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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Entries in Grace of Monaco (16)

Monday
May192014

Podcast: Neighbors & Godzilla

On this week's podcast Katey Rich (Vanity Fair) returns from her wedding and Nick Davis (Nick's Flick Picks) moderates a Neighbors discussion with Joe Reid (The Wire) and Nathaniel R, (The Film Experience) while deciding whether or not to see it. Then we all talk Godzilla and Gareth Edwards' rising star in the director's chair with shades of Spielberg & Cameron.

Somehow the Cannes film festival, Grace of Monaco and the ladies of Steel Magnolias invade the manly lizard conversation. 

00:01 Katey's wedding & our weekends
03:00 Neighbors vs. 21 Jump Street (2012)
07:00 "I wish it had more jokes" - Nicholas Stoller and modern comedy
09:45 Zac Efron's "surface area"
15:00 "Assjuice," accents, gay panic
22:45 Godzilla and mass destruction
25:30 Character or Monster Driven - Which Is it?
30:00 Aaron Taylor-Johnson vs. Charisma
35:00 the sheer gorgeousity of Gareth Edwards' filmmaking
44:30 Does anyone under 40 have nostalgia for Godzilla?
49:00 Detours to the South of France and Louisiana

You can listen to the podcast here at the bottom of the post or download the conversation on iTunes. Continue the conversation in the comments... and who would you play in a staged reading of Steel Magnolias?

Further Reading Related to This Podcast
Richard Lawson on Zac Efron's dark side
Peter Knegt on the gay pandering of Neighbors
Nathaniel on The Disappearance of Eleanor Rigby

 

Godzilla & Neighbors

Friday
May162014

Cannes Diary Day 2: Or, How I'm Still Grappling With 'Grace of Monaco'

Diana Drumm is reporting for The Film Experience from Cannes

As you should know by now, thanks to mid-screening tweets, prompt reviews and Nathaniel being awesome as always, Grace of Monaco is bad. So bad that Cannes critics are being divided into indifference, dislike and rollicking hate. I, for one, fall into a fourth category, that of the now-jaded hopeful still grappling with how it all could have gone so horribly wrong. It’s from the director behind La Vie En Rose and... NICOLE KIDMAN. And I do mean grappling, I’ve barely eaten since that lovely sandwich or slept since nodding off on the Nice-Cannes commuter and my attempts at writing an actual review have gone the way of nonsensical jibberish with many ‘rather’s, ‘while’s and ‘thereby’s. Plus I’ve missed multiple opportunities to stow-away on champagne and celebrity-laden yachts. (Well, maybe not, but you get the gist – me, bedraggled by disappointment.) It could be the jet lag typing, but I wish I could go back to the before time, before I knew for certain that Grace of Monaco was a bad film. 

For weeks, I’ve been hushing naysayers, lah-lah-lahing the latest Weinstein cut rumors and ignoring the strawberry blonde Nicole Kidman as Grace press photos. With its synopsis reading like My Week with Marilyn meeting Evita for cucumber sandwiches to discuss an upcoming charity event and swap stories about who was handsier, Ari Onassis or Alfred Hitchcock, I kept telling myself that whether Grace was good or bad, it would be nice to see Grace Kelly’s story onscreen. I was wrong, so wrong. This isn’t to say that the film’s downright awful, or even amongst Cannes’ worst (Splitting Heirs, anyone?), but as someone with only love in her heart would say, it’s not that I’m angry, it’s that I’m hurt and disappointed. 

Princess Grace and Old Hollywood fairy tales after the jump...

Click to read more ...

