SAG Carpet Pt 1: Silhouettes and Character Arcs

Red Carpet Line-Up Returns. I don't know if you've missed it but I have. This two-part SAG edition is less quickfire chat and more epistolary but we haven't talked to Kurt Osenlund in way too long since he flew the coop for The House Next Door. 

NATHANIEL: Kurt  I miss you. You have moved to the far off land of Brooklyn and we never see each other. And yet, when I watch the Best Actresses walking the red carpet I know you're out there somewhere gazing at the same visions. So a few questions to kick things off about the Screen Actors Fashionista Guild.

Which of the Best Actresses did it for you? And was this in line with what you think of their performances or the inverse of that? Character arcs aren't cut from runway cloth but sometimes I think people judge the gowns based on how much they're currently loving the woman inside.

"Impossible" Naomi, Dress-Lining Jennifer, "Mama" Jessica, Marion Cotillard

poll by twiigs.com

Anyway, tell me your "best", both performance wise and clothing wise. (Don't cheat and say Helen Mirren since she didn't show. Or the cameras just didn't bother searching for her because 'getouttahereHitchcock'!). [More plus Supporting Actresses after the jump]

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SAG Award Seating. Any Requests?

Thanks to Sasha Stone for tweeting this. It's a SAG Awards seating chart (of sorts).

I can't make out the faces as well as I'd like but Jessica Chastain and Denzel Washington are right up front with Helen Hunt just the next table back. Expect lots of reaction shots from the front. Do you think any of them will win tomorrow night?

BFFs since before they were famous - Nicole & NaomiTV Guide has a partial seating chart which indicates that Les Misérables and Argo have front row tables both to the right of the stage and get this, SAG honors requests so...

BFFs Naomi Watts(The Impossible) and Nicole Kidman (The Paperboy) asked to sit together and are placed at Table 21. 

Awwww!

Double nominees get to choose where they sit so Bryan Cranston opted for the Breaking Bad table instead of sitting with King Ben of Argopolis. 

Which table would you most want to carouse with? Will you be hear for liveblogging tomorrow? I promise to stay put to avoid tech difficulties as with the Globes.

Clips w/out Context: Nicole Kidman in "Stoker"

So many people have sent me that first official clip from Stoker over the past week, a monologue from Queen Kidman, that I figure it's a sign from the cosmos that I've been neglecting my genuflections. (I had had another big Nicole (!) piece planned last week and then they went and snubbed her/spoiled it. And then there was The Hours anniversary and I thought maybe I had Kidmandeered the blog too much. Apparently not!)

Lights on. Camera. Actress!

Almost every time someone has sent or linked to the clip they've done so with a variation of "OMG!!!" or "all the Oscars for Nicole!" in their text and a quick check of online reactions fall roughly along those lines too. My reaction was more like "..." with a side of "♥"

...which I shall explain alongside the clip and Stoker @ Sundance madness after the jump.

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10 Years Ago, This Weekend, "The Hours" Won Best Picture at the Globes

Nicole Kidman was having a pretty great night. 

Meryl won for "Adaptation" and Nicole won for "The Hours"

Hanging' out on all sorts of red carpets with Meryl Streep usually helps in that regard. If you can't share scenes with her at least have her on your team by way of a shared movie.

Our 10th Anniversary Celebration of The Hours

• Nicole Kidman remembers her Oscar win (Exclusive Interview!)
• Breakfast with... Clarissa, Virginia and Laura Brown
• Epic Discussion Part 1: Ravenous Kisses, Fidgety Hands
• Epic Discussion Part 2: Score, Performance, Re-Casting

We hope you enjoyed this look back. I imagine The Film Experience would be more popular if it stuck to current movie news all the time like every other site but I cannot live without my retro celebrations. I'm greedy. I need films from all eras in my movie diet. 

This next part is for Hours and Film Experience Obsessives only...

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"The Hours" Discussion Pt. 2: Score, Performance, Re-Casting

previously... Joe Reid and Nick Davis discussed fidgety hand acting and ravenous kisses in The Hours for it's 10th anniversary. We rejoin them for the second half of their conversation. - Nathaniel R

JOE REID: OH that Phillip Glass score. I'm with you, obviously. I actually did much of my writing with that soundtrack playing in the background in the year or two after The Hours, because I'm just that kind of impressionable. But beyond being beautiful and haunting music in its own right, it also immediately sets the mood of the urgently mundane which pervades the whole movie. Laura trying and failing and trying again to bake a cake. Virginia scrawling out a first sentence. Clarissa getting the flowers. The score is repetitive and plain but increasingly frantic. I could roll around in it, crumbs in the frosting and all. 

So not to get too common about it, but rather than risk ignoring the elephant in the room, let's get to evaluating and ranking those leading ladies, am I right? You mentioned some ambivalence about Julianne Moore's performance, and I think I read somewhere that you value Streep's work here quite highly? Feel like making some friends/enemies among the blog-reading populace?

Nick's answer and more provocative questions after the jump

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