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Entries in Oscars (70s) (230)

Monday
Jul132020

Almost There: Liv Ullmann in "Scenes from a Marriage"

by Cláudio Alves

I confess that, when I first came up with the idea for this week's Almost There write-up, I didn't expect its subject to be so weirdly topical. First up, there's the actual raison d'être for the piece, which is the Criterion Channel's new "Marriage Stories" collection, in which Ingmar Bergman's Scenes from a Marriage is featured. Then there's the whole Hamilton kerfuffle, which caused controversy over the Academy's definition of what is and isn't cinema or what should and shouldn't be eligible for the Oscars (two importantly different questions). This is relevant because the ineligibility of Bergman's film caused a major ruckus back in 1974 and even prompted a couple of notorious open letters (another topical subject, unfortunately). Finally, we have the recent news that the television cut of Scenes from a Marriage is going to be remade by HBO with Michelle Williams and Oscar Isaac in the leading roles. 

We'll return to some of those matters later on, but, for now, let's concentrate on Liv Ullmann's masterful performance as Marianne in Scenes from a Marriage

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Wednesday
May202020

"The Landlord" at 50

by Mark Brinkerhoff

50 years ago today the one and only Hal Ashby, then an Oscar-winning film editor (In the Heat of the NightThe Russians Are Coming! The Russians Are Coming!) made his directorial debut with the release of The Landlord. Based on a 1966 novel and starring an almost inconceivably baby-faced Beau Bridges, its plot is fairly run-of-the-mill today but must’ve seemed quite daring for the time: A young man named Elgar (?!), who comes from wealth and lives with his parents at their Long Island estate, decides to buy a “rundown” tenement house in the dicey, gentrifying neighborhood of Park Slope. (Imagine!)

The tenants are black, he’s white, and his scheme is to evict them all so he can convert the property into something posh—a vanity project, if there ever was one. 


Things do not go according to (his) plan...

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Wednesday
May202020

May Retrospective: “The Heartbreak Kid” (1972)

by Cláudio Alves

After many years redefining the paradigms of American comedy along with Mike Nichols on the New York stage, Elaine May made the jump to the movie business when she appeared as an actress in some late 60s cinematic endeavors, including Mike Nichols' The Graduate. It wouldn't take long for her to branch out and, by 1971, she was writing, directing, and starring in A New Leaf.

In our last piece about this intrepid artist, we looked at that movie and how May's genius was able to transcend the interference of pushy producers and remain a near-masterpiece. This time, we'll be looking at the picture May directed after that flick, a production that suffered much less interference from panicky executives. It's also the only picture May directed she didn't also write and the single one of her movies to ever be nominated for the Academy Awards.

We're, of course, talking about the Neil Simon-penned The Heartbreak Kid

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Tuesday
Apr212020

All hail The Prince of Darkness!

by Cláudio Alves

In the annals of American film history, you'll have difficulty finding a filmmaker as influential as Gordon Willis. He's one of the best cinematographers that's ever lived, a man who almost single-handedly invented the look we most quickly associate with the great cinema of the 70s. Low-lit and underexposed, his pictures were rich in shadow play and gloomy frames, a materialization of the decades' paranoia and moral ambiguities. Because of such a characteristic style, he gained the nickname 'prince of darkness,' though maybe we should have called him the king of cinematographers. Both titles feel correct…

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Monday
Apr202020

April Foolish Predix Pt 4: Best Picture Contenders?

We'll finish up our April Foolish' work with the acting categories this week but for now all the other pieces of the prophetic (or not) puzzle are in place. You can see it all at the Prediction Index. We're usually about half right about Best Picture this early on but... which half? And of course this year is wildly different. It's the only time we've ever had a nationwide movie theater shutdown. Georgia plans to reopen movie theaters this month (medical experts think any such reopenings of crowd venues are premature) but most States aren't eager to risk it just yet.

About the current crisis and the Oscars....

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