Almost There: It’s time to vote! (Halloween edition)

by Cláudio Alves

It’s been a while since you, the readers, have decided what performance should be analyzed in the Almost There series. Since it’s October, let’s do a Halloween-themed poll to spice things up. While AMPAS is notoriously allergic to horror movies, some performances came close to an Oscar nomination, whether their movies were otherwise embraced or not. Here are ten examples, complete with the precursors they won, why I think they were close, and where you can find each flick. The contenders are…

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Ned Beatty (1937-2021)

by Nathaniel R

Oscar, Emmy, and Globe nominee Ned Beatty (Network) passed away on Sunday, just a few weeks shy of his 84th birthday.  It's a mark of his sturdy career and reliability as as character actor that all three of those showbiz institutions honored him for different performances. Since he was always more of an actor than a celebrity, we thought it best to look to his characters to commemorate. After the jump, eleven key roles from his impressive career...

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Almost There: Joanne Woodward in "The Effect of Gamma Rays on Man-in-the-Moon Marigolds"

by Cláudio Alves

In anticipation of the upcoming 74th edition of the Cannes Film Festival, the next few weeks of the Almost There series will be dedicated to performances that won big at the Croisette and went on to some Oscar buzz. That being said, the first entry in this quasi-miniseries didn't convert Cannes plaudits into industry awards attention. The opposite happened. After opening commercially in the USA at the end of 1972, Paul Newman's third directorial effort, The Effect of Gamma Rays on Man-in-the-Moon Marigolds, got slotted into the main competition of the following year's Cannes Film Festival. By the time Joanne Woodward won the festivities' Best Actress prize, her new Oscar dreams were already busted…

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Almost There: Gena Rowlands in "Opening Night"

by Cláudio Alves

It's fair to say that Gena Rowlands is one of the most important screen actors of the 20th century. Her films made with husband, director, and costar John Cassavetes helped usher in a new kind of immersive realism that would thrive in the American indie scene for decades after the pair's heyday. To honor this acting genius, the Criterion Channel curated a collection of 10 films that feature some of Rowlands' most acclaimed work. For the Almost There series, I'm interested in those achievements that got some awards glory while not scoring any recognition from the Academy. After her Oscar nomination for 1974's A Woman Under the Influence, Gena Rowlands returned to the awards discussion with 1977's Opening Night…

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Was Peter Ustinov the best Poirot?

by Cláudio Alves

Growing up in a house furnished with the complete written works of Agatha Christie made me a fan of the whodunnit genre from a young age. My mum, an unabashed fan of criminal narratives and detective stories, made sure I was familiar with the figure of Hercule Poirot and, eventually, I too became a fan. While we've long spent joyful evenings sharing our love for the adventures of Belgium's most excellent fictional investigator, we don't always agree about this entertainment.

For instance, our idea of who the perfect on-screen Poirot  differs significantly. Her heart belongs to David Suchet's book-faithful incarnation, while I prefer Peter Ustinov's joyful take on the same character. On the centennial of the the two-time Oscar-winning thespian, I thought I could elaborate on why Ustinov is my perfect Poirot…

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