Nicole on the runway...




The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
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by Matt St Clair
One factor as to what kind of roles an actor receives, or whether they’re cast as lead or supporting players, is their looks. Consequently, that’s why you often see the likes of Tom Cruise headlining an action movie rather than someone like, say, John Malkovich. The practice of traditional glamour leading to positioning for movie stardom has essentially been around since the birth of cinema.
Then again, sex appeal can also trap actors into a narrow box. This happens to beautiful stars ike Alexander Skarsgård. He said in a recent Sunday Times interview while promoting The Northman, that his sex symbol label has led to him not getting the kind of serious acting opportunities he’s craved...
The Almost There series is back after a brief hiatus. It's about performances that came close to an Oscar nomination but ultimately failed to secure the honor.
Robert Eggers's The Northman has many elements worthy of applause, from its sense of narrative anti-modernity to Claes Bang's hunky presence. However, for us, actressexuals, the main attraction is Nicole Kidman. Playing Prince Amleth's mother, the Australian actress delivers a powerhouse monologue late in the film, devouring the scenery whole as she drives her son and the audience into stupefied shock. It's one of those delightfully weird tour de forces Kidman's known for among her fans. Such inspired work is often rooted in an auteur's bold vision and represents a facet of the thespian's career that's seldom recognized by awards.
If one were to judge her based only on the actress's five Academy Award nominations, her filmography would look much less adventurous than the truth. One of the only times Kidman came close to Oscar glory for a go-for-broke gonzo performance happened in 2012 when she starred in Lee Daniel's The Paperboy…
By Christopher James
We come to this place for magic. We come to the Dolby theaters to love, to cry, to watch a truly unhinged Oscar night. The Oscars have reached an interesting inflection point in their history. How do they adapt to the changing times without leaving behind what makes them special? As a movie fan, of course, like Nathaniel I want the Oscars to err on the side of more-is-more. They should be the Super-Bowl of movies that everyone is excited to watch or, yes, half watch. How have we (by we, I mean people who don’t have an interest in football) been conditioned to watch the Super-Bowl each year? Simple: the Super-Bowl party. Who doesn’t love an excuse to party and hang out at a friend’s house on a Sunday and watch something that everyone will talk about the following day? The Oscars should be longer, bigger, more fun and be the type of event that people want to throw parties for.
Throwing an Oscar party each year (sans last year for obvious reasons) has been one of my greatest joys. I invite you behind the scenes of (East) Hollywood’s biggest night (aka me packing thirty rowdy Oscar watchers in a small apartment)...
You know about our "fantasy doll sets" and now we have more gowns to add to that imaginery collection! So it's time to talk about Best Actress fashion again. Who wowed you? Who disappointed you? Who gets your vote?
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