Review: Bohemian Rhapsody

The review was originally published in Nathaniel's column at Towleroad

‘C’mon Gay Shame!’ That’s what we imagine the movies are shouting at us right now, spirits ablaze and fingers snapping. Though it’s surely a coincidence, the Freddie Mercury biopic Bohemian Rhapsody (‘yaaas, Queen’?) and the gay conversion therapy drama Boy Erased have arrived simultaneously. This accidental double feature is a double closeted whammy. 

It’d be wonderful to report that they’re both worth seeing, but only one might rock you. And it isn’t the one with the famous “we will we will rock you” chorus. But more on Boy Erased later since it’s just beginning a platform run on 5 screens and will be expanding as awards season heats up. Bohemian Rhapsody, on the other hand, is opening wide on 4,000 screens and hoping to fill them like Queen filled stadiums…

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Stage Door: Bernhardt/Hamlet

by Dancin' Dan

It's a tall enough order to write a play about one of the greatest actresses the world has ever known. It's quite another to write a play about that same actress taking on one of the most famous plays ever written. But Theresa Rebeck has never been one to back away from a challenge. Her delightful new play Bernhardt/Hamlet imagines what it must have been like for the great Sarah Bernhardt to assay the role of none other than Hamlet, all the way back in 1897. To say the least, it was difficult.

Bernhardt (Janet McTeer), in her fifties, was past the point where she could believably play the dying ingénues that made her famous (and also far past the point where she wanted to). Out of money but full of ambition, she decides that Shakespeare's melancholy Dane will be her vehicle for a comeback after her last play, written by Edmond Rostand (Jason Butler Harner), flopped with audiences despite love from critics. But she is having difficulty "finding" the Prince, frustrated by his ease with flowery verse and his inability to take action.

Can a powerful woman play a powerful man? Bernhardt is absolutely sure of it. She says...

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Review: 1985

by Murtada Elfadl

Do most people think of how their stories will be told? Probably when they are closer to the end. That’s the question at the heart of 1985. The greater question it poses is how does someone make sure they are are remembered as their whole self when society has conspired to muffle their voice?

The film tells the story of 20 something New Yorker returning home one last time to his small hometown in Texas before succumbing to death from AIDS. Adrian (Cory Michael Smith who's appeared in Carol and Wonderstruck) knows he’s dying so he tries to patch up things with his loving but disapproving religious parents (Virginia Madsen and Michael Chiklis), create memories and a connection with his preteen brother Andrew (Aidan Langford) and finally own up to a former girlfriend (Jamie Chung) who he’s never come out to...

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Festival Wrap - All The Reviews

We screened them at TIFF or NYFF or Middleburg but you also may have heard about them from Cannes or Venice media coverage. Now that the festivals are wrapped (only AFI remains and we're unable to make it this year *cries*) the rest of the year is all of these treasures and some of the duds hitting movie theaters (hopefully) near you. THEN, THE OSCARS. You know how it goes. It's our very very very favorite time of year. That sound you hear is the squealing of movie fans everywhere.

Nicole making the festival rounds in the fallHere's everything we reviewed from TIFF and NYFF or Middleburg in case you missed any of them...

• Ash Is Purest White (China) - Murtada at NYFF
• Border (Sweden) - Nathaniel at TIFF
• Bulbul Can Sing (India) - Chris at TIFF
• Burning (South Korea) - Nathaniel at NYFF
• Can You Ever Forgive Me? (US) - Chris at TIF
• Climax  (France) - Chris at TIFF
• Cold War (Poland) - Jason at NYFF
• Destroyer (US) - Nathaniel at TIFF  
• Diamantino  (Portugal) - Chris at TIFF
• Duelle's / Mother's Instinct (Belgium) - Nathaniel at TIFF
• A Family Tour (China) - Murtada at NYFF
• The Favourite (UK) - Nathaniel at NYFF
• Fig Tree  (Israel/Ethiopia) - Nathaniel at TIFF
• First Man (US) -Nathaniel at TIFF 

• Giant Little Ones (Canada) - Chris at TIFF
• Gloria Bell (US) - Chris at TIFF
• Green Book (US) - Nathaniel at Middleburg
• Happy as Lazarro (Italy) - Jason at NYFF 
• Her Smell (US) - Jason at NYFF
• High Life (France) - Jason at NYFF
  
  
• If Beale Street Could Talk (US) - Nathaniel at TIFF
• Jeremiah Terminator LeRoy (US) - Chris at TIFF
• The Kindergarten Teacher  (US) Nathaniel at TIFF
• Long Day's Journey Into Night  (China) - Jason at NYFF
• Museo (Mexico) - Nathaniel at TIFF
• Non-Fiction (France) - Jason at NYFF
• The Old Man and the Gun (US) - Chris at TIFF
• The Quietude (Argentina) - Nathaniel at TIFF

• Rafiki (Kenya) -Chris at TIFF
• Ray & Liz (UK) - Murtada at NYFF
• The River (Kazakshtan) - Nathaniel at TIFF
• Roma (Mexico) - Nathaniel at TIFF
• Ruben Brandt Collector (Hungary) - Nathaniel at Middleburg
• Shadow  (Hong Kong) - Nathaniel at TIFF
• Sorry Angel (France) - Jason at NYFF
• A Star is Born (US) - Nathaniel at TIFF
• Tell it to the Bees  (UK) - Nathaniel at TIFF

• That Time of Year (Denmark) - Nathaniel at TIFF
• Too Late To Die Young (Chile) - Murtada at NYFF
• Touch Me Not (Romania) - Chris at TIFF
• Transit (Germany) - Nathaniel at TIFF
• Vita & Virginia  (UK) - Nathaniel at TIFF
• Widows (US) - Chris at TIFF
• Wildlife (US) - Chris at TIFF
• Woman at War (Iceland) - Nathaniel at TIFF

'extras'

• Venice winners - Murtada
• Venice fashion - the gowns -Nathaniel
• Venice thinks pink - Nathaniel
• The men of Venice - Nathaniel
• Toronto Fashion - Murtada
• Nicole in Toronto - Nathaniel
• Jury of One TIFF - Nathaniel's honors
• Best of NYFF Performances - Murtada's honors
• Yalitza Aparacio tribute - Nathaniel at Middleburg
• Diane Warren concert - Nathaniel at Middleburg

It's true we didn't review everything we saw at Festivals but the biggies we didn't get to --  Shoplifters, El Angel, Capernaum, and Boy Erased -- will be in theaters very soon so reviews are forthcoming.

Review: "Halloween"

by Chris Feil

After being reinterpreted by Rob Zombie in two grittier takes, Michael Myers returns to Haddonfield and to his storytelling roots in David Gordon Green’s Halloween. And even more importantly, so is his first survivor Laurie Strode and the indomitable woman that plays her: Jamie Lee Curtis.

This take unfurls the fortieth anniversary of the original John Carpenter film (dispensing with the narrative of all other installments) as the septuagenarian Michael escapes his asylum confines to return home and kill again. But this time Laurie is ready, perhaps too ready. She’s been waiting actually, devoting her life to preparing for his inevitable return by outfitting her home with intricate safety mechanisms and a cache of guns. The fallout has been isolating herself in a constant thrum of anxiety and becoming estranged from her daughter, played by Judy Greer. Michael’s return puts him and Laurie on their fated trajectory, this time with Laurie’s granddaughter (and the fate of her family’s survival) in the middle.

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