Smackdown '87: A Fatal Attraction to Moonstruck

The Supporting Actress Smackdown series picks an Oscar vintage to explore. Now it's time for the season finale featuring the year 1987. 

THE NOMINEES 1987's shortlist of supporting characters featured three very different moms (victim/monster/old-soul-wiseass), one selfless caretaker, and a gossipy neighbor. The actresses gathered were all mature talents, enjoying what would turn out to be their sole brush with Oscar.

THE PANEL  Here to talk about the performances and films are, in alpha order, the actor Ato Essandoh (Away, Tales from the Loop, Chicago Med), critic/author Manuel Betancourt (Judy Garland's Judy at Carnegie Hall), critic Naveen Kumar, critic Kathia Woods, and your host Nathaniel R. Let's begin!

1987
SUPPORTING ACTRESS SMACKDOWN + PODCAST  
The companion podcast can be downloaded at the bottom of this article or by visiting the iTunes page... 

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If I Could Turn Back Time... How Cher Ruled 1987

by Baby Clyde

I’m not sure if I believe in life after love (whatever that means) but I definitely believe in love at first sight. I first saw the love of my life in a dingy dive bar 1981. She stood there, pint in hand surrounded by an intimidating girl gang, dressed to the nines in black leather with gold hoop earring and Jungle Red nail varnish. I watched in awe as she slunk over to the jukebox all back combed hair and gum chewing attitude. Her name was Cherilyn Sarkisian and she changed my life forever. 

I was not even 10 as I watched the video for Meatloaf’s single Dead Ringer For Love. A notorious flop in America it was a Top 5 smash hit in Britain at the tail end of 1981 in no small part because of Meat’s duet partner...

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Almost There: Norma Aleandro in "The Official Story"

by Cláudio Alves

One of the nominees from this Thursday's Supporting Actress Smackdown likely got her nomination due to thee Oscar buzz she had earned from a previous performance. While it was Gaby: A True Story that made Norma Aleandro an Academy Award nominee in 1987, it was her performance in 1985's The Official Story that put her name on Hollywood's lips. That Best Foreign Language Film winnere remains the crown jewel in the Argentinian actress' hallowed career...

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1987: Remembering "Maurice"

by Cláudio Alves

Director James Ivory and producer Ismail Merchant met in 1959, and quickly started a romantic and professional partnership. It lasted for 44 years until Merchant's death. Along with screenwriter, Ruth Prawer Jhabvala, they made a name for themselves with the production of prestigious literary adaptations. Their first brushes with success came in the late 70s and early 80s, but it was in 1985 and 1986 that their lives changed. A Room With a View, their first E.M. Forster adaptation was a huge hit, both with critics and audiences. The picture even won three Oscars, including for Best Adapted Screenplay.

Following such a triumph, one would expect Merchant & Ivory to bask in their glory, perchance repeating the formula of their success. They did end up adapting another of Forster's works, though they chose what, at the time, was the author's least known and least respected book. The result of this unexpected turn was one of the pair's most personal pictures. In 1987, the movie was received with lukewarm enthusiasm, but, as far as I'm concerned, Maurice is one of their very best efforts…

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The Furniture: Promoting the Forbidden City with The Last Emperor

"The Furniture," by Daniel Walber. (Click on the images for magnified detail)

The Last Emperor is enormous, as is its reputation. The shorter version is nearly three hours long. It swept the 1987 Oscars, winning all nine categories in which it was nominated. Its plot tracks events of global significance, across nearly six decades of Chinese history. The production required more than 10,000 costumes and 19,000 extras, many of them recruited from the People’s Liberation Army

But beyond its stature as a film, it is also something of an act of economic diplomacy. China, which had heavily restricted tourism before the late-1970s, began a major about-face with Deng Xiaoping’s 1978 “Reform and Opening Up” program.  Part of this effort included the promotion of heritage tourism. China ratified the World Heritage Convention in 1985, and added its first six World Heritage Sites in 1987. The Forbidden City was at the top of the list.

It’s not a coincidence that Bernardo Bertolucci was granted permission to film in the Forbidden City right at this time, the very first Western production allowed through the palace gates...

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