The New Classics - In the Loop

Michael Cusumano here to mark the 10th anniversary of one of the great political satires.

 

Scene: The Meditation Room 
The political operators of Armando Iannucci’s In the Loop live in a world where issues don’t matter and the halls of power are filled with bureaucrats who would gleefully sell out their principles were they not held back by their own incompetence. In this universe, those sad few officials who do manage to take a moral stand are not merely defeated but negated entirely, their feeble protests turned into absurd jokes and swept away in a sea of media noise.

I should add that In the Loop is one of the funniest movies of the 21st Century, but then it would have to be to get away with painting a picture so grim...

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Interview: Lulu Wang on 'The Farewell' and why it's important to declare she's American

by Murtada Elfadl

When I meet Lulu Wang at the A24 offices in Manhattan, she looks really cool despite the hot weather and despite the fact that she has “not been part of the world since January because I've just been traveling.” Perhaps it’s the effect of Headspace, the meditation app she uses. “It has all of these five or ten minute meditations. I listen to in the car ride between going to screenings. It just helps me breathe.”

January was when her second feature film as a writer and director, The Farewell, premiered at Sundance to ecstatic reviews, including one from this writer. Since then Wang has been flying around the world as the film played at many other film festivals. Wang has drawn on her own family’s history to tell a warm, funny and poignant tale about a young Queens artist, Billi (played by Awkwafina), and the tender relationship she has with her grandmother, whom she calls Nai Nai or "grandma" in Mandarin, and who lives in Changchun, China. When Nai Nai (Zhao Shuzhen) receives a terminal cancer diagnosis, the family decides to hide the news from her and instead concocts a scheme to marry off a cousin, so that they have an excuse to gather around the grandmother one more time before she goes. This lie doesn’t sit well with Billi and the film shows us the friction and love as the family grapples with this. This interview has been edited and condensed for clarity.

 Murtada Elfadl: There were reports last week that you turned down a big payday from a streamer and chose to go with a theatrical release. Why is that important to you?  

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The New Classics - The Hurt Locker

Michael Cusumano here to look back on one of the few classics about the Iraq War on the 10th anniversary of its release. 

Scene: The Daisy Chain Bomb
When Kathryn Bigelow’s The Hurt Locker hit theaters in the Summer of 2009 it was sold as an all-thrills, zero-politics experience. Here, the ads promised, was a film that wasn’t going to go all Valley of Elah on you with ponderous anti-war messages. The trio of soldiers that make up the film’s central bomb disposal unit never discuss politics. They defuse the bombs, they don’t get to hung up on why they are there in the first place. At no point do any of them sigh during a low moment and wonder, “Man, I don’t even know what we’re doing here...”

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Links

• WSJ a day in the life of Regina Hall, finally hitting her peak at 48
• The Ringer investigates the new comedic empire that writer Katie Silberman is building (Booksmart, Set It Up, Isnt It Romantic)
• The Guardian the streaming series based on Love Simon, currently in the casting stage, will not feature ANY of the characters in the film. Hmmm. "based on" being a strange phrase then.

More after the jump including Disneyland's Star Wars: Galaxy's Edge, a Boy George biopic, an honor for Jane Fonda, and a new kind of action heroine...

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Doc Corner: Global Politics with AOC, Herzog, and Gorbachev

By Glenn Dunks

Two new documentaries cover politics in very different ways. One pounds the pavement on the trail of a brewing political movement from a relative newcomer, while the other examines the legacy of a presidential icon as directed by a man with nearly 40 documentary credits (and dozens more dramas) to his name.

Knock Down the House and Meeting Gorbachev are a fascinating pair; the scrappy underdog and the classic image of government. Although they have almost nothing in common beyond the surface, they offset one another, their strengths highlighting the others’ weaknesses in a particular way. One stands above the other in quality and in the sly way that they interrogate the long shadow of history...

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