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Entries in Oscars (80s) (309)

Thursday
Jul222021

The Honoraries: Danny Glover in "Places in the Heart"

We'll be celebrating each of the upcoming Honorary Oscar winners with a few pieces on their career. First up is Danny Glover who turns 75 today. Happy Birthday to a fine American actor!

by Eric Blume

Danny Glover shows up about fifteen minutes into director Robert Benton’s 1984 Oscar winner Places in the Heart, looking dapper and handsome in his worn suit, with an effortless charm that belies his character’s backstory.  He insinuates his way into the life of widowed Edna Spalding (that year’s Best Actress winner, Sally Field) and into the film’s narrative. Sadly he always stays on the sidelines but Glover provides a radiance and a verve that display his burgeoning talent and resourcefulness.

Places in the Heart marked Glover’s first large-scale film role, and he seizes the role of drifter Moses and does everything he can with it...

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Tuesday
Jun292021

Almost There: Forest Whitaker in "Bird"

by Cláudio Alves

After two Cannes Best Actress winners who failed to nab an Oscar nomination, the Almost There series arrives at one of the French festival's male acting champions. In 1988, Forest Whitaker starred as legendary bebop innovator and jazz saxophonist Charlie "Bird" Parker in a Clint Eastwood-helmed. At Cannes, he won the big prize, and, on paper, the movie does seem like an obvious awards contender. It's from an acclaimed auteur, a traditional epically long biopic, and it came just two years after critics and the Academy had embraced the similarly-themed 'Round Midnight. However, Bird was only nominated for -and ended up winning- the Best Sound Oscar, leaving its leading man unheralded…

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Saturday
Jun262021

Pfeiffer Pfriday takes on "The Fabulous Baker Boys"

by Nathaniel R

Have you been listening to the podcast "Pfeiffer Pfridays"? Each week Jerry and Michael revisit, or screen for the pfirst time, a Pfeiffer movie. Sometimes they have guests in tow. They're not going in chronological order but hopping around. This weekend marks their 30th episode so they're making whoopie and covering one of the greatest pfilms of the 1980s: The Fabulous Baker Boys. Guest starring... me!

We get into it, not just the Pfeiffer ascendance into the pantheon of it all, but the Bridges brothers character arcs, Jennifer Tilly's hilarious supporting role, the movie's Old Hollywood glamour, the screenplay, the cinematography, and the 1989 Oscar race.

 

Tuesday
May252021

Almost There: Cher in "Mask"

by Cláudio Alves

To commemorate Cher's 75th birthday, I'm dedicating this week's "Almost There" to a celebration of the superstar. For someone who gained fame as a singer and TV personality, Cher's an acting powerhouse. Over the years, she has amassed a small but impressive filmography. In 1985, after proving her dramatic abilities in supporting roles, directed by Robert Altman and Mike Nichols, Cher got her first leading part in Peter Bogdanovich's Mask. She wowed critics, filmgoers, and festival juries worldwide, and many predicted her for a Best Actress Oscar nomination. Even Cher herself seemed to believe she deserved the honor. Unfortunately, AMPAS disagreed…

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Wednesday
Mar312021

Showbiz History: Ghost in the Shell, Brian Tyree Henry, and the 1980 Oscars

6 random things that happened on this day, March 31st, in showbiz history

1930  The Motion Picture Producers and Distributors of America agree to accept the "Motion Picture Production Code" a self-censorship guide for Hollywood films. Still, the industry waited another four years to begin enforcing this code which is why early sound cinema is referred to as "Pre-Code" (even though the Code was actually in place already). It's agonizing to look back and wonder how progressive Hollywood might have become had they not begun to enforce the code in the mid 30s since it delayed mature conversations about sexuality and gender roles and marriage (separate beds!), psychology and reality (bad behavior must always be punished!), delayed reckoning with abusive or oppressive religious organizations (no critiques of the clergy!), and forbade sympathetic depictions of homosexuality and interracial romance...

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