Where to stream movies from 1987, our 'year of the month'

As we keep promising you, the Supporting Actress Smackdowns are much more fun if you play along at home. The final Smackdown of the year is on 1987 and it'll be a goodie because two of the movies (Moonstruck & Fatal Attraction) are already bonafide classics. We've already told you where to watch all five of those films but don't forget to send in your votes (1 to 5 hearts for each lady) by November 17th.  

If you REALLY wanna dive into the cinema of 1987 before the event, here is a list of movies that are currently streaming and where.

Far more titles (unlisted) are available through Hoopla if you have that through your local library but we don't have that in NYC so we can't look it up for you. Let us know in the comments which 1987 titles from this list (or otherwise) that you'd most like us to cover at TFE...

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Sally Kirkland's legendary Oscar campaign

by Cláudio Alves

The next Supporting Actress Smackdown will focus on the contenders of 1987. Before that celebration of great acting at the margins, we'll be exploring the cinematic year, its glorious pictures, and memorable Oscar races. Speaking of which, one can't discuss 1987 in the context of awards, without mentioning and paying respect to one of the ballsiest campaigns ever made by an actress. Through her sheer will, impressive determination, and tireless ambition, Sally Kirkland managed to conquer a Best Actress Oscar nomination for Anna, a little-seen American indie about an aging performer.

First things first, before we delve into Kirkland's pursuit of little golden men, we should appreciate the work for which she was recognized. The movie is discussed nowadays to snicker at the thirsty campaign, but it's a masterclass of acting...

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The Furniture: Wallpaper and Wet Wood in 'The Grey Fox'

"The Furniture," by Daniel Walber, is our weekly series on Production Design. You can click on the images to see them in magnified detail.

Yesterday would have been the 100th birthday of Richard Farnsworth. You might have seen some tributes on Twitter, most of them recalling Farnsworth’s Oscar-nominated performance in David Lynch’s The Straight Story - the actor’s last film. Today I’d like to turn to something earlier, a gorgeous Canadian Western called The Grey Fox. 

It’s the kind of movie that feels undiscovered even as you’re watching it - even now that it’s been beautifully restored and rereleased by Kino Lorber. It’s not that it was ignored upon release, really; Farnsworth got a Best Actor - Drama nomination at the Golden Globes and it swept the Genie Awards. But its quiet, slow, rainy charm lends it an air of the forgotten, as if it had been left on a shelf for a century. 

The subject helps: the last years of the last notorious stagecoach robber in the West, released into the 20th century like a ghost...

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The genius of Euzhan Palcy

by Cláudio Alves

One of the Criterion Channel's most enticing July releases is A Dry White Season by Caribbean director Euzhan Palcy. Her record-breaking career is a fascinating, often frustrating, piece of cinema history, full of fearless political artistry and a will to challenge the Hollywood machine. While her name isn't very well known, Palcy should be famous for all the risks she took and the astounding quality of her features. They might be few, but they are excellent. With that in mind, we invite you to explore the filmography, the story, and the genius of Euzhan Palcy…

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Remembering Howard Ashman

by Cláudio Alves

On the morning of February 19th, 1992, the nominations for the 64th Academy Awards were announced. As always, the last category to be revealed was that of Best Picture and, just as Best Director lineup had done, it brought with it a historical event. Disney's Beauty and the Beast became the first animated feature to be nominated for the Best Picture Oscar, a momentous achievement that was applauded by the audience of journalists. It was the only Best Picture nominee to receive such jubilant cheer and it's easy to see why. While some had predicted the cartoon's glorious haul of nominations, the long-lasting prejudices of AMPAS against animation made its success seem impossible. Thankfully, even the Academy can get over itself from time to time, and honor truly deserving cinema. Beauty and the Beast is certainly deserving, being a masterpiece of American animation, as well as one of Disney's crown jewels.

Unfortunately, not everyone involved with its triumph was able to bask in the glory of the Oscar nominations. One of the men most responsible for the wonder of Beauty and the Beast was long gone by the time of the announcement…

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