Open Thread. Voices (& Comments) Carry

Editorial Note: I'm aware that despite the deliciously robust comment threads on recent posts like "Worst of the (Best)" and "Beasts of the Precursor Wild" a few of you (and me actually) have been having some issues with Comments. I'm monitoring it closely now and unfortunately this week it's decided that some of you are spambots so I've been fixing. A blogger's work is never done!

But what's on your mind today, movie-wise? And yes, yes, I know you're waiting on some key interviews. Thursday through Sunday will be poppin' here at TFE so patience! Interviews are the single most time-consuming kind of article, I'm sorry to say.

If you're exhausted with nothing on your mind this humpday... here -- enjoy some music. Here are new videos from Paul Williams (this song is eligible for the Oscar and is sensitive and beautiful much like his earlier Oscar nominated work. I think it has a good shot at the shortlist), Aimee Mann (I always forget she has a sense of humor and this "Labrador" is kind of awesome) and Hunky Hunk McHunkerson (aka Cheyenne Jackson). Won't someone please put him in an action movie... or at least in a Magic Mike sequel?

What'cha think?

Original Song Eligibility List = Lots of Opportunities For Oscar Night Celebrity Live-Singing!

Now that Skyfall has been declared eligible can Adele finally break the unofficial NO NOMS FOR BOND thing that's been going on forever?As you may have heard, 75 songs have qualified for consideration for Oscar's Best Original Song Category...and not just from animated films. I love this category in my more imaginary moments neither because of what's been nominated over the years (ewww) nor any belief that songwriting is a particularly valid "filmmaking achievement". I only love it for its potential to provide my favorite night of the year with some entertaining interludes -- I love acceptance speeches but you gotta break the night up for variety's sake. Sadly, Oscar has been mucking with this category for so long that it almost never reaches its potential of providing 5 awesome short breaks from people standing at podiums, preferrably while also letting various celebrities sing live to us. In the year of Les Miz it will be a great shame if there isn't live singing on Hollywood's High Holy Night.

But I keep the dream alive and pray that one day some Academy executive will realize that the only thing the category is good for is putting celebrities on stage in a different context than acceptance speeches or merely to introduce yet another mind-numbing montage of something that has nothing to do with the films we happen to be celebrating this annum. So with that in mind, I'm placing in ALL CAPS the performer of the song if it's somebody who it would immediately enrage if they chose not to invite them to sing it to us so that they could shove all the songs into one medley for, like, Miley Cyrus to sing or something (remember how obsessed the Oscars were with having Miley Cyrus present there for awhile?! Yeah, that was... well, let's not dwell.)

LIST AND MORE AFTER THE JUMP

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Top Ten: Greatest Lone Oscar Nods of the Past 20 Years

Glenn here with another look at one of my favourite bi-products of the Oscar season. They’re the nominations that we sometimes forget about (unless it’s Norbit – we all remember that one!), but which forever brand a movie as “Oscar nominated”. Sometimes they’re the result of one aspect of a film sucking up all the energy in the room, and sometimes they’re the result of a prickly film finding an appreciative consensus in one category. Oh sure, all of the films below probably deserve the sort of Oscar haul that will greet Les Mis, Lincoln, or Argo, but receiving just one makes for fun statistics and even more fun list making! Let’s count down the best films of the last 20 years to receive just one nomination* on Oscar morning, and take a look at the films of 2012 that could very well reap a similar fate in 37 days.

*We’re going to exclude films that competed only in the animated/foreign/documentary categories since the Academy assigns them a ghetto for reason.

serial killer films don't usually generate the multiple Oscar wins of Silence of the Lambs

Honourable Mentions: I couldn’t go further without mentioning Tarsem Singh’s The Cell (Best Makeup, 2000) and David Fincher’s Se7en (Best Editing, 1995) since these two audaciously constructed classics of the serial killer subgenre are such bold choices for the Academy in their respective categories. They make a particularly disturbing double feature, too. You’ll be disgusted at the world for weeks!

