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Entries in Oscars (80s) (164)

Tuesday
Mar082016

Visual Index: Best Shots from Ghostbusters (1984)

With the new riff on the ol' Ghostbusters property nearly upon us, what better time to look back at the original comedy smash? While the film's comic tone and dialogue are well remembered its visuals are less often discussed. The film was shot by the Hungarian cinematographer László Kovács. He logged a lot of quality time in the romantic comedy genre (What's Up Doc?, My Best Friend's Wedding, Say Anything...) but made his name in the 70s on scrappy, famous and/or ambitious pictures like Five Easy Pieces, Shampoo, New York New York, and Paper Moon.

Without further ado, let's see what the Hit Me With Your Best Shot club thought of the look of this picture and what slimy memories this revisit stirred up...

GHOSTBUSTERS
Directed by Ivan Reitman. Cinematography by László Kovács. 
Starring: (in order of billing) Bill Murray, Dan Ackroyd, Sigourney Weaver,
Harold Ramis, Rick Moranis, Annie Potts, William Atherton & Ernie Hudson.
Click on the 12 images to read the 15 corresponding articles

Bill Murray. What does make him tick?
-54 Disney Reviews 

The look on their faces tho... 
-Daniel Laferriere *first time participant*

Grown white men have their fun while the rest of the world cleans up their mess...
- Bennett Prosser *first time participant*

A good old fashioned 80s Improvement Montage, complete with a song that is either brilliantly awful or secretly genius...
-Scopophiliac at the Cinema *first time participant*

It arguably has endured as a beloved classic precisely because the people in it are so full-heartedly human.
-Nebel Without a Cause

 I'm well aware that this is nobody's idea of a scary movie...
- Antagony & Ecstasy

it’s fun to see things pop in and out of frames, especially when the frames are static. It’s almost like seeing a painting being disturbed...
-Coco Hits NY


 It’s useless to try to deny my love for her and it’s inescapable that my best shot features her...
-Magnificent Obsession 

Bill Murray's chemistry with everyone... and I mean everyone in the movie.
-Movie Motorbreath

The images of Sigourney keep getting richer and sexier as the insanity mounts
-The Film Experience

We Need to Talk About Dana Barrett’s Apartment.
-FilmMixTape

Recreating the Exorcist as a screwball comedy date...
-Bohemian Cinema Salon *first time participant*

The movie doesn't really get interesting, narratively and visually, until midway when Weaver's character gets possessed by the spirit of Zuul.
-Sorta That Guy


Most of my favorite shots are when the movie embraces its crazy and over the top nature.
-Wick's Picks *first time Best Shot participant!*

Ghostbusters is a perfect '80s blockbuster version of the classic 50s monster B-movies...
-Dancin Dan on Film

 

NEXT WEEK: Joe Wright's adaptation of Ian McEwan's Atonement (2007) with James McAvoy, Keira Knightley & little Oscar nominated Saoirse Ronan. [Keira Knightley Voice] "Come back to me it."

Tuesday
Mar082016

Stay-Puft, Sigourney, and the "Ghostbusters"

This is Nathaniel's entry into this week's Hit Me With Your Best Shot topic, Ghostbusters (1984). Tonight, we'll see what others chose!

This may shock readers of a certain (young) age but would be blockbusters used to open directly against each other rather than giving each other wide berths to accumulate loot. No really, they did! Ghostbusters and Gremlins, courting the same demographic, opened simultaneously on my birthday weekend in 1984. I chose Gremlins (which little me loved) and caught Ghostbusters a few days later with school friends. Ghostbusters emerged as the clear champ with the public but little me thought Gremlins ran circles around the supernatural comedy: scarier, funnier, cuter monsters, better-paced... only faililng in its lack of SigWeavieness. They were both big hits, of course, but Ghostbusters was HUGE -- Stay-Puft Marshmallow Man walking amongst skyscrapers huge. And it stayed ahead in pop culture, too, netting Oscar nominations (Original Song & Visual FX) and endless sequel or revival talk thereafter.

Cut to 2016: With the gender reversed reboot on the way, it was a topical choice for Hit Me With Your Best Shot. Plus I figured I'd finally see what charms eluded me way back then...

Click to read more ...

Thursday
Feb182016

Happy Birthday to the Oldest Living 'Best Supporting Actor' 

10 DAY UNTIL OSCAR! Random Oscar Trivia This Morning...

Today is the 91st birthday of George Kennedy. In addition to getting to spend a lot of shirtless sweaty hours with Paul Newman (mmm) in Cool Hand Luke, he's the oldest living Best Supporting Actor winner. But who, you ask, are the others? (Just humor me and ask okay?)

