Doc Corner: The female rockers of 'Nothing Compares' and 'Sirens'

By Glenn Dunks

Showtime's Sinéad O'Connor documentary, Nothing Compares, much like the artist herself, is at its best when it is prickly and confronting the hard truths of the world. It is less interesting when conforming to now well-worn standards of this sub-genre, distilling information like a Wikipedia profile. The Irish singer, known for a shaved head and distinctively accented vocals, has had a hard life of struggle and sorrow amid mega-selling hit singles and critically acclaimed albums. In short, she's perfect fodder for a documentary. Director Kathryn Ferguson and editor Mick Mahon find their strongest rhythms when observing the singer’s career through the prism of her homeland and the pull-and-tug of Catholicism, which lingers over her music like a haunting spectre...

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TIFF: Florence Pugh in ‘The Wonder’

By Abe Friedtanzer

 

It’s much easier to expose a lie in today’s technology-driven world than it was in past centuries, when something that seemed supernatural or inexplicable might have been taken at face value rather than properly investigated. The Wonder, based on the novel by Room screenwriter Emma Donoghue, centers on an eleven-year-old girl in Ireland who hasn’t eaten in four months yet somehow remains alive and well, and the town committee that brings in an observer with the apparent purpose of verifying some sort of divine intervention rather than unveiling a deception…

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Venice Diary #10 - Saints and martyrs

by Elisa Giudici

It's the last full day of Venice with the awards about to be announced as you're reading this... or maybe they've already been announced depending on when you clicked over. Yesterday, I was chatting with some Italian colleagues. Our country's films in competition ranged from distinctive to very good. We were quite proud... but then two more Italian films arrived and some of us had to rethink our position.

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Streaming Roulette Aug '22: Akeelah, Belle, Ingrid, and other wonders

Okay, time for this month's streaming roulette. You know the rules. We highlight new-to-streaming titles by freezing them on the scroll bar at entirely random places and sharing what pops up! Any requests?

-Did you hear the word?
-I'm not sure if you're saying 'imminent' or 'eminent'.

Akeelah and the Bee (2005) on Hulu
Whichever word they meant, we can use it in a sentence! (In 2006) "Keke Palmer's stardom is imminent" (In 2022) "Keke Palmer is an eminent celebrity". Have you seen Nope (2022) yet? Read our review. Don't remember much about this debut other than that Keke was charming as a child actor and that the great Angela Bassett played her mom... which makes Keke's much-shared imitation of Angela Bassett even funnier... 

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Tribeca 2022: A Lesbian Jehovah’s Witness Romance in ‘You Can Live Forever’

By Abe Friedtanzer

 

Religions, as institutions, don't often make space for new ideas or changingn times. This includes LGBTQ+ people whose existence is essentially prohibited in the most literal and unimaginative readings of biblical texts. While there are more religious communities these days that are open and accepting, merging faith with a celebration differences, that is sadly not the general case. You Can Live Forever is set within the world of the Jehovah’s Witnesses, where scripture is quoted often and two women being together isn’t a concept that would ever be considered.

The new film from the co-written and co-directed by Sarah Watts and Mark Slutsky, follows a girl named Jaime (Anwen O’Driscoll), who has been sent to live with her aunt and uncle after the death of her father. At church she meets Marike (June Laporte), and a passionate romance soon develops between the two...

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