Oscar Volley: Sobbing and Fuming at the "Best Animated Feature" nominees

Team Experience will be covering the various Oscar categories in the lead up to Oscar night. Here's Tim Brayton, Cláudio Alves, and Nathaniel R...

TIM BRAYTON: Hello Nathaniel and Cláudio! I'm thrilled to have the chance to discuss this year's slate of nominees for Best Animated Feature at the Oscars with you - animation is, I think it's fair to say, the most important form of filmmaking to me, and it's always fun to share it. Whether these exact five films represent animation at its peak, well, we'll just have to get into that as we go.

A quick recap for all of us and those of you reading, here are the five nominees: Encanto, a CGI feature produced by Walt Disney Animation; Raya and the Last Dragon, a CGI feature produced by Walt Disney Animation; Luca, a CGI feature produced by Pixar Animation Studios and distributed by their corporate owners, the Walt Disney Company; The Mitchells vs the Machines, a CGI feature produced by Sony Animation, who sold it off to Netflix. And then literally on the other side of the world, Flee, a Danish documentary about politics and identity, largely consisting of interviews that were animated in a cartoony 2D style by Sun Creature Studio. So my point, obviously, is that this isn't exactly the most stylistically or industrially diverse set of nominees this category has ever produced...

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The Oscar Luncheon was a hit - everyone glad to be back in the room

by Nathaniel R

tick tick BOOM reunion at the Oscar luncheon

For those of you who are not "extremely online" as they say, we thought we'd share some photos and point you to some fine accounts of the Oscar luncheon since they'll be new to you. We are neither cool enough nor local enough to be invited to this Los Angeles event (TFE is a NYC site... though a couple of our contributors are in LA) but thankfully some journalists are! The event took place yesterday and the reports have been trickling in ever since...

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Almost There: Mike Faist in "West Side Story"

by Cláudio Alves

While the role has been shortened compared to the 1961 Best Picture winner, Mike Faist's Riff feels exponentially more complex than Russ Tamblin's take on the same character. So much so that he became one of the standouts of West Side Story '21 and won our Almost There poll, trumping the likes of Lady Gaga and Cate Blanchett. As it was the reader's choice, I'm obliged to explore the performance in an appropriate deep-dive. Though, truth be told, it's less obligation than plasure. Maybe the great surprise of the season, Mike Faist steals the musical remake from his co-stars, running away with the picture. 

From innate charisma to a cornucopia of curious acting choices, Mike Faist's Riff is worthy of gold, regardless of the Academy's indifference…

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ADG & ACE winners spread the wealth

by Nathaniel R

The Art Directors Guild and the American Cinema Editors Guild announced their winners last night. The results indicate support for multiple films vying for Best Picture with Encanto (not a Best Picture nominee) the only film to win at both ceremonies last night. King Richard made news winning the Drama Editing prize over presumedly stronger Best Picture hopefuls like Dune and Power of the Dog but who knows what Oscar might choose. Statistically, believe it or not, this win is not necessarily a big plus in King Richard's column (other than to be recognized which if of course wonderful on its own!). AMPAS has a differnet voting body and they often choose differently in the editing category.  

Winners and commentary after the jump for both guilds after the jump...

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Maybe they should've just cancelled the Oscars?

by Nathaniel R

The news from behind-the-scenes for this year's Oscar ceremony just keeps getting worse. First came the news that they were demoting crucial artistic achievements like Film Editing and Production Design to a 'pre show'... to be edited into the live event (we know how badly that comes off from other awards shows who do it -- all of which have lower ratings than the Oscar). It was a telling sign that they don't get or love their own popular brand, a lethal combo for the future. When the filmmaking community naturally expressed concerns and even anger and threats of boycott, outgoing CEO Dawn Hudson and the outgoing Academy president attempted gaslighting... it was our problem. We just didn't understand what they were saying. Um, no. We hated it precisely because we understood!  

The fallout continues...

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