Thursday
May152014

Cannes Diary Day 1: Trains, Badges, and Nicole Kidman 

Diana Drumm is reporting from Cannes for The Film Experience

After delays, a cancelled train and discovering the local bus line just went on strike, I hurried from the Cannes train station in an ill-chosen bulky trench coat, swooping up my overfilled laptop bag. Following my newly made acquaintance-guide who I'd bonded with over the inefficiency of French trains (as you do), we scurried through the maze of narrow boutique and cafe-lined streets. The city is brimming with people: the tanned and about to be sunburned, the stiletto-heeled and Doc Marten-ed, the maddening tourists and the maddened locals. After approximately two turns and nearly body-checking at least three walkers of a more leisurely pace, she stopped and I looked up. There was Guido Contini (Marcello Mastroianni in Fellini’s 8 ½) peering over his sunglasses seductively, with a look that falls somewhere between cheekiness and contempt (let’s just call it “rawr”), plastered on the Palais des Festivals. 

Regaining my breath, heart still pacing, I got into the queue. Four of them actually (bag-check, press badge, press queue, another bag-check) all the while terrified as the clock struck closer and closer to the festival’s first press screening. Praying and stroking my good luck charm (a piece of Errol Flynn’s suit) I made my way up three flights of stairs to a seat in the center of the balcony. The lights dimmed, the curtains separated, and the festival’s Opening Night film, the already much-maligned Grace of Monaco, began to roll. (Full review forthcoming)

Though no one booed, there were enough ill-placed guffaws, lit-up mobile phones and hushed chatter mid-screening to indicate that this crowd was less than enamored with Olivier Dahan’s latest about model turned actress turned princess Grace Kelly. As the credits rolled (sappy music over images of red and white roses), I attempted a mad dash to the stairs in order to get to the Grace of Monaco press conference and catch Her Highness Nicole. Unfortunately, almost everyone else had the exact same idea and the handsome security men proved unbribable.


I was one of those left in the celebrity-less cold. Although tempted to leap over the blockade, I'll save that one strike surely ban-worthy offense for Michael Fassbender. But there she was… An ethereal vision in white, with slightly curled longer-than-shoulder-length blonde hair and oh-so-fair skin (lips as plump as cherries), Nicole Kidman walked briskly by the throng of still-waiting and exiled press, surrounded by a posse and giving off her characteristic aura of A-list-seclusion grace. In the midst of my awe, I attempted to snap a few photos of La Kidman, but all three turned out too blurry for your visual consumption.   

Eating my feelings of slight disappointment, I scarfed down a “Croisette” sandwich (smoked salmon, cucumber, radishes, cream cheese and lettuce on ciabatta bread) and the best tasting in-plastic chocolate mousse ever at a film festival food counter. With time to kill before the next screening (not enough for writing, plenty for wandering), I got my bearings around the International Village and the film market -- look out for Jail Caesar starring Derek Jacobi, not coming to a theater near you. Then I queued up yet again for Timbuktu, which, unlike Grace of Monaco, got laughs in the appropriate places and warm, appreciative applause.

Onto Day Two!

Cannes Diary: Day 2 Grace of Monaco | Day 3 Mr Turner & Timbuktu  | Day 4Amour Fou & The Blue Room | Day 5? The Homesman Press Conference and The Homesman Review | Day 7 Mommy, Maps to the Stars &  Two Days One Night

Diana Drumm, who recently completed a stint as one of 8 young critics to take part in the 2nd annual NYFF Critics Academy became a member of our team this February. You can follow her on Twitter or visit her home page. See her previous posts for The Film Experience here.

 

Wednesday
May142014

Cannes Beauties: Jane Judges, Nicole Headlines, Amy Sells

We'll be hearing from Diana, our woman on the ground in Cannes, soon for her take on Grace of Monaco. Since I'm starting to feel human again (yay!) I'm back at the computer and hoping to be full speed by Friday. So let's check out the festival's first day. 

1. Jane Campion, Gender, and Juries
First a Red Carpet Lineup. Who wins your best dressed vote from the ladies of the jury? (And isn't it special that they all have such different styles?)

