Showbiz History: Ghost in the Shell, Brian Tyree Henry, and the 1980 Oscars

6 random things that happened on this day, March 31st, in showbiz history

1930  The Motion Picture Producers and Distributors of America agree to accept the "Motion Picture Production Code" a self-censorship guide for Hollywood films. Still, the industry waited another four years to begin enforcing this code which is why early sound cinema is referred to as "Pre-Code" (even though the Code was actually in place already). It's agonizing to look back and wonder how progressive Hollywood might have become had they not begun to enforce the code in the mid 30s since it delayed mature conversations about sexuality and gender roles and marriage (separate beds!), psychology and reality (bad behavior must always be punished!), delayed reckoning with abusive or oppressive religious organizations (no critiques of the clergy!), and forbade sympathetic depictions of homosexuality and interracial romance...

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1983 Flashback: The Best International feature race

by Cláudio Alves

Have you ever seen a film so good it makes you happy to be alive? For me, Ingmar Bergman's Fanny & Alexander is one of those films. 

After I guested on the 2001 episode of The One-Inch Barrier, a podcast about the Best International Film category, the amazing Juan Carlos Ojano asked me to choose another year to do and I immediately knew I wanted to talk to him about 1983. Since last summer, I'm happy to say Juan Carlos and I have become friends, and there are few things I like to do more than sharing the movies I love with the people I love and there are few things I love more than Fanny & Alexander. I'd be even more joyful if you, lovely readers, could share in this lovefest for cinema. Join us as we travel back to the early 80s and talk about Bergman's legacy, World War II movies, the magic of dance on the big screen, and much more. Take a listen:

What do you think of this Oscar lineup? Are you as in love with Fanny & Alexander as I am or do you have another favorite from '83?

Over & Overs: Amadeus (1984)

by Cláudio Alves

To celebrate the recent centennial of sound mixer turned movie producer Saul Zaentz, I decided to revisit my favorite of his projects, the glorious marvel that is Amadeus (the second of his three Best Picture winners). On paper, the movie may sound like the most airless and insufferable of Oscar champions. It's a musician's biopic, probably my least favorite of prestige subgenres, whose take on history is closer to feverish invention than thoughtful analysis. With a theatrical cut running for nearly three hours, the movie's a behemoth of excess in a decade when the Academy was prone to shower such things with undeserved accolades. Nevertheless, I find myself besotted by Milos Forman's 1984 Best Picture winner, its meditations on mediocrity and spiritual discontentment, its celebration of opera, the lushness of its emotions...

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Streaming Revisit: Pauline Collins in "Shirley Valentine"

by Baby Clyde

These days Driving Miss Daisy’s multiple wins for the 1989 film year are seen as a low point in Oscar history. Not only that the film itself is often criticised for its naïve take on race relations, but especially because 32 years later movie goddess Michelle Pfeiffer is still without a Best Actress award. Whilst no one critizes Jessica Tandy’s performance the win is viewed as a career award for someone who’s film career didn’t warrant one. Combine this with Pfeiffer losing for what is probably her most legendary part and no one’s happy. Especially me as I don’t sign up to either of those interpretations!

In my eyes there is only one possible winner in this contentious race...

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Showbiz History: Derek Jarman, The Misfits, and Jennifer Lawrence's breakout

7 random things that happened on this day, January 31st, in showbiz history

1941 Alfred Hitchcock's comedy Mr & Mrs Smith, no not the Brangelina one, opened in theaters starring Carole Lombard and Robert Montgomery. Yes, Hitchcock once made a screwball comedy without thriller elements. 

1961 The Misfits, the elegaic last film for both Marilyn Monroe and Clark Gable and one of Montgomery Clift's last pictures, has its world premiere in Reno, Nevada. It will open in movie theaters the next day...

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