Bentonville: Geena Davis, Jamie Brewer, and the Fabulous Freddie Mercury

Part 1 of 3 by Nathaniel R

"Include," was scrawled across every sign at the 5th annual Bentonville Film Festival which just wrapped up. As part of the logo, it was hard to miss. More noteworthy is the fact that you would have been able to hear that message loud and clear at any of the screenings and events even if you'd never seen the logo. Oscar winner Geena Davis launched the festival five years ago. It's a smart offshoot of the actresses work at the Geena Davis Institute on Gender in Media... and that advocacy reaches beyond gender to include film industry representation for multiple minorities: queer people, people of color, and disabled people, too.

Bentonville, sight unseen at least, is an odd locale for a film festival. That is until you see how much money that corporate sponsor WalMart, headquartered right there, has poured into the festival. The Film Experience has had the pleasure of attending several regional festivals across the years and Bentonville is definitely among the most well-funded / well-run. The attending filmmakers even got a mini-retreat before the festival began for industry networking opportunities. The town itself is a little slice of Americana with little shops, cute restaurants, a charming town square, and a lux gorgeous museum named Crystal Bridges.

Geena Davis in the house!

Crystal Bridges is where the trademark opening event "Geena and Friends" is held...

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Links: Anjelica Huston's Life, Magic Mike's Postponement, Madonna's Holograms

The Week's Must Read
Anjelica Huston interview in Vulture -Many great quotes. So much IDGAF mixing with caring about her career in interesting ways. And her tongue is so sharp and she's so candid I am forced to order her autobiography "Watch Me"

More links after the jump involving Mean Girls, casting news, Avengers Endgame, new series in development, and the Billboard Music Awards...

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John Singleton (1968-2019)

by guest contributor Alfred Soto 

Few young filmmakers get their scripts approved and direct a film in which most things go right, and John Singleton did with Boyz n the Hood. The 1991 depiction of life in blighted South Central L.A. starring a mesmerizing Ice Cube became the kind of phenomenon that absorbs cultural currents and creates new ones; for a few years pop music and MTV took their cues from Boyz n the Hood. It made $60 million and, in one of the Motion Picture Academy’s occasional gob-smacking beau gestes, earned Singleton a Best Director nomination, the youngest in history and, more crucially, the first nomination for a black director. 

Please consider the times...

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Doc Corner: 'The River and the Wall'

By Glenn Dunks

The effects of the current administration on the psyche and the soul of American life have been well-documented in cinema. Documentaries about how Donald Trump has torn at the fabric of the country are almost a dime a dozen. Many have been great, and there will be many more until the day filmed entertainments cease to exist. It is a part of our cinematic lives now.

Less common as a subject is the effect the current administration is having on the land itself. That's surprising considering Trump and his cabinet are doing everything within their power to not just continue environmental genocide but speed it up. The soil and the water and the earth that surrounds us are at the heart of the evocative new documentary The River and the Wall...

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Review: "Little Woods"

by Tony Ruggio

Little Woods, North Dakota: not far from our border to the north, and a poster child for the death of the American Dream. Tessa Thompson is Ollie, a woman hardened by a life selling oxy and a an allergy to hope. Her adopted mother has passed and she and her younger sister Debbie (Lily James) are left to pick up the pieces, namely a pittance of a house and what’s left of Ollie’s former life. She’s nearing the end of her probation and you know what that means. Life’s about to throw her a curveball, sending her back to the wheelin’ and dealin’ trenches, where seedy characters and searing guilt are part of the job. Debbie needs help and Ollie’s good at doing, so she’s back at it to pay the mortgage and get her sister the medical care she needs. It’s all very predictable, but it hardly matters...

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