venice. Matt also shared an incredible video of previously unseen "Vogue" video footage. Lots of blooper-like stuff after the two minute mark. It's always so fun (though rarer than it used to be) to see Madonna laugh at herself / her surroundings.

David Lynch "Sings"

You can't help but respect any director who ends up getting his own adjective but David Lynch's next move could give whole new meaning to "Lynchian"... especially since he doesn't appear to be making movies anymore.

The iconoclast cheese and transcendental meditation loving auteur apparently also loves electro pop. He's recorded an album featuring the vocals of Karen O from the Yeah Yeah Yeahs on at least one song. Is she the official songstress of choice for crazy-ass auteurs now that Spike Jonze and Lynch have both latched on? Lynch's album "Crazy Clown Time" is due in early November.

I consider it really bad form that David Lynch cannot be bothered to even direct his own video! (That was left up to contest entries and here's the winner.) I mean the least Lynch could have down if he isn't making another INLAND EMPIRE or Mulholland Drive is to make a strang music video wherein Laura Dern dances around him pulling faces that will haunt us all forever. That's the least he could do. Has he abandoned image-making altogether?

The first song "Good Day Today" does sound like David Lynch's voice ...if it emanated from places that could not accurately be described as lungs and larynx, that is. For maximum kitsch value I really wish he'd have thought to do a vocoder duet with Cher.  Here's an old interview with Pitchfork about the record.

Have a listen...

David Lynch's "Good Day Today"

Man vs. Link

Grantland Molly Lambert's incisive piece on Shia Labeouf's star persona "Tears of a Fighting Clown"
Super Punch "Zombie Snow White MacBook Stickers" Eeek and Yay!
i09 wonders which DC characters could save DC's miserable movie track record. I voted for "Aquaman but only if James Cameron directs it" because James Cameron is awesome. The end.
PopMatters muses on Marvel and whether or not they can sustain their own coherent movie universe.
The Awl "30 Ways to Say 'I Want You'"

xinmsn Tony Leung Chiu-Wai and Carina Lau are trying to get pregnant. A fan snaps them having lunch with Faye Wong. I personally think Wong Kar Wai should film all such too-starry lunches.
Towleroad Reason #21,318 to Love Brad Pitt. He's still fighting the equality fight with mouth and money.
Critical Condition would like to know what you think of this new serenity in the face of death as seen in Restless, The Big C, 50/50 and the like.

And the season premiere of Man vs. Wild is nearly upon us (July 11th) with Jake Gyllenhaal hitting Iceland with Bear Grylls.

Jake's technique is looking good. His body is relaxed which means his trailing leg is hanging well down, making it easier to keep his balance.

?!?

One Take Wonders

Though I don't recall when it began -- maybe with Rope as just discussed? --  I've been obsessed with one-take scenes for what seems like forever. You know the kind. It's that thrilling moment when the editor seems to go out for a smoke break and the director allows the film and/or performances to fully breathe. That free breathing is probably an illusion since the scenes must be rigidly corseted by the technical and performative choreography required to get it all without "coverage".

When you see a great one take scene or film, even if that "one" take is partly a matter of film trickery (examples: Atonement, Children of Men basically the entirety of Alfred Hitchcock's Rope and Aleksandr Sukorov's Russian Ark and a scene we just discussed from 25 years ago in Peggy Sue Got Married) it can be hard to return to the world of "regular" filmmaking with its generic one and a ½ second cuts composed of plentiful coverage. Over the shoulder. Close up. Over the shoulder. Repeat for billions of converszzzzzzzzzz  

I'm sorry I fell asleep.

So why do so few film directors trust in the highwire potency of long or single takes? Are they too difficult to pull off? Are film actors that unable to sustain themselves throughout emotional hairpin turns the way stage actors can 8 shows a week for hours at a time? Do people think the audience will get bored (a falsity since these scenes are usually THE talking points of their movies)?

If they're so hard to pull off why do music videos with significantly lower budgets than movies keep selling them so well?

The latest one I saw was the low budget but high entertainment "Party Girl" by XELLE 

Absolutely hot. Think of the rehearsal time required just to time things like that glitter blow? But it works, don't you think?

And I've already expressed my love for both Robyn's "Call Your Girlfriend" - just her dancing in a gym but with all the lighting tricks it's just totally a great watch --  and Cosmo's Jarvis "Gay Pirate" which is both sing-a-long fun and actually moving.

Although it's NOT a one take video, this REM "üBerlin" video starring rising actor Aaron Johnson (directed by his partner Sam Taylor-Wood) breathes enough to suggest that it wanted to be one and would have been a classic video instead of just a frisky uninhibited one, if it were. 

So I ask in full sincerity...

  Why are today's directors so afraid of letting a moment play out without zillions of edits? If music videos -- which were once blamed for shortening the average shot length in movies -- can ironically use them so often now, why can't today's full length pictures?