Sundance / Netflix Instant: 'Mitt' Stays on the Surface

Here's a leftover from Sundance that's also playing on Netflix Instant - Michael Cusumano on "Mitt".   

In one scene from Greg Whiteley’s documentary about the two failed presidential runs of the former governor of Massachusetts, Romney complains bitterly about Candy Crowley's interference in the second debate, which led to the infamous “Please proceed, Governor” moment. According to Mitt it was not the moderator’s place to comment or press the candidate for answers.

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Beauty Break: Smoking Kills (Glamorously)

Confessions, multiple: I have never been a smoker, I've been thrilled and proud of my friends whenever they've kicked the habit, I have never once missed the days when bars / restaurants allowed smoking...

... but I miss smoking in the movies. 

Rock Hudson blowing smoke rings

Fifty years ago this very day the Surgeon General first deemed it hazardous to your health and over the next fifty years it's slowly faded from the movies. Nowadays when you see smoking onscreen, it's nearly always to signify "rebellious character" or "villain" or is shot through some sharp retro-commentary filters: see everything about everyone in Mad Men or David Straitharn's whole act in Goodnight, and Good Luck. 

I know smoking is wrong. I know it kills. I hate the way it smells. But those tendrils of smoke on screen or a movie star's lips around a cigarette look so damn sexy. Here's proof...

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Mini-Symposium: Oscar's Fifth Spot (Part Two of Two)

Will American Hustle win multiple acting nods?ICYMI we are starting a new tradition here at The Film Experience. Though we usually gather a handful of prominent film bloggers to discuss the Oscar nominations in great detail (once they've had time to sink in), this year we're doing a mini-symposium before the nominations to discuss the always competitive situations surrounding the "just glad to be nominated" spot. Yesterday,  Kurt Osenlund (The House Next Door), Nathaniel R (The Film Experience, c'est moi), Christopher Rosen (Huffington Post), Sasha Stone (Awards Daily) and You (in the comments) began with the supporting categories and who might rise should one of the expected five in each category falter at the finish line. (Though if you really think it over, isn't Nomination Morning really the starting gate?)

Where we left off yesterday: Sasha thought Robert Redford's All is Lost nomination would still be nominated, despite worries that the campaign faded too quickly and that if anyone fell for DiCaprio or Whitaker it'd be Tom Hanks in Captain Phillips. Christopher thought Leo wasn't happening due to Wolf of Wall Street being "Zero-Dark-Thirty'd". We had spent a lot of time agreeing but that ends, now.

CHRIS: I had always thought Whitaker would get in, simply because he's really great and Lee Daniels' The Butler seemed like a perfect Oscar movie, but that one just has not seemed to take. If Harvey gets The Butler a Best Picture nod, I wouldn't be surprised to see Whitaker in there, probably at the expense of Hanks. But that's just crazy talk, since Captain Phillips is lined up as one of the strongest films in major categories. The Redford SAG snub was shocking, he hasn't really campaigned, and Bruce Dern has stolen away Redford's slam-dunk narrative for a win ... but I would still be stunned if Redford doesn't get a nomination. That said: Sasha's theory about Bale getting nominated as proof of the strength of American Hustle is a good one, but a more likely scenario for me is an Adams nomination for Best Actress. Either way, I think one of those lead performances gets a nod for that film, so if Bale winds up in, maybe he steals Redford's slot?

KURT: Hey all. Sorry for the silence on my end. I was out pretty late last night, braving the bitter streets of SoHo tucked into my coat, like a latter day Llewyn Davis. On that note, I think it's absolutely criminal that Oscar Isaac won't be making it into our Best Actor five this year, but I've pretty much accepted that reality, and I guess it's appropriate given the character's non-trajectory.

Leonardo of Wall Street, 30 Years a Butler, and Best Actress after the jump...

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Errol Morris's Returns to the Fog with 'The Unknown Known'

Ten years ago Errol Morris won the Best Documentary Oscar for his investigation of former Secretary of Defence, Robert S. McNamara. It’s telling that even Morris was surprised, noting in his speech that “I thought it would never happen.” Given his stance as one of the most important documentarians of his time, it genuinely was surprising that he had never even been nominated before let alone won. I guess it didn’t help that titles like Fast, Cheap & Out of Control and Gates of Heaven were likely easily swept aside as unsubstantial, but The Thin Blue Line? A Brief History of Time? It seemed like the documentary branch clearly weren’t fans.

Still, The Fog of War was fairly hard to ignore even for the Academy who have an innate ability to let grudges and bug bears continue for decades and vice versa (I hear Mia Farrow has an appointment to change her name to John Williams).

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Link He Wrote

GQ Michael Fassbender profiled
Deadline Octavia Spencer in a Murder She Wrote reboot? Maybe because I think procedurals are the most formulaic of all genres and entirely dependable on personality to be distinctive at all this sounds like a great idea to me. To others (Angela Lansbury super fans) it will surely sound like sacrilege.
MCN Late October and still no Best Picture frontrunner?
Empire Team Gattaca reuniting: Andrew Niccol and Ethan Hawke making another film together. Call me when Uma & Jude join and we'll talk.

 

Anatomy of a Scene Blue is the Warmest Color I'm bookmarking this one and waiting till I've seen the movie. Hopefully today
Antagony & Ecstasy on Dario Argento's Dracula 3D 
MNPP Jamie Dornan has been cast in 50 Shades of Grey but you need to know who appreciated him first. Besides Keira Knightley
Pajiba amputee Josh Sundquist wins Halloween again. Incredible costume! 
Coming Soon an unfortunate typecasting niche: John Ridley, who wrote a beautiful script for 12 Years a Slave has signed on to the remake of Ben-Hur which is, in case you've forgotten, also a slavery narrative.
The Advocate on the Oscar eligible LGBT documentary hopeful Bridegroom 

Off Cinema
New Yorker "the dream of keeping poor people from seeing the doctor must never die." I love this but it's also sad that political satire barely has to try these days to be accurate!
Vanity Fair "The Ronan Farrow Love & Politics Dreamboat Hour"

Todays' Watch
The sounds of Gravity... (I'm not sure if it's going to win Best Picture but it seems likely that it walks away with the most statues even if it doesn't.)

Horror Fest 2013
Though horror is not among my favorite movie genres I really had a great time viewing a few seminal movies and working on the Best Horror Pre-Exorcist / Post-Exorcist group lists that we did for this haunted month. I'm realizing, as I stated on the latest podcast (one of my favorite episodes actually!), that maybe I like horror films more than I thought but that it's actually just the slasher sub-genre that I hate. Since I came of movie age in the 80s, I now understand that I equate the entire genre with slashers, for whom I have no use. I just find those movies repulsive and politically suspect (so much sexism and conservativism) and I just need more artistry in my movies.

But anyway my point is this: two members of the team shared more at their personal blogs and you should read them: Michael's Top Ten Lists with commentary ; Jason's own Pre-Pazuzu / Post-Pazuzu  lists... and if you like horror Jason is one of THE voices on the web you should be obsessing on. I actually credit him with opening my heart up to the genre slowly over the past few years, like one rib at a time ...now that it's open, don't get stabby with it!

P.S. I ♥ Shelley Duvall in The Shining so much -- f*** everyone who thinks she's terrible in it! -- and that is my last word on these horror lists we did for this season.