You've heard from a few members of our team of their quick lists of gratitude so naturally your host and obsessive ringleader, Nathaniel, must chime in. As you read this I'm surely already stuffing myself but this year I've planned ahead with a big diet and exercize program to commence on November 30th.
I'm thankful for...
..."rug" in Room, steering wheels in Mad Max Fury Road, the train sets in Carol and Ant-Man, and Gerda's evolving portraits of Lili in The Danish Girl
... Grandma's bonobos fixation
... Sarah Paulson's ability to elevate every single project she's in whether said project is awesome (Carol) or, let's say, "challenged" (AHS: Hotel and AHS in general for that matter)
... the way 2015's hottest topics kept reminding us of Cate Blanchett's Blue Jasmine speech in 2014
The world is round, people!"
...a tight squeeze, with shimmering bosom, in Paolo Sorrentino's Youth
... bits and pieces of Magic Mike XXL but oddly not the parts involving bits and pieces. [Ahem]
...the rise of continuous shots. Hello Victoria ! Can we keep getting one of these movies every year?
...communal meals in Brooklyn. And speaking of communal meals -- that time Katey, Nick, Joe and I were all in the same room (first time ever) and then that time I met her awesomeness Teo Bugbee for lunch and we retreated, without warning, into the weird pockets of our brains that are completely infected with Isabelle Adjani madness. (After we were done talking about drooling on Carol that is.)
... Tilda Swinton's tan in Trainwreck, Michael Keaton's self-assessment in Spotlight, and Juliette Binoche's laughter in Clouds of Sils Maria
...the beautiful commitment to ugly psychology in UnREAL
... Patton Oswalt's memoir "Silver Screen Fiend"
...the shot of Jack's feet tentatively touching the sterile hospital floor in Room
... *unfolds dread acceptance speech list of names that probably won't mean anything to readers but means a lot to me* Nicolette, Tony, Lisa, Lea, Chris, Gena, Courtney, Amy, Benjamin, Melanie, Denise, Rob, Matt, Thomas, Joey, Cory, Thelma, Todd, Dan, Ed, Kay, Matt, Tim, Jenn & Alan, Vern & Evi, Deborah & Roberta, multiple Williams & Davids & Ryans & Johns & Andrews and many others I'm forgetting right this second who either work in showbiz and make my job more pleasant from their outreach and kindness or don't work in the movies at all but make my life more pleasant and joyful in one way or several others.
... the absurd jump in quality (when the show was already excellent) in S2 of The Leftovers.
... three superb actors we've loved for years that were kind enough to guest blog right here at The Film Experience in 2015 for an entire day: Ann Dowd, Cara Seymour, and David Dastmalchian. Humbled and blessed to have them.
And, finally, a toast to imaginary friends within the movies -- Bing Bong (Inside Out), Lucky the Dog (Room), and Larry & Barry (Mad Max Fury Road) -- since every character we love in a movie serves the same function for us!
We'll end with a reminder of our deep gratitude to all you readers (international and domestic) -- especially those that donate, subscribe, comment, and share their favorite articles -- and to Team Experience who do so much to keep this blog popping daily when I'm exhausted, overwhelmed, offline, travelling, or even when I'm doing just fine and they're just sharing their love for movies in articles and or comments. Community means so much to The Film Experience because what is the obsession with movies other than the thrill of sharing stories together in the dark?
Nathaniel (c'est moi) posing with Natalie (Portman)! Nathaniel R, the creator and owner of The Film Experience, is a member of the Broadcast Film Critics Association. He is the film columnist for Towleroad, a renowned Oscar pundit (Gurus of Gold), and his writing has appeared in both online publications (Vanity Fair, Slate) and print magazines (Esquire, Winq). Nathaniel has served on international festival juries and appeared as an on-air Oscar pundit for CNNi, Sky News London and more. Michelle Pfeiffer on a piano top (1989) altered his life's trajectory, and Julianne Moore high on coke and mommy issues (1997) and Nicole Kidman descending from the rafters (2001) at the Moulin Rouge sealed his fate as the hopelessly movie-mad Actressexual you see before you. [Follow Nathaniel on Twitter | See all Nathaniel's Articles
Tuesday, December 15, 2015 at 11:02PM 
Once you've seen Room, you're unlikely to forget "Room". To Jack (Jacob Tremblay) "Room" is the entire world. He names everything in it and says hello each morning to the only (inanimate) friends he has ever known. The space had to be tight, visually memorable, and emotionally specific and you had to have cameras function inside it. A tall order. To design Room, and the world outside of it in Room, a Globe nominee for Best Picture, Lenny Abrahamson entrusted the ingeniously creative production designer Ethan Tobman who had previously worked in low profile independent film but attracted much more attention for recent high profile work for music superstars like Beyonce, Eminem and Madonna.