Coppola (USA), Yeon (South Korea), Campion (New Zealand), Hatami (Iran), and Bouqet (France)Lelia, Sofia & Jane

Campion, an outspoken feminist and infrequent filmmaker (let's get that new film rolling!) responded to questions about the lack of female films at the festival (which is famously very resistant to new voices, often inviting the same "masters" each time they make a movie... so we're talking lots of old men).

It does feel very undemocratic. We don’t get our share of representation. It always seems to be a surprise for the world when a woman does come out [as a success].”

Thankfully women are well represented on the jury and for the opening film you got two movie goddesses (Grace Kelly & Nicole Kidman) for the price of one... though most critics wanted their money back even though they saw the movie for free.

Nicole Kidman & Amy Adams & Lots of Photos after the jump...

Click to read more ...

Wednesday
Apr302014

Link Wars: Episode VII

For those looking for the new Oscar charts, I promise it's the top priority now once all this surprisingly busy April madness wraps tonight.

More Intelligent Life on badass Angelina Jolie and Maleficent
Press Play how modern actors struggle with Marlon Brando's legacy
The Perceptive Eye on military suicides, PTSD and The Hurt Locker 
Pajiba how many romcom tropes can David Wain shove into one movie? The trailer of They Came Together with Amy Poehler and Paul Rudd

Guardian on Bob Hoskins (RIP). "five foot six cubic and bursting with brilliance"
Variety uh oh. Harvey Weinstein and Olivier Dahan STILL fighting over Grace of Monaco two weeks before its Cannes debut
The Dissolve looks back at the 80s comedy classic A Fish Called Wanda
The Sheila Variations returns to Young Adult and Charlize Theron's brilliance therein
Boy Culture Tom Hardy's recent magazine pictorial (which we discussed) regif'ed
MZS. "Advice to Young Film Critics" good advice, too.
Coming Soon Fox has cancelled Almost Human, the cyborg cop show that I kinda liked. I never really wrote about it so I didn't have a chance to talk about Karl Urban's John Wayne voice. Ah well...
Queerty in literal cock-tease news, Zac Efron claims he's willing to show it all on film after all the wet underwear, and horizontal peeing and so on... I guess he's figured out what people like about him. (Save your money, Zac!)
Pajiba 'did someone call for a Tom Hiddleston puff piece?'
Rambling Film 7 things that should happen on True Blood's final season (the 7th). I stopped watching but I concurred with most of these even two years ago. Since Buffy also ended as season 7 is this now the standard for vampiric shows? Does this mean we can be rid of The Vampire Diaries in 2015?

Mean Girls Mania
'we're not just a regular blog, we're a cool blog'...

But we're not the only ones celebrating Mean Girls for it's 10th anniversary today. It's EVERYWHERE. On Amanda Seyfried's twitter feed (do you think Lindsay will mention it today on hers?), in a brief EW group oral history, Vanity Fair's best fashion moments, Boy Culture's reminiscence of interviewing cast members, and probably on any pop culture website you click on today. Important note... This wasn't planned since Netflix's Instant Watch service is all contractual based in terms of timing but the Tina Fey high school classic actually expires today. So it's 10th anniversary is the last day you can watch it on Netflix if you don't own it while listening to our Movie-Long Podcast Commentary while you're streaming it!

You go Glen Coco! 

Casting News
HitFix and every other site on earth has the news: the Star Wars Episode VII sausage party cast has been announced. John Boyega, Adam Driver, Oscar Isaac, Andy Serkis, Domhnall Gleeson, Max von Sydow and since all visual fx spectacles are required to have him (well, he is awesome) Andy Serkis. Those newbies will join the old cast who are reprising their roles in capacities large or small. There is one new girl Daisy Ridley who we are unfamiliar with. Did she get the part Lupita Nyong'o was rumored for? The Guardian did some mild digging into this actress unknown and here's everything they found.

Today's Spotlight Illustration
Glen Hanson, one of my favorite illustrators, posted this on his Instagram. No idea what film he's doing costume sketches for but me likey...