Almost There: Forest Whitaker in "Bird"

by Cláudio Alves

After two Cannes Best Actress winners who failed to nab an Oscar nomination, the Almost There series arrives at one of the French festival's male acting champions. In 1988, Forest Whitaker starred as legendary bebop innovator and jazz saxophonist Charlie "Bird" Parker in a Clint Eastwood-helmed. At Cannes, he won the big prize, and, on paper, the movie does seem like an obvious awards contender. It's from an acclaimed auteur, a traditional epically long biopic, and it came just two years after critics and the Academy had embraced the similarly-themed 'Round Midnight. However, Bird was only nominated for -and ended up winning- the Best Sound Oscar, leaving its leading man unheralded…

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Pfeiffer Pfriday takes on "The Fabulous Baker Boys"

by Nathaniel R

Have you been listening to the podcast "Pfeiffer Pfridays"? Each week Jerry and Michael revisit, or screen for the pfirst time, a Pfeiffer movie. Sometimes they have guests in tow. They're not going in chronological order but hopping around. This weekend marks their 30th episode so they're making whoopie and covering one of the greatest pfilms of the 1980s: The Fabulous Baker Boys. Guest starring... me!

We get into it, not just the Pfeiffer ascendance into the pantheon of it all, but the Bridges brothers character arcs, Jennifer Tilly's hilarious supporting role, the movie's Old Hollywood glamour, the screenplay, the cinematography, and the 1989 Oscar race.

Almost There: Cher in "Mask"

by Cláudio Alves

To commemorate Cher's 75th birthday, I'm dedicating this week's "Almost There" to a celebration of the superstar. For someone who gained fame as a singer and TV personality, Cher's an acting powerhouse. Over the years, she has amassed a small but impressive filmography. In 1985, after proving her dramatic abilities in supporting roles, directed by Robert Altman and Mike Nichols, Cher got her first leading part in Peter Bogdanovich's Mask. She wowed critics, filmgoers, and festival juries worldwide, and many predicted her for a Best Actress Oscar nomination. Even Cher herself seemed to believe she deserved the honor. Unfortunately, AMPAS disagreed…

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Showbiz History: Ghost in the Shell, Brian Tyree Henry, and the 1980 Oscars

6 random things that happened on this day, March 31st, in showbiz history

1930  The Motion Picture Producers and Distributors of America agree to accept the "Motion Picture Production Code" a self-censorship guide for Hollywood films. Still, the industry waited another four years to begin enforcing this code which is why early sound cinema is referred to as "Pre-Code" (even though the Code was actually in place already). It's agonizing to look back and wonder how progressive Hollywood might have become had they not begun to enforce the code in the mid 30s since it delayed mature conversations about sexuality and gender roles and marriage (separate beds!), psychology and reality (bad behavior must always be punished!), delayed reckoning with abusive or oppressive religious organizations (no critiques of the clergy!), and forbade sympathetic depictions of homosexuality and interracial romance...

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1983 Flashback: The Best International feature race

by Cláudio Alves

Have you ever seen a film so good it makes you happy to be alive? For me, Ingmar Bergman's Fanny & Alexander is one of those films. 

After I guested on the 2001 episode of The One-Inch Barrier, a podcast about the Best International Film category, the amazing Juan Carlos Ojano asked me to choose another year to do and I immediately knew I wanted to talk to him about 1983. Since last summer, I'm happy to say Juan Carlos and I have become friends, and there are few things I like to do more than sharing the movies I love with the people I love and there are few things I love more than Fanny & Alexander. I'd be even more joyful if you, lovely readers, could share in this lovefest for cinema. Join us as we travel back to the early 80s and talk about Bergman's legacy, World War II movies, the magic of dance on the big screen, and much more. Take a listen:

What do you think of this Oscar lineup? Are you as in love with Fanny & Alexander as I am or do you have another favorite from '83?