Okay, okay. I'll tell you!

The Five Oldest Living Best Supporting Actor Oscar Winners
after the jump... 

Click to read more ...

Saturday
Feb132016

Valentine's - A Room With a View

Team Experience is celebrating Valentines Day with favorite love scenes. Here's Lynn Lee on an 80s classic

Everyone who loves this film remembers The Kiss.  It’s the moment proper Edwardian girl Lucy Honeychurch (a very young Helena Bonham-Carter), vacationing in Italy, discovers romantic passion for the first time.  She doesn’t know it yet, but the odd free-thinking young man she’s only recently met (Julian Sands) is her soulmate.  He knows it, though.

Besides being (literally) storybook-romantic—a sun-drenched poppy field in Italy! lush soprano aria in the background!—the kiss is also wreathed in comedy, as the film cuts back and forth between Lucy, wending her way uncertainly towards George, and her fussy chaperone Charlotte (Maggie Smith) bonding with another fellow tourist, a hacky romance novelist (Judi Dench), over scandalous love stories before she starts to worry about Lucy.  Meanwhile, the Italian driver who led Lucy to George looks on in amusement at what he has wrought.  He knows what’s up, his own public display of affection having been previously smacked down by these uptight Brits.  But the Kiss will not be denied.

 

It’s also the kiss that keeps on giving for the rest of the movie.  Its memory haunts Lucy during her utter failure of a first kiss with her fiancé, Cecil (Daniel Day-Lewis, vying for comic MVP with Maggie Smith), in England.  It reappears again at a critical and exquisitely awkward moment as a passage in a terrible romance novel, penned by none other than Charlotte’s novelist friend, that the clueless Cecil just happens to read out loud to none other than Lucy and George.  The tension that was simmering since George’s reentry into Lucy’s life then comes to full boil, precipitating a chain of events that eventually forces out in the open what Lucy’s been denying for too long: she and George belong together. 

All thanks to one glorious kiss.

Our Valentine's Series
Shakespeare in Love (1998)
Before Sunset (2004)
The Painted Veil (2006)
Love Songs (2007)
(500) Days of Summer (2009)
Beyond the Lights (2014)

 

Thursday
Jan282016

Bye Instant Watch: Terms of Endearment, Tom Cruise, Big Fish...

What's leaving Netflix Instant Watch?

We should probably start covering that. It seems like a boring topic but we jazz up your public service announcements. I'll close my eyes and play with the control bar and wherever I freeze the movie I'll share the image. This weekend is your last chance to watch these films for free for who knows how long. Since there are Oscar titles in the mix, perhaps you can fill some holes in your Oscar lists of Things To See or Rewatch.

Ready? In chronological order of their film year, seven films leaving Netflix on February 1st...

TERMS OF ENDEARMENT (1983)

EMMA: I've got some good news. I'm unofficially pregnant. I mean I haven't got the tests back but I'm never late.

AURORA: [Pause] Well... No, I don't understand."

Look how crazy young Jeff Daniels is! Shirley Maclaine is so hilarious and complicated in this movie -- that long pause with cascading rejection of possible responses under frozen 'I don't understand' face. She's going to lose out since she doesn't want to think of herself as a grandmother. A well deserved Best Actress win, with Shirley obviously relieved about it "this show has been as long as my career."

Oscar Note: I know we've asked this before but how long before we get another girlie Best Picture winner it's been FOR-EV-ER. Terms of Endearment was nominated for 11 Oscars (an astounding amount for a contemporary-set film), winning 5. 

six more movies after the jump

THE TERMINATOR (1984) 

Click to read more ...

Wednesday
Jan132016

HBO LGBT History: 1989 Oscar Flashback Best Documentary

Last week we enjoyed the eloquent musings of one Stephen Sondheim and quibbled over whether Todd Haynes’s intentionally queasy and dizzying take on “I’m Still Here” was worth including in James Lapine’s documentary on the Broadway composer. This week we’re taking a break from our regular programming and going back in time to celebrate one of HBO’s earliest Oscar victories.

As you may or may not know, films produced by HBO have won over 20 Oscars. Last year alone, HBO dominated both documentary categories with Citizenfour and Crisis Hotline: Veterans Press 1 emerging victorious in their respective categories. And so, let us travel back to March 1990 when Robert Epstein and Jeffrey Friedman’s Common Threads: Stories from the Quilt (discussed here) won the Best Documentary Oscar. [More...]

Click to read more ...

Sunday
Dec132015

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