Revisiting 1989's International Oscars: Cinema Paradiso vs Camille Claudel vs Jesus of Montreal

by Nathaniel R

You've gotten to know Juan Carlos a little bit as a new contributor here at TFE. He hosts a podcast "The One Inch Barrier" which is how I sought him out to join us here. Each episode looks at one year of the Best International Feature Film race at the Oscars, moving backward chronologically. Each season covers one decade. I've finally made the time to guest-star, for the season four premiere to discuss a year that's deeply embedded in my history: 1989... aka the year my beloved Pfeiffer lost Best Actress. We discuss Italy's winner Cinema Paradiso which is all about moviegoing and nostalgia (so appropriate for the now), France's presumed runner up Camille Claudel (which was also nominated for Best Actress for Isabelle Adjani), and Canada's provocative Jesus of Montreal. A few other films make cameos, too, including Hong Kong's Painted Faces which is randomly streaming on Netflix; it was not nominated but makes an interesting companion piece to Cinema Paradiso.  

Please do share your feelings on these four films, none of which we've discussed on the site! 

Almost There: Diane Keaton in "Shoot the Moon"

by Cláudio Alves

The magnificent Diane Keaton is 75! The Best Actress champion of the 50th Academy Awards has been enchanting movie audiences since the early 70s, making a name for herself as a comedienne before proving she was a versatile performer, as good at having audiences cry for her as she's at making them guffaw. Unlike many great thespians of the silver screen, Keaton's Oscar history is a good representative of her talents. The winning turn in Annie Hall and the runner-up marvel that is Something's Gotta Give represent two wildly different approaches at comedy, one spiky and cerebral, the other warmly commercial. Then we have the romance of Reds and the melodrama of Marvin's Room, a drama played at the scale of an epic and a chamber drama respectively. 

Still, one can quibble with the results and wish Keaton had gotten even more love from AMPAS. For instance, when I examined the battle of the titans that was Meryl Streep and Jessica Lange's bid for the 1982 Best Actress trophy, many mentioned how Diane Keaton. Some said she should have been present among the nominees for her work in Alan Parker's Shoot the Moon for which she got considerable buzz. I confess I agree with those Keaton-loving readers…

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Almost There: Meg Ryan in "When Harry Met Sally..."

by Cláudio Alves

Last week, we examined a Christmas movie performance that came close to Oscar glory to celebrate the holidays. Now that we're coming to the end of this cursed 2020, it seems appropriate to choose a New Year's Eve film. When it came time to pick such a picture, my mind immediately went to f Rob Reiner's 1989 When Harry Met Sally…, a perfect rom-com whose Nora Ephron-penned screenplay earned a much-deserved Academy Award nomination. Our focus shall be on the Sally of the title, Meg Ryan giving a comedienne's masterclass…

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Dead Man Walking @ 25: Susan Sarandon's long road to the Oscar

by Cláudio Alves

25 years ago, Tim Robbins' Dead Man Walking opened in theatres. The film dramatizes the true story of Sister Helen Prejean, the close relationship she forged, as a spiritual adviser, with convicted murderers on death row. Here, they are made into the composite fictional figure of Matthew Poncelet. Susan Sarandon and Sean Penn take on the lead roles, delivering two of the best performances of their respective careers. He received his first Oscar nomination out of it. She was honored with her fifth nod and, presently, her last. And she finally won the Best Actress trophy. 

The actress may be a controversial figure, but I'm not here to litigate her politics or the way she chooses to express them. Instead, I'd like to look at her achievements as a performer, specifically the five works that paved the way to that triumph on the night of the 67th Academy Awards. Join me – won't you? – as we explore Susan Sarandon's long road to the Oscar… 

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Gay Best Friends: Toddy & Squash in "Victor/Victoria"

In this series by Christopher James we investigate the 'Gay Best Friend' trope in movies.

More movies should end with a gay best friend performing drag, like Robert Preston in Victor/Victoria.Many of the gay best friends in movies we've discussed to date have been supporting characters to give color to the protagonists, act as a sounding board, or fill out the world of the story. Rarely are they actual plot drivers who get to carry their own subplot. In only one film that we've discussed to date, My Best Friend’s Wedding, do they also get to be the ultimate hero of the story.

Blake Edwards 1982 musical comedy Victor/Victoria, like most gender-flipping movies, relies a bit too much on the gender binary. However, it uses its queer characters to help the straights find their own unique shading on the sexuality spectrum. This was my first time watching Victor/Victoria and it made for a delightful and hilarious Saturday afternoon romp...

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