The Best Single Nominee Films of the Past Twenty Years

10. Monster (Lead Actress, 2003)
I’m most definitely on Team Nick Davis when it comes to this captivating portrayal of an unravelling American life. Told as if through hazy, overly orchestrated memory pieces, Patty Jenkins’ film about Aileen Wuornos arguably deserved more credit than just for Charlize Theron’s pulverising central portrayal. A makeup nomination was the least the Academy could have done.

And in 2012: Now that tsunami disaster drama The Impossible has been nixed from the visual effects category, surely its only strong shot at a nomination is for star Naomi Watts. Will the Academy recognise the desperate plight of a white woman in danger? Probably.

Nine more achievements and their possible mirrors this year are after the jump...

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Is Skyfall's Oscar Buzz Real or Just Really Convincing Hype?

Though each new James Bond film lands with a media frenzy of sorts, Skyfall's box-office crushing tour of the Globe has even come with Oscar buzz. As an Oscar pundit, at first I felt I needed to do my killjoy duty and remind Bond-fans that the Academy has never been eager to have a martini with Bond, no matter how he orders it. But lately I've begun to wonder if, should the hype not subside much, the world's favorite super spy might finally win a nomination or two again. Two nominations would be a major win for Team Skyfall though the current hype would have you perceive that as a disappointing haul since it suggests that multiple nods and even a Best Picture citation are just around the corner. 

It's this overreaching by fans and the more excitable pundits that keeps forcing me back into Killjoy Corner. But let me repeat: a Best Picture nomination is not happening; Ten spots is not Twenty. And Bond Films aren't even close to the top of Oscar's Favorite Franchises heap anyway. Even with the fast Oscar-dream fade of The Dark Knight Rises and the artistically suspect decision to make The Hobbit into three films, history suggests that AMPAS is more likely to join Bruce Wayne or Gollum in the shadows again than James Bond. 

I should explain with facts (after the jump) before they go out of style again...

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From Russia With Link

i09 the best of the new Disney/Star Wars mashup art
Vulture "Matthew McConaughey's awards campaign for Magic Mike begins now"...it's about f***in' time!
NPR on an Asian remake of Dangerous Liaisons 
MovieLine Daniel Day-Lewis doing an Eastwood in London 
/Film Tom Hanks as Walt Disney in Saving Mr Banks

Stale Popcorn Glenn, our favorite fellow fan of Burlesque, has words about the proposed Diane Warren jukebox musical. So many Oscar nominated power ballads from that one!
In Contention on the new Les Miz trailer. Why haven't I written it up, you ask? I can only write about Les Miz so often people and the movie isn't even out yet. Plus I already did a Yes No Maybe So once and my policy is not to repeat that with a single movie... I mean, some movies release five trailers, people!

Natasha VC "Ja!" 
Pajiba wonders why all the best Bond girls have the worst names. (If by worst they mean best... because those campy names are essential! They're so missed in Skyfall!)
The Mary Sue Willow and Oz reunited!!!... but on How I Met Your Mother. zzzz...
PopWatch Jennifer Lawrence on complaints that she's too well-fed for The Hunger Games

In Hollywood I'm obese.  I’m Val Kilmer in that one picture on the beach."

Ha! This make me love her so much more. 

TODAY'S MUST WATCH

I thought about writing a review of the revival of Annie on Broadway but Adam Feldman's Time Out Review is so incredibly spookily spot on on ever single point I might have made (seriously go and read it)  that it's not worth writing my own -- hate it when that happens! So Annie is in my brain currently and "Tomorrow" is the only song that's battling "I Dreamed a Dream" for earworm revival of 2012. I nabbed the video above from my friend Tom's Broadway Blog. He's always worth a read and he finds the most incredible videos. This one is the musical comedienne Christina Bianco doing various über famous divas doing Annie. They may as well cast Bianco right now in an American remake of Little Voice (1998) she's so good at impersonating other vocalists!