All hail the glorious Ruth E. Carter!

by Cláudio Alves

With her latest victory, costume designer Ruth E. Carter became the first Black woman to win multiple Academy Awards. Breaking barriers and setting Oscar records isn't new to Carter, mind you. In 1992, she became the first African-American nominated in the category, and later was its first Black winner, thanks to 2018's Black Panther. Having won again for the sequel, Wakanda Forever, she's also the only person to earn multiple Costume Design Oscars for the same franchise. Considering she's dedicated so much of her career to the representation of Black history on screen, it feels correct that Carter's name should forever have a place in the history books… 

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John Singleton made history

by Cláudio Alves

As previously explored in our 1991 pre-Smackdown ruminations, the 64th Academy Awards were marked by several first in the annals of Oscar history. The Silence of the Lambs became the first horror movie to conquer Best Picture, and it was also only the third flick to win the Oscars' Big Five (Picture, Director, Actor, Actress, Screenplay) after It Happened One Night and One Flew Over the Cuckoo's Nest. Among the other Best Picture contenders, Disney's Beauty and the Beast also made a splash, becoming the first animated feature to be nominated for that most important category. Still, more important even than that landmark for animation, we have the case of John Singleton who, in one fell swoop, became the first Black man to be in contention for the Best Director Oscar, as well as the youngest nominee in the category's history…

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1991: Tyra Ferrell in "Boyz n the Hood"

Before each Smackdown (and the next is for 1991), Nick Taylor suggests Supporting Actresses from an alternate ballot... 

What do you call the experience of watching a film with only one or two Oscar nominations to its name and discovering it’s one of the most jaw-dropping, accomplished films of its year? Maybe the Academy honored strong, worthwhile films across the board, maybe it didn’t, but you’re still left wondering how this stone cold masterpiece only got a modicum of the attention it so richly deserved. Case in point for 1991 is Boyz n the Hood, where writer/director John Singleton earned an Original Screenplay nomination and made history as the first black filmmaker ever nominated for Best Director. Boyz n the Hood ranks among the best of an Academy vintage that's largely filled with formally impressive, generically diverse, time-tested films. Its inclusion is even more exciting considering how easily it might not have happened. Who knows what chance it had of cracking the technical categories given how prescriptive those fields are against films as small as Boyz? On the other hand, the inability of Ice Cube or Laurence Fishburne to make headway in that anemic Best Supporting Actor lineup is another matter entirely. But the real topic for today’s sermon is the equally deserving and less regularly heralded performance from Tyra Ferrell, doing the most startling work of the female ensemble from the film's edges...

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John Singleton (1968-2019)

by guest contributor Alfred Soto 

Few young filmmakers get their scripts approved and direct a film in which most things go right, and John Singleton did with Boyz n the Hood. The 1991 depiction of life in blighted South Central L.A. starring a mesmerizing Ice Cube became the kind of phenomenon that absorbs cultural currents and creates new ones; for a few years pop music and MTV took their cues from Boyz n the Hood. It made $60 million and, in one of the Motion Picture Academy’s occasional gob-smacking beau gestes, earned Singleton a Best Director nomination, the youngest in history and, more crucially, the first nomination for a black director. 

Please consider the times...

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Boyz n the Hood Turns 25

Lynn Lee revisits the John Singleton classic on its 25th anniversary.

Four young boys walk along a railroad track, idly chatting but in search of something specific.  They find what they’re looking for: a dead body.  A group of older boys arrives and harasses them.  The most pugnacious of the younger group fights back in a way that foreshadows his destiny as an adult.

Stand by Me?  No, Boyz n the Hood, which opened in theaters 25 years ago today.  And the parallels are no mere coincidence. Writer and drector John Singleton was intentionally referencing the earlier Rob Reiner film – perhaps as much for the differences as the similarities between the two narratives of boyhood and the cultural spaces they occupy...

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