What's Better Than Sex? David Wenham in 'Better Than Sex'!

For The Lusty Month of May, we're looking at a few sex scenes. Here's Glenn...

 Can we take a moment to appreciate David Wenham as a sex object? I mean, I’m sure most of you have already done so, probably around the time he threw his clothes off and replaced them with abdominal-enhancing body make-up on 300, but for me it’s all about sex. Better than Sex, I mean, his 2000 romantic comedy with Susie Porter that marked the directorial debut of Jonathan Teplitzky (The Railway Man). The entertaining box office hit came on the heels of the television series SeaChange that saw him embrace the handsome, charming personality that he imbued in real life after a series of film roles that screamed Thespian with a capital T, bringing proper David Wenham appreciation to the (locally, at least for the time being) masses where it belonged.

He was the type who’d bake you scrambled eggs for breakfast in the buff and make you laugh at dorky jokes before sending you to heaven. Amen to that! 

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For Amélie, Silence is Golden

For The Lusty Month of May, we're looking at sex scene each night. Here's Denny...

Our favorite little Parisian pixie, Amélie Poulain, lives a quiet life. She amuses herself by posing silly questions...such as: How many couples are having sex at this very moment? 

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Tribeca: "Sleeping With Other People"

Tribeca ends tonight but we'll have a few more reviews for you as the team finishes up. Here's Joe Reid...

After the phenomenal success of Bachelorette (creatively if not commercially; I'm still fuming that it never got the promotional push it deserved), I expected Leslye Headland's follow-up film to have that same dark-heart-with-teeth approach to the tried and true "can men and women be friends" comedy. Intriguingly, a few things about that statement turned out to be not the case. The humor in Sleeping with Other People is still incredibly sharp, but where Bachelorette was as hard as nails when it came to female singlehood in a wedding-drenched world, Sleeping with Other People puts its beating heart on display.

Which isn't to say Headland has gone soft. [More...]

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"Yesterday Today and Tomorrow" - Best Shot Visual Index

This week's Hit Me With Your Best Shot subject is Vittorio de Sica's gorgeous comic love song, three of them, to Italy and super-sized movie star charisma. Sophia Loren and Marcello Mastroianni are special on their own but together it's something else again. Vittorio de Sica is one of Italy's great directors but usually when people reference him they're talking about neo realism and his classic The Bicycle Thief. That's nothing at all like this colorful playful romantic comedy. The film was shot by Giuseppe Rotunno who also lensed Rocco & His Brothers (previously covered in this very series) and later went on to an Oscar nomination for the Bob Fosse masterpiece All That Jazz (1979). Yesterday Today and Tomorrrow was a hit, another feather in both stars caps (they were already international superstars) and won the Oscar for Best Foreign Film and a BAFTA for "Foreign Actor" for Mastroianni but today it's underdiscussed.

It remains most famous for one scene in particular, Sophia's modest but ultra sexy little striptease pulling a stocking down to the horny delight of childlike Marcello. The stars later riffed on that scene together in Robert Atlman's fashion comedy Pret a Porter. Since there are so many images in this post (one from each short film from most of the participants) they'll have to go after the jump. And if these images and great articles don't convince you to see this Oscar winner, all hope is lost!  

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Yesterday ("Adelina of Naples")

For this week's Best Shot, we're looking at the anthology romcom Yesterday Today and Tomorrow (Oscar's Best Foreign Language Film Winner for 1964) starring everyone's favorite Italian screen couple Sophia Loren & Marcello Mastrioanni³. I've asked participants to choose a third of the movie to Best Shot, or, one shot from each of the three segments within the film by tomorrow night. If I have time I'll do "Today" and "Tomorrow" but my favorite segment is the first -- which is not to say that it's downhill from there so much as it's the most exuberantly delightful of three distinctive delights.

The first story is about the Sbaratti's, a poor couple who realize that the wife Adelina, pregnant with baby #2, will be sent to prison because they refused to pay their fines and keep avoiding punitive measures like furniture repossession. Her husband Carmine is always unemployed while she sells blackmarket cigarettes on the streets with other poor women. They learn from a reluctant lawyer that Adelina can't be arrested because she's pregnant and thus gets an automatic reprieve. And so this exuberant comedy about a boisterous poor neighborhood morphs into a marital sex comedy as temperamental Adelina & gadabout Carmen attempt to stay pregnant for years on end. Both actors do excellent physical comedy, getting big laughs from gestures and their inimitable chemistry. Time shifts are indicated not by anything as rote as identifying text but the number of children (mostly unnamed) hanging from the couples arms and what their friend happens to be selling in the streets; cherry season? Uh oh, the cops are coming 'round again.

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