Austin Butler will be Elvis for Baz Luhrmann

by Nathaniel R

Vanessa Hudgens with Austin ButlerBaz Luhrmann has ended his casting search for his forthcoming Elvis Presley biopic. Twenty-seven year-old Austin Butler, also known these days as Vanessa Hudgens' boyfriend, has won the role. Butler beat out bigger stars Miles Teller, Ansel Elgort, and Harry Styles for the plum opportunity. It's rare these days to see a lesser known actor snag a big biopic, but we'd argue it's actual healthy; lesser known actors come with less baggage as performers and that's theoretically better for audiences who already have their collective hive mind filled up with one famous persona when they approach any movie about an icon.  

About his choice, Luhrmann says...

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The New Classics - Hedwig and the Angry Inch

Michael Cusumano's series on the great films of the 21st century through the lens of a single scene.

Scene: Wig in a Box
I distinctly remember the arrival of the poster for Hedwig and the Angry Inch at the art-house movie theater I worked at during the Summer of 2001.  The poster is dominated by the image of John Cameron Mitchell’s gender-defying punk rocker aggressively belting out a song, a swirl of glittering make-up and tendrils of blonde wig. More than attention-grabbing, it was attention demanding. I eagerly anticipated the film as I watched the trailer several dozen times during my shifts. As a straight, cisgender man from the suburbs with a lackluster wardrobe, I assumed that it was most definitely a movie Not. For. Me. but as an insatiable movie-devouring college student, I was nevertheless excited for what looked like a wildly inventive, low-budget extravaganza.

And while I was correct about the creativity on display, I was wrong about feeling excluded by the film. Despite sharing zero details with the protagonist’s turbulent life story, it hit me personally in a way I wasn’t ready for...

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Stage Door: Where are the original musicals?

by Nathaniel R

Uh-oh... The Tony Awards last month wrapped up the 2018/2019 season with a reminder that original musicals were doing just fine (The Prom is getting a film version,  Hadestown remains a very hot ticket, and Tootsie has its diehard fans). Strangely, then, the 2019/2020 Broadway season is looking troubling from this distance. Of the six new musicals currently scheduled for the season NONE have original scores....

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such wonderful things surround you, what more is you linkin' for 🎵

• /Film Why Lulu Wang turned down a huge streaming offer for The Farewell to go theatrical with A24
• Vulture ranking the Spider-Man villains -- Into the Spider-Verse villains ought to be flipped and Far From Home's big bad is a spot or too low but otherwise a very correct list! 
• The Atlantic good piece on the possibly self-parodic elements of Spider-Man Far From Home
• The Guardian an interesting but depressing report on directors getting away with making LGBTQ films in homophobic countries 

After the jump The Little Mermaid, The Lost Boys, Toy Story 4, and Be More Chill...

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"The Prom" gets a starry cast for its film version.

by Nathaniel R

Two girlfriends in the midwest just want to go to their prom in "The Prom"

The Prom, running through August 11th at Broadway's Longacre Theatre, has defied expectations more than once in its short life. That starts with the plot synopsis which reads like a lecturing social justice message play (Broadway stars fight against discrimination to get a young lesbian to her prom when her school balks at the idea) but is in reality a sweet often hilarious comedy which has more targets than just homophobes in its sights. The musical began previews last October on Broadway and while it wasn't expected to be a big hit (given the sad state of Broadway where branding is all important - it came with no bankable stars, no jukebox score, wasn't based on a movie) it managed to stay open for months, snag high profile Tony nominations, and secure both touring and movie adaptation deals. (It is also a total delight, as Dan told us in his review which we co-sign.)

As you've undoubtedly heard, Netflix snapped it up some time ago. Originally we thought it was going to be a straight to streaming situation, given what Netflix is planning for the new Boys in the Band (with the all-gay Broadway cast reprising their roles for the camera), but it turns out they have an Oscar run in mind. And with that a starrier cast and some degree of a theatrical release in 2020 (so we'll have at least two musicals in the mix that year given Spielberg's West Side Story remake).

But are The Prom's days of defying expectations over?

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