Give Me Roma Or Give Me Death

by Jason Adams

It's tempting to immediately call this "great news" and it is a positive... but it's also a bit like spinning sunshine out of an abusive relationship too -- Netflix is apparently set to announce they're going to be screening Alfonso Cuarón's Roma in "select cities" for two full weeks before the movie drops onto their streaming platform on December 14th. That means November 30th or so. 

Deadline says it should be around 12 U.S. cities total, and that Cuarón insists all the theaters it plays are Dolby Atmos eqipped, which is a thing you'll understand once you see the film and take in its astonishingly rich soundtrack. (Although given the fact that most people are going to be watching this on their iPads while they're cooking, maybe he should just encourage as many theaters as possible?) 

You can read Nathaniel's review of the film from TIFF right here - I didn't get the chance to review it out of NYFF myself but if you'd like my opinion it's the best movie I've seen this year, and if you can at all make it to one of these theaters, do. It's a total sense experience - the images, the sound, they really do envelope you and transport you to another world like only cinema at its finest can. Netflix owes us all a theatrical run, and I'm glad they seem to be figuring that out. Baby steps...

Middleburg Opening Nite: Yalitza Aparicio and "Roma"

by Nathaniel R

with Yalitza Aparicio on opening nightThe Film Experience's beloved annual trip to the Middleburg Film Festival in Virginia got off to a late start. Flight delays and airport mix-ups and the like but a happy result: the Lyft driver was very chatty and wanted movie recommendations. I was happy to oblige since it wasn't just small talk but actual cinephilia! She wanted to know if I'd ever seen Woman in the Dunes and Hereditary. C'mon Double Feature! 

By the time I arrived at the opening night film, Alfonso Cuarón's Roma, it was already halfway over. As you know we've already seen and loved, but I watched from the back of the house as it was a sold-out house. Who knows how many chances any of us will have to see those teeming incredible images on a gargantuan screen...

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TIFF 2018 Finale. Jury of One: Nathaniel

OKAY WRAPPING UP TIFF NOW. Unless you are on an actual jury at a festival, you see a different set of films than everyone else attending (with a handful of crossovers) so I couldn't corral votes with my festival roomies (Nick, Joe, and Chris -- instead we did a podcast). So I thought it might be fun to share my favorites from the festival in 'nominee' Oscar style. These are not, of course, Oscar predictions or even Film Bitch ballots because not all of the films are guaranteed eligibility this year and we've had 8 months of good movies before these and we'll have 3 months of hopefully good movies afterwards that they'll have to compete with. But here's the achievements within traditional awards categories that thrilled me most at TIFF during that 29 film screening marathon.

They're listed in alpha order (by film) except the actors (by name) and links go to our festival reviews if we managed one -- a few more reviews are half written but we need to wrap up TIFF so expect more on A Star is Born, Beautiful Boy, Border, and more soon as they'll be in theaters within the next few weeks.

TEN BEST FILMS I SAW AT TIFF

"Roma" is rich with endless details and emotional punch

• Border (Sweden)
• First Man (US)
• Museo (Mexico)
• The River (Kazakshtan)
• Roma (Mexico)
• A Star is Born (US)
• Transit (Germany)
• Widows (US)
• Wildlife (US)
• Woman at War (Iceland)

Runners up: Cold War (Poland)

Lots more after the jump including best performances, best visuals, best dogs (yes, really), best original songs and more...

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TIFF: Alfonso Cuarón's "Roma" Triumph

by Nathaniel R

Alfonso Cuarón's jaw-dropping Roma is inspired by his childhood in Mexico but it's no traditional memoir. Rather than focusing on his own life, he spins a slow-burn fictional memoir, imagining the emotional space occupied by the live-in maid/nanny who helped raise him...

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'Roma' and 'The Favourite' win Venice

by Murtada Elfadl 

Cuaron with Lion

As expected Roma and The Favourite won the biggest prizes at this year’s Venice Film Festival main competition. The two films screened on the same day and were both raved and loved equally. Roma, a story that Alfonso Cuaron based on his memories growing up in 1970’s Mexico City, has been hailed as both personal and epic which bodes well for its awards success...

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