Sundance: The quandaries of 'Framing Agnes'

by Cláudio Alves

In the running time discourse, I'm firmly in the pro-long films camp, believing that a short duration is in no way indicative of cinematic discipline. Even so, it's easy to understand where people like Nathaniel come from. Everyone has seen some messy movie and came out thinking it could have been stronger if a dozen or so minutes had stayed on the cutting room floor. That being said, the reverse can happen when a project has great potential but kneecaps itself by being too brief, unable to develop its ideas. Chase Joynt's Framing Agnes is one such effort, full of fascinating information and captivating thoughts, not to mention good intentions. Unfortunately, at 75 minutes, this documentary flies by without time to explore any of its ideas with adequate depth…

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TV Review: Does "How I Met Your Father" Live Up To The Original Series?

By Christopher James

Hilary Duff headlines Hulu's new show, "How I Met Your Father," a spin-off of the CBS hit.Do you have a favorite sweater? It’s something that always makes you feel good, keeps you warm, shrinks in the wash but you still try to wear it because you love it? We all have these comfort items that we love even past expiration dates. In terms of TV, this perfectly describes CBS’ How I Met Your Mother, a charming comedy that we all stuck with longer than we should’ve in anticipation for a reveal that soured much that came before it. Thus, Hulu’s new series How I Met Your Father has a lot to live up to. How can it re-engage a fan base burned by the finale while still replicating the fun breeziness of the original...

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Review: Scream '22

By Glenn Dunks

Movies made predominantly out of a requirement for fan service can go one of a few ways. They can give audiences just what they wanted (as we’ve seen with some MCU movies), they can give audiences what they didn’t know they needed (as we’ve seen with some MCU movies), or they can be a complete and utter dog’s breakfast (as we’ve seen with some MCU movies).

The Scream franchise isn’t as long-running or as mythologized as iconic horror brands like Halloween, Texas Chainsaw Massacre or A Nightmare on Elm Street. But what it does have that those series do not is a consistent core—both in characters (Sidney, Gale and Dewey) and tone (comically meta slasher)—that has remained unwavering across 25 years and five individual movies. Fan service here then is actually quite tricky...

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Review: "The Tender Bar" Is Sweet, But Slight

Ben Affleck becomes a surrogate Uncle in George Clooney's latest directorial film, "The Tender Bar."

By: Christopher James

Can two movie stars squander each other’s talent? George Clooney directs Ben Affleck in Amazon Prime’s latest movie, The Tender Bar, a navel-gazing tale that takes every cheap shot possible to drum up emotion. Lucky for it, cheap shots can still be effective. Parents around the world will be charmed by the ‘70s set, decades spanning family drama. After all, Ben Affleck and director George Clooney are front and center in the movie’s marketing. Though effective in fits and starts, the wistful sentimentality curdles with time. 

Once they run out of money, single mother Dorothy Moehringer (Lily Rabe) returns to her Long Island home with her tail between her legs and her son, J.R. (Daniel Ranieri), in tow...

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Review: Netflix's all star comedy "Don't Look Up"

Netflix's latest release, "Don't Look Up" sees a cast of A-listers staring down the apocalypse.by Christopher James

Satire is a precise tool, not a blunt object.

Adam McKay has led a polarizing, yet successful career trying to tackle tough topics with a sardonic edge. In The Big Short, he broke apart the 2008 financial crisis with some degree of success through raucous and audacious storytelling techniques. Vice, which received many Oscar nominations, took the “more is more” cinematic devices to dine out on anger towards the right. While I found it smug, it makes sense why some nodded their heads and found some shred of insight in a film confirming their own biases. That begs the question: what do we do with our anger towards people and movements that we believe are leading to the destruction of our world? 

Don’t Look Up is a disaster movie that bills itself on being a prescient allegory for our inability to deal with climate control (aka the big comet heading to destroy us). McKay presumes the world, and all of us who inhabit it, are doomed and good riddance because everyone sucks. It’s a nihilistic movie with many ill formed targets